Pre Order:
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Nadine Shah Album trailer: http://found.ee/R8JCe

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TOUR DATES: 
Tickets: found.ee/DVpf7
Friday April 10th Brighton Haunt
Sat April 11th Gateshead Old Town Hall
Sun April 12th Travel day
Mon April 13th Glasgow King Tuts
Tues April 14th Manchester Deaf Institute (travel after the show)
Weds April 15th Day off london
Thursday April 16th london Olso 
Friday April 17th Bristol Exchange 
Saturday April 18th Birmingham Rainbow
Nadine Shah announces new Single Fool and Album Fast Food

Having earned an early reputation for that uniquely rich, soulful voice; Nadine Shah released her debut album Love Your Dum and Mad to critical acclaim in 2013. A stint on the road with Depeche Mode followed whilst opening for Bat for Lashes and playing live at Vivienne Westwood's Red Label London Fashion Week show provided notable highlights on an extensive tour. Created with trusted collaborator and producer Ben Hillier, the excellent follow-up Fast Food is out on 6 April via Apollo / R&S Records.

Born from a fervent two-month writing session, Fast Food exists on a knife-edge – every bit as dramatic as we’ve come to expect from Nadine but with a sharpened eye for all things hook laden; retaining a brooding grandeur in its musical movements. 

Building on the bruised honesty and charm of its predecessor, Fast Food rings with the confidence of an artist completing their most coherent musical chapter to date. “The last album took so long to make that by the time it came out it didn’t feel like it was a very clear representation of where I was musically, but this time it’s different,” Nadine explains. Fast Food is a more concentrated effort: it is the sound of Nadine Shah as she is now, stepping out from behind the piano and growing with immeasurable confidence.

Nadine admits that Fast Food is a reflection upon short lived, intense, complicated relationships. "I suppose it's a coming of age album of sorts lyrically. Rejecting the romanticised idea of 'perfect' love and maturing in respects to relationships and accepting partners pasts".

With love comes heartbreak: “But it isn’t begging for your sympathy, it doesn’t wallow in self-pity” adds Nadine. “It’s unapologetic and, I hope, empowering.”

Speaking of the scarcity of keys on the new album Nadine says: “I felt quite restricted just sat behind the piano all the time on stage, so touring really catered for the way this record sounds. Everything started on guitar whereas last time Ben re-wrote piano parts for the guitar.” All the more addictive for their rarity, the piano provides light relief to Nadine’s all-important, enigmatic vocals. Yearning and tender yet billowing and aggressive; they weave a tale full of anxiety, vulnerability and nightmares. 

Setting the pace with this beguiling and exhilarating listen, Fast Food cements Nadine Shah as one of the UK’s most exciting and enthralling talents. Whether it’s the brutal honesty of the love stories, the brooding, crystalline guitars or even the rich, soulful vibrancy of her voice, Fast Food is an immediate, lavish and wholly vital album for 2015. 

‘Fool’ is the album at its most bitter, but like everything Nadine touches there is a wry humour and sweetness beneath the poised menace of its guitars and spitting lyrics. “When I mention damn Nick Cave and Kerouac, I’m pointing out someone’s predictable nature, but Kerouac is my favourite author and Nick Cave is my favourite musician” she explains, tongue firmly in cheek. 

Fast Food

Fool

zonedout - empty rain (prod. phntmzn bR slaymor) copy

Shaken-Up Versions

Got 2 Let U (Shaken-Up Version)

Transparent Things

Ankle Injuries

Death Song

Grab as Much (As You Can)

Third World Pyramid

Don't Get Lost

A Warm Digits re-working of Teleman's song 'Repeater'. 

The original features on a limited edition 12" vinyl which is available to buy now: http://www.moshimoshimusic.com/Teleman

http://www.facebook.com/Telemanmusic
http://www.twitter.com/Telemanmusic
http://telemanmusic.bandcamp.com

Teleman - Repeater (Warm Digits Remix)

Psychic Data

Porsche Majeure

A song by The Pixies

Produced and mixed by Abe Seiferth at Transmitter Park Studio
Mastered by Heba Kadry

Gouge Away

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Teleman - Repeater (Warm Digits Remix)

moshi moshi music