House/Tech House

Releases July 19th 2021
childhood.bandcamp.com

A
01. Still Life Talkin' 06:10
02. Meditative State (mantra) 06:45

B
01. The Blues 06:08
02. Future World 07:56

C
01. Basement Jam 9 05:59
02. Life's Cycle 05:39

D
01. Tropical Hifi 07:57
02. New Normal 06:34

E
01. Meditative State (reflective) 05:06
02. Fizzy 07:09

F
01. Still Life Talkin v2 05:31
02. Search 04:02

All Tracks written, produced and mixed by Mr. G (Colin McBean). 
Mr G is published by Back Foot Music 2021. 

Mastered by Simon Davey @ The Exchange Vinyl. 
Artwork front image by sam@namecreative.co.uk. Visual design by Anja Lekavski anja@lekavski.de

Distributed by www.clone.nl

© CHILDHOOD 2020 - 4 THE FUTURE!
All rights reserved. Made on earth. 
CH004LP
www.childhood2020.net

This one will hit you off guard! When starting CHILDHOOD in the midst of the pandemic year 2020, I never imagined to come up with an entire album as third release of the label. A couple of months later, THE FORCED FORCE IS NOT THE TRUE FORCE by MR G is about to hit the streets. I couldn’t be happier to present such a timeless masterpiece to the world. Colin and I were in touch on and off for nearly a decade before I started to have a vision in mind for him to explore rather unknown excursions to his inner soul. It took about half a year before I picked up the phone and gave him a ring. The result was a 4 week long daily deep exchange over sonic frequency philosophy, while G translated all of these thoughts and emotions into a 12 track album in his studio in Market Harborough. The album became our soundtrack to the pandemic. Well, it’s off as you might not be used to these kinda soundscapes from MR G. The albums marks a change, as did the world. It’s a story of forgotten places and takes you far away into a dream. A dream of the future. A dream that pays tribute to the past, is critical of the present and still gives hope for what’s to come. Always rough and raw, the outstanding sonic frequency design on THE FORCED FORCE IS NOT THE TRUE FORCE will let you dive deeply into a new language of MR G, while the man still keeps what we all love him for:  this very unbeaten and 100% real, distinct rhythm and groove that marks the G sound. 

The album is pressed DJ friendly on 3 x 180g 12” vinyl and includes a download copy. A limited edition of 100 numbered copies comes in triple colored (blue/purple/crystal) records and will be exclusively sold via CHILDHOOD’s bandcamp page as well as the CLONE store. Vinyl to be released on July 19th 2021, followed by the digital release on July 30th 2021. 


-Muallem-

Childhood LP CH004 - Mr. G - The Forced Force Is Not The True Force (PREVIEW)

En ésta ocasión nos complace presentarles a un artista oriundo de zona sur, Buenos Aires, Argentina. Imma Vazquez aka Publikum, músico productor que nos trae la #10 edición de éste white label orientado a la música House, Detroit y derivados.

En éste EP podemos escuchar 4 pistas con ritmos bien marcados, texturas totalmente acogedoras que logran una calidez al oyente como pocas veces se consigue, melodías que nos transportan a un plano superior, creando armonías que van jugando durante todo el desarrollo de los distintos temas, basslines ácidos y sonidos dubs envolventes.

https://kenaiiirecords.bandcamp.com/album/lazy-sleepers-ep

https://soundcloud.com/kenaiiirecords
https://soundcloud.com/publikumsound

PREMIERE: Publikum - Your Curly Hair On My Pillow [Kenaiii Records]

Xades - Eyes Cold (Maroki Remix)

Damián Schwartz makes a welcome return to Pulp for his third full-length album, La Sal De Tu Especie. The 11 track record was written over the last three years as a way of coping with some tough experiences and features remixes from K15 and Gifted & Blessed. It once again finds the Madrid producer serving up the sort of richly musical house that has always stood him apart.

Schwartz has been away for a while but emerged in the early 2000s with an artful take on house music. As a student of jazz, composition and bass, his intricate grooves have always been embellished with real melodic craftsmanship. In the past, they have come on this label, Esperanza and A Harmless Deed which he co-runs with José Cabrera. He has put out two albums before now and also works under the Epiphany alias as a producer and live act.
He is a real master of his analog machinery and someone who never fails to bring fresh ideas. This superbly adventurous and widescreen new album proves that once again and shows off diverse influences such as 90's broken beat by acts like Hanna and 4 Hero, the early IDM of LFO and Aphex Twin and the Detroit house and electro styles of greats such as Juan Atkins, Teknotika, Marcellus Pittman and Kyle Hall.

