DD Reggae/Funk/Pop/New wave/Jazz/Fusion/Chill ...wizz !

Just played the Bass over it... this nice composition is from DD John ;-)

Collaboration with DDJohn... playin Bass over his "Javelin Spear it" song

An exploration in reggae universe with my old clarinet  ;-)

Clari-Reggae

Riddim: Jon K.T Lindley (soundcloud.com/jon-lindley)
Lyrics, vocals : https://soundcloud.com/arnaud-tranquil
Clarinets : DDJohn (Steph) : https://soundcloud.com/ddjohn

Et Après

Et Après nous, man, que restera-t-il ?
quand nous ne serons plus que des poussières inutiles
bien malgré nous, man, souvenirs futiles
d'une vie souvent rasoir et vécue sur le fil

Deviendrons nous, man, de vieux fossiles ?
quelques mots dans l'histoire oubliée d'une ville
mais ne crois pas , man, que cela est facile, 
quand la vie choisit pour nous des routes si fragiles

Et Après nous, man, que restera-t-il ?

Et Après ....(Arnaud Tranquil) - Riddim from Jon K.T Lindley

Let me present you those awesome musicians who have participated at this Reggae Jam!
Bass: Mirko Borach @soundcloud.com/stringburner
Steel drums: Jamie Rhind @soundcloud.com/jamie-rhind
Clarinet: DD John @soundcloud.com/ddjohn
Djembe: Apha Roots @soundcloud.com/alpha-roots
i played the melodica, the organ solo, rhythm guitar, reggae keyboard bubble and drum programming.

Back To Roots with Mirko Borach, Jamie Rhind, DD John and Alpha Roots

Chicago

I had Spitfire Solo Strings gifted to me a while ago, I’m not even gonna say how long, it’s embarrassing. This track took forever. I knew exactly what I wanted (like I always do), but getting it to sound the way it did in my head? Nope. I lost count of how many times I rage quit.. but I always came back. I’m so glad I’m a stubborn bitch with a caffeine addiction and no sense of when to give up, because now I finally love how it turned out. Worth every dramatic sigh, every thrown cushion, and every “I swear I’m deleting this forever.” 💥🎻☕

I hope it brings you even a sliver of the ridiculous joy I felt when it finally sounded right, because this one nearly broke me and my keyboard. I'm not sure I will ever do another.

☕ The coffee machine let out a steamy wheeze and muttered, “My beans.... my soul.... I can finally rest”.
💿 The microwave blinked slowly and whispered, “That sound you hear? It’s the universe exhaling”.
💨 The kettle let out one last hiss and shrieked, “SHE FINISHED IT, SOMEBODY WRITE THIS DATE DOWN”.

Made in FL Studio using u-he Diva, Arturia Analog Lab, Omnisphere, Vital, and Spitfire BBC Symphony Orchestra. Additional textures from LABS and custom sample layers. Reverb by Valhalla. Also features Spitfire Solo Strings and the Arturia KeyLab Essential Mk3 (61-key)

🎬 Not a movie 🎞️

'you can('t) change' with Scratch Kelly 

Scratch: beat, synths, backing vocals, production, art
Scotty: guitars, lyrics, vocals 

I can't even blame you, girl,
after I've learned about your world.
Fucked up, but, still, that is that.
I have given all of me,
and sometimes I did believe
that we'd create a habitat. 

But then tonight happened again,
and I've lost my love, and best friend. 

It didn't need to escalate,
then you wanted to stay out 'late',
drink some more, and party hard.
Then when it was time to leave,
you spoke shit I'd rather disbelieve, 
and now I have to leave. It's hard.

Because when you're straight, you are great.
But, I keep making the same mistake
of forgiving you. Now, it's too late.
My heart is torn, but, so is fate. 

You can('t) change.

you can('t) change (with Scratch Kelly)

"Love is not written on paper, for paper can be erased. Nor is it etched on stone, for stone can be broken. But it is inscribed on a heart and there it shall remain forever." - Rumi

A piano improvisation for Mr. Harris. 😊 Loved you then...Love you now...Always will. ❤️

Always Will

Written by James Geer

I’ll take a B in spelling
I’ll take a B in math
I’ll take a B in Affection
I’ll take a B in wrath

I’ll take a B in working
I’ll take a B in health
I’ll take a B in living
That’s how I’d grade myself

I’ll take a B in caring
I’ll take a B in love
I’ll take a B in giving
These fit me like a glove

I’ll take a B

(No GenAI involved : my voice + Vst instruments)
I release this song during a musical challenge at LZMP (a community of musicians)
Let's rock
(Traduit plus bas)
-----
I kept my mouth shut down
I played the game too long
What the hell they think they are
Holy talk and shining stars

I watched them, broken arms
Just smiles and plastic charms
What they built is upon my own fear
It’s time to scream, let's make it clear !

I'm gonna stop the show
Or they will never know
I am not a toy i'm a gun
It's my time to have a bit of fun 

Who makes you feel so bad
Who makes you feel sad
Who makes you feel mad

We live in toxic worlds
With bunch of crazy lords
Should we bow, should we just obey
We'd better burn their mask today!

