Pterodactyl Plains - In the Air

roquefeller - †uran

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Original track from Botany's 'Dimming Awe, The Light is Raw' released by Western Vinyl

iTunes: http://hyperurl.co/qzgj6u
Bandcamp: http://botany.bandcamp.com/album/dimming-awe-the-light-is-raw

Botany:
Artist Page http://westernvinyl.com/artists/botany
Facebook https://www.facebook.com/BotanyMusic
Twitter https://twitter.com/botanymusic

Under the Botany moniker, Spencer Stephenson creates rich psychological and emotional experiences through audio. When he started creating his own music at age 15, he was enamored with Four Tet, Stars of the Lid, Madlib, and Dilla.  In his late teens, he went through a heavy period of discovery with Psychedelic rock, Krautrock, and Brit-folk. "I started imitating a lot of those forms in my own music, sampling them sometimes, recording from scratch sometimes, but really just trying to bridge a gap between those worlds and sample-based hip hop, and I’m still trying."

On his latest effort Dimming Awe, the Light is Raw, the 27-year-old producer and composer continues dissolving the borders between his disparate-yet-beloved psych, hip hop, and ambient influences.  Unlike his debut LP Lava Diviner, which peaked and valley-ed through a narrative arc, Dimming Awe focuses on the artist's ever-unfolding, present state of mind.  As a former jazz student, spiritual/free jazz philosophy regarding what he calls “emergent” music has increasingly become a guiding light when he creates.  "The more emergent I let my music be when I'm making it, the more I like the result, it feels like a truer reflection.  I feel like I am getting closer to doing that with computer-made music," he says.  "This album is a document of what I do, not a statement in any explicit way. I feel like I'm moving closer to a jazz underpinning that I've always felt, philosophically more than aesthetically…making music feels more like exhaling as I grow older.”

Botany - "Au Revoir" MNDSGN Remix

All @Jumpsuit-Records music is Name Your Price at http://jumpsuitrecords.com

@Wildlight's The Tide has been redone as an all Acoustic Album. Listen here or...

Spotify: http://spoti.fi/1TLnhyy
Youtube: http://bit.ly/1ToXYm6
Bandcamp: http://bit.ly/1YJ6LmI
iTunes: http://apple.co/1U483XV
Amazon: http://amzn.to/1qz5N0C

Produced by Ryan Herr @eye-ry 
Tyson Leonard @tropo
Jesse Hendricks @jesseye-hendricks

Full press release here.
http://jumpsuitrecords.com/album/wildlight-the-tide-acoustic/

@Jumpsuit-Records is a music curation project of @ThePolishAmbassador

<a href='https://theartistunion.com/tracks/73eef3'>Download for free on The Artist Union</a>

The Tide (Acoustic)

Download ⚡️ Stream

Wildlight - I Could Write (Acoustic)

FREE DOWNLOAD: https://hypeddit.com/track/sktls5

Dreamz Come True

BANDCAMP

DREAMZ COME TRUE [FT ROCHELLE JORDAN]

The Budos Band "Maelstrom" b/w "Avalanche" 45 is out now. Get it at http://shopdaptonerecords.com

Much like the infamous weather phenomenon the song is named after, MAELSTROM swirls and surges; drenching the listener in psych feedback while pulling downward, ever downward, into a sonic abyss. The bass provides the current, a pulse that pushes through the waves of feedback before the crashing storm of horns furiously hammers the listener. There is nothing pretty here, nothing safe; this is the Budos unhinged.

The Budos Band "Maelstrom" b/w "Avalanche"

Field Recordings of the Mysterious Ringing Rocks/Montana, music made with rocks. Near Butte Montana, and part of the edge of the Boulder Batholith, is a large jumbled pile of boulders, the rocks in this unique geologic formation chime melodically when tapped lightly with a crescent wrench or mallet.

It is believed that the ringing is a combination of the composition of the rock and the way the joining patterns have developed as the rocks have eroded away, though ultimately a concrete scientific explanation has yet to be arrived at. Curiously, if a boulder is removed from the pile, it no longer rings.

Slightly different pitches and timbres emanate from thousands of rocks in the formation, and in theory Butte's Ringing Rocks could form the basic ostinato for the "Music of the Spheres."(Musica Universalis)

All sounds captured with the Sony PCM-D100 24bit-96khz

Download the Kontakt kit here: https://www.dropbox.com/s/owre3t7wzslqcr3/RingingRock-Samples-RD.zip?dl=0


Field Recordings of the Mysterious Ringing Rocks/Montana, music made with rocks.

Artist: Hauschka
Title: Constant Growth Fails 
Album: What If 
Release Date: March 31, 2017

Pre-order North America: https://www.temporaryresidence.com/products/trr290
Pre-Order ROW: http://hauschka.lnk.to/whatif

Since 2004, Volker Bertelmann – aka Hauschka – has, steadily earned a remarkable reputation as a purveyor of imaginative, distinctive, prepared piano music. On What If – which finds him adding player pianos (also known as pianolas) to his arsenal – Bertelmann expands his range even further, defying expectations and delivering what is without a doubt his most ingenious album yet
While engaging with his trademark technique of utilizing unusual objects – art erasers, for example – to treat (or ‘prepare’) the piano, Hauschka also programmed parts for player pianos, exploiting the speed at which they could play, manipulating the resulting sounds, and building layers to emphasize a composition’s meter.
What If aims to provoke reflection beyond the musical sphere with the titles of the both the album and its individual tracks. Overflowing with haunting melodies, mysterious sounds, and complex patterns, What If crowns an extraordinary couple of years for Hauschka. Likely to prove one of 2017’s most original albums, What If redefines the very notion of piano music in dramatic and exceptional fashion. It stands as a rebuttal to those who lazily shoehorn Hauschka’s work into the so-called, uncomfortably broad ‘new classical’ category, and instead underlines his status as a unique and invaluable artist.

© Temporary Residence Ltd. & City Slang

Pterodactyl Plains - In the Air

Motion Noise