It kicks off with 'Renacido' which is a cinematic synth opener that places you into orbit. 'La Elipa' is expansive and jazzy house with cosmic chord work over the tight, punchy kicks and 'Lopp' then gets physical with broken beat drums and funky bass dancing around each other to uplifting effect. The superb 'Zwei Danke' is another masterclass in off-grid beat programming and soulful machine sounds that captures the essence of early Detroit house.

It is remixed by K15, a vital London beatmaker with credits on labels like Eglo and Wild Oats. His version showcases rugged, lo-fi and dusty drums softened by heart-melting chords and angelic vocal coos.

Schwartz's 'Morro Da Urca' is a suspensory ambient interlude that makes way for the crisp electro-funk and starry-eyed pads of 'Rufo,' then 'Meco' cuts loose with boogie bass and glistening drums and perc that voyage through a whole eco-system of bright, nebulous synths. 'Mika' is another out of this world house composition with majestic leads and pixelated pads that bring warmth and future soul. There is real electricity in the freeform keys and corrugated drums of 'Coney Island' that will ensure any dance floor takes off.

Final remixer Gabriel Reyes-Whittaker aka GB (Gifted & Blessed) is a composer and sound artist whose music is a constant exploration of the bridge between the technological and the ancestral. He flips 'Loop' into an Afro-future jazz dance with infectious percussion and expressive chords that never rest.

La Sal De Tu Especie is a timeless fusion of jazz freedom and house grooves that takes you into a magical new dimension.

La Sal De Tu Especie

BUY on BANDCAMP

PREMIERE : Damian Schwartz - Meco

Mixing genres, Bonhomme creates deep electronic music, integrating melodies to break rhythms.
This track is part of the second Festopolis release, which promotes Brussels' local scene, with 8 other tracks, from Electro to Trance, Techno or even Jungle…
Festopolis is about celebrating local talents and diversity. They organize events and release music, trying to propose original music from artists with different musical genres, with a special taste for break rhythms.

Bonhomme IG : https://www.instagram.com/bonhomme_music_/
Festopolis IG : https://www.instagram.com/_festopolis/
Bonhomme SC : https://soundcloud.com/user-334157313
Festopolis SC : https://soundcloud.com/festopolis

PREMIERE : Bonhomme - Setting The Atmosphere

Always Dreaming

Its so Good

The Crown of emptiness is a tool subjected only to the chosen ones that allows controlling the consciousness of different creatures. It can be found in the Archeocomplex IV-B. It is a hoop of flexible black material that exudes whirlwinds of psychic power. By putting on the Crown, the new wearer receives extraordinary abilities and plunges into a fantasy in which they dream of the life of the previous owner. The artefact has side effects: it damages the mind and erases all memories, knowledge and skills.

@ludowick

Component N14

Download

Ludowick – Component N14

Northern Irish DJ, Producer and label head honcho Hammer - AKA Rory Hamilton - announces a brand new Various Artists compilation titled Remmah Rundown, championing up and coming and established artists from across his musical sphere. The project will be released in March via his Remmah imprint with the first double-sided singles Sickwave – a collaboration with KILIMANJARO – and I Know from Tokyo’s Remmy.

The first single to drop as a double sided track is titled Sickwave, a collaboration with the Scottish producer and DJ, KILIMANJARO. The release sees the two producers team up once again following their entry into Beatportal’s 50 top tracks of 2022 with the Tornado Wallace remix of their track Muleña; a song that proved to be that catalyst in catapulting the producer into the public eye with a debut London Boiler Room set alongside Fred Again. Raised in Scotland with familial roots in Zambia, KILIMANJARO combines his background of afro-centric rhythms and influences, infused with fast-paced energies of the western electronic scene. Known for his high-energy performances and his infectious crowd-raising persona, the past year has seen him return to the studio, bringing with him his rhythmic energy and completely unique vocal style to all of his production. Sickwave carries an infectious grooving beat that represents both of what Hammer and KILIMANJARO do so well, and is the perfect way to launch Remmah Rundown.

The second single, I Know comes from Tokyo’s Remmy, an artist strongly influenced by the re-edit culture inherited from the early days of dance music, as well as disco dub and nu disco that emerged in the early 2000s. With a pure acid influence, I Know is a mesmerising track that elevates itself with a thumping bass beat accompanied by incandescent synth hooks, creating a tactile, pulsating atmosphere.

