This digital release comes by the hand of Spanish duo Crime as Service whose specialty is textured obscure techno with a passion for abstract ambiences and solid grooves.

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The sound voyage starts with Access, a beatless ambient exercise reminding us of the sound of a spaceship floating out there with no gravity. Drones, background noise, and subtle voices.

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Assault to Scada follows, starting with a continuous sequence that floats over a solid kick, main sequence’s filter rises from below and soon new textures are added filling the stereo field. No sudden changes, no breakdowns, obsession and hypnosis as a mixing tool.

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Spudger has a more shuffled rhythmic approach, with more percussive elements and flanged filtered synth lines. Again obsession and tension as leitmotiv.

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Closing the release Dread Pirate Roberts flows over similar parameters, heavy sub bass action, a groove that grows progressively, phased and flanged components and a linear and mental arrangement.

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Four cuts that work as a concept, rising from beatless to intense, excellent for those with proper mixing skills who can get the most out of these pristine sounding tools.

 

W & P by Crime as Service.

Format: Digital

Distributed by Ready Made. 

Mastered by Dubplates & Mastering.

Artwork by Futaba Hayashi.

Premiere: Crime As Service -  Assault To Scada

Please send all enquiries to motztechno@gmail.com 💖

✨STRICT POLICY: All labels MUST give correct information before premiere goes live. NO changes will be made after the premiere is released. ❤️

MOTZ Name Meaning. (also Mötz) nickname for a grubby, unkempt individual, or an obstinate one, from Swabian dialect motz 'dirt'. Also nickname for 'girls' in Dublin.

Techno events and webzine run by Irish girls.

When the veil of perception thins, the unreal seeps in.
Sound becomes fracture. Time loses structure.
There is no intent, only resonance.
No creator, only presence.
No truth, only the dream.

Notzing is an ongoing exploration of altered perception through sound. Dense drones, structural minimalism, and time-stretched loops converge to dissolve linearity and summon trance.

Influenced by oneiricism and surrealism, Notzing navigates the unconscious through sonic language — sculpting frequencies, bending time, displacing space. Modular synthesis, feedback chains, and processed textures act not as instruments but as conduits for dreamlike experience.

It is a ritual practice in cycles: sonic, thematic, subconscious. There is no final form — only recurrences, echoes, and the slow drift toward the unreal.