Marking the label’s eleventh release, the compilation consists of heavy-hitting tracks from some of Hammer’s favourite artists new and old, highlighting Remmah as a label that supports new talent as well as building on Rory's connections to the electronic music scenes in Glasgow and Ireland, two places very close to his heart. More than half of the EPs released on the label have been debuts for the artists involved. A key component to Remmah is enhancing young creatives' work and shining a light on those who fit the Remmah ethos. Through this aspect, talents from further afield join the action, with Mexico’s ALF CHAMPION & MDHNTR, LA’s Club Tularosa and Tokyo’s Remmy all contributing their own takes on Remmah’s established sound of dynamic, italo and acid-infused, cosmic house and techno. Past Remmah artists including Anna Gram, Stevie Cox & Fossil Archive and KILIMANJARO return with brand new tracks, alongside Naum Gabo - aka Optimo’s JG Wilkes and James Savage - and Phonica’s YSANNE with her debut release.

Originally dedicated to his own productions, Remmah is Hammer’s digital only label. A product of lockdown, the label has allowed Hammer to create an outlet that has provided a platform to self-release, all whilst exploring various concepts and allowing his ideas to flourish. Meanwhile, the label also explores socially conscious values, with the second release, a LP titled Fonda, doubling up as an initiative to raise money for Mind Mental Health charity during an extremely difficult time. Remmah is ready and raring to go.

Stevie Cox & Fossil Archive - Water Signs

After a year of lethargy, SD Records returns with a tremendous EP signed by Ludowick. One of the most beloved remixers of the family finally deserved a solo EP, and the occasion has arrived in the SD 30th release.

Always Dreaming becomes one of the high points of Luis' career, of which we still don't know its peak. The EP is made up of 3 songs simmered for 5 years, and although they represent 3 different moods, the common denominator is the dancefloor.

Always Dreaming creates a minimalist and dreamlike atmosphere thanks to the dub dyes of the house, accompanied by a tech-house rhythm with sounds of the mythical 909.

Premiere | Ludowick | Always Dreaming | [SD030]

After a year of lethargy, SD Records returns with a tremendous EP signed by Ludowick.
One of the most beloved remixers of the family finally deserved a solo EP, and the occasion has arrived in the SD 30th release.

Always Dreaming becomes one of the high points of Luis' career, of which we still don't know its peak. The EP is made up of 3 songs simmered for 5 years, and although they represent 3 different moods, the common denominator is the dancefloor.

Vitamin is a timeless Garnerian ode, confetti-scented but meticulously crafted. Luis germinated the idea a few years ago but took it up again last 2022 with new ideas to create this marvellous anthem.

Always Dreaming creates a minimalist and dreamlike atmosphere thanks to the dub dyes of the house, accompanied by a tech-house rhythm with sounds of the mythical 909.

In Its So Good Luis lets us glimpse his love for 90's house and 80's pop, with a vocal and tribal track inspired by artists like Yazoo or Madonna.

https://sonidosdistintos.bandcamp.com/album/always-dreaming

https://soundcloud.com/ludowick
https://soundcloud.com/sdrec

PREMIERE: Ludowick - Vitamin [Sonidos Distintos]

Hard Even - Long Moment

Released:
https://mindcolormusic.bandcamp.com/album/aux4415

https://www.sonic-space-music.com/sound-synthesis

aux4415

Microfeel

Order Here :
https://www.juno.co.uk/products/exquisite-corpse-between-rhythms-iv/713170-01/

The 4th and final EP of music from Exquisite Corpse brings to a close this series of rebirth and definition. Together, Robbert Heynen, Debbie Jones and Tim Freeman released in just 2 years a stream of sacred, serotonin beats and hypnotic tribal rhythms that shape shifted dance floors.  

Returning to the source, the debut Reassembling Reaility EP, with Hollywood.  A confluence of steppa rim, spoken mystics, found sounds, synth-strings and rolling basslines. Join us. 

Leading to Strange Attractor from the prized Dream Night Dance album, familiarity and progression. Euphoric onrush, bottom end pulsing, sentimental strings, serene keys, pitch shift, a master class of less becoming more.  Aural injection.  

Calling The Quarters off 1993’s Inner Light album starts the final side in bestowing beauty; above so below, in front, behind, around.  Raw, natural, fluctuating, moody, obscure.  The mystery.  

The release and series completes with Etoiles.  Again (aptly) drawn from 1992’s Dream Night Dance Music, the hallmarks’ of this underrated project are there. Detroit bass, lazy hats, counter claps, harmonies for modern times.  

Tribal. Ambient. Techno.  The terms do not justify the music included.  As it should be.  Primal, sanctified, conscious, living.  The journey ending.

A2. Exquisite Corpse - Strange Attractor

[ST001] White Afghani - Elyx EP

PREMIERE: White Afghani - Globus [ST001]

How to submit music: http://bit.ly/How2SubmitMusic

My name is Moskalus and i run a YouTube channel and upload music regularly.
Booking/Contact/Promo/Submissions
moskalusxoxo@gmail.com

PREMIERE: Ludowick - Vitamin [Sonidos Distintos]

Moskalus

Related tracks