Their unabashed opinions
Nauseating dominions
Feeding hate on every stage
They are so good at that : breeding the rage 

Who makes you feel so bad
Who makes you feel sad
Who makes you feel mad

So spit back what they preach
Out of reach, out of leash
I don’t need a cage or throne
Queen bee, look at me, I'm not yours to own

I'm gonna stop the show
Or they will never know
I am not a toy i'm a gun
It's my time to have a bit of fun

Who makes you feel so bad
Who makes you feel sad
Who makes you feel mad

Who makes you feel so bad
Who makes you feel sad
Who makes you feel mad

-----
J'ai fermé ma gueule
J'ai joué le jeu trop longtemps
Qu'est-ce qu'ils pensent être
Des paroles saintes et des étoiles brillantes

Je les ai regardés, bras cassés
Juste des sourires et des breloques en plastique
Ce qu'ils ont construit, c'est sur ma propre peur
Il est temps de crier, soyons clairs !

Je vais arrêter le spectacle
Ou ils ne sauront jamais
Je ne suis pas un jouet, je suis une arme
C'est mon heure de m'amuser un peu

Qui vous fait vous sentir si mal
Qui vous fait vous sentir triste
Qui vous fait vous sentir fou

Nous vivons dans des mondes toxiques
Avec une bande de seigneurs fous
Devons-nous nous incliner, devons-nous simplement obéir
Nous ferions mieux de brûler leur masque aujourd'hui !

Leurs opinions décomplexées
Dominations nauséabondes
Nourrir la haine sur toutes les scènes
Ils sont si bons à cela : faire naître la rage

Qui vous fait vous sentir si mal
Qui vous fait vous sentir triste
Qui vous fait vous sentir fou

Alors crachez ce qu'ils prêchent
Hors de portée, hors de laisse
Je n'ai pas besoin de cage ou de trône
Reine des abeilles, regardes-moi, je ne t'appartiens pas

Je vais arrêter le spectacle
Ou ils ne sauront jamais
Je ne suis pas un jouet, je suis une arme
C'est mon moment de m'amuser un peu

Qui vous fait vous sentir si mal
Qui vous fait vous sentir triste
Qui vous fait vous sentir fou

Qui vous fait vous sentir si mal
Qui vous fait vous sentir triste
Qui vous fait vous sentir fou


Who makes you feel bad ?

A smorgasbord of tasty musical treats....😄

Nowhere is Somewhere

Made in August 2025

Video; https://youtu.be/4nQXqMd0q4o

Colours Of Nature

Always Ask

buy "Always Ask"

(Written by Terry Reeves)
Recorded and mixed at the TLSS studio, Homerton (May-Oct. 2015
Terry Reeves: Vocals
Steph Laporte: Clarinets
Nik Paravatos: Guitar / Bass / Synths /Effects and Noises
Gary Reeves: Drums

I have always enjoyed being a Dad but things do change so incredibly fast.  One moment you’re getting them ready for school and in seemingly double-quick time, they’re all grown up, with all of the problems the transition into adulthood inevitably entails.  They acquire ‘significant others’, some of whom you like and some you’re pretty sure are never going to make the cut.  From a distance, you look on with increasing interest, watching them struggle with the intricacies of romantic involvement.
This song involves the machinations of my youngest son’s relationship with one particular girlfriend, who seemed to have an issue with any form of commitment.  Sometimes she’d show up out of the blue, wanting to spend every moment with him, then disappear into the ether and not contact him for days.
He and I had quite a few Father to Son conversations about her, primarily because we were both concerned about her mental wellbeing.  He’d try to contact her to check if everything was alright, often without success.  Then, without warning, she’d be back on the scene, the whole merry-go-round starting all over again.  I did my level best to help but she truly was an enigma and I was never really sure if what I had to say was helping the situation.  As with many such tricky equations in life, no obvious solution came to light and things slowly ground to a halt.  To this day, though, he says she was one of the most confusing people he ever met.
As is my habit, I decided to write a song about her, calling it ‘Take’ because it was an anagram of her name (by all means have a guess…), hoping to delineate the complexities of the things she both said and did.  Gal really loved the song and going through a marriage break-up as he was at the time, asked if he could contribute a few lines to the lyrics as a way of describing the bewilderment he was feeling, which proved an interesting window into his thinking.
Our brilliant engineer Nick thought slowing it down would give it a kind of Massive Attack feel, an approach that suited it to a tee.  But we needed something else, something magical in the mix, so Gal suggested asking our good friend Steph Laporte (‘DDJohn’ to his SC friends) to record a lead break along with some additional, extra-slurpy licks on his clarinet.  Steph is a wonderful player and as I’m sure you’ll agree, his contribution proved exactly what was needed.  It’s a real favourite of mine - so different from anything we’ve done before.  By the way, anyone worked out that anagram yet?  (Terry Reeves)

Would like to thank Gordon (https://soundcloud.com/gordon_m) for his invaluable help.  I sent him a copy of the penultimate mix and he was good enough to return a detailed list of possible adjustments, all of which were entirely spot-on and made the job of getting the final mix completed in the allotted hour very achievable, something in some doubt but for his assistance. 
(Gary Reeves)

You can say what you like but don’t say what you want to
You can think what you like but don’t think like you need to
You want to like how you look but don’t look how you like to
You never see in the dark ‘cause the darkness is inside you

Guarded observations unexplained
Is there any need?

You like to hide from the truth but the truth always finds you
You want to stay out of sight when you’re always in full-view
How can you look to the past when there’s so much behind you?
How can you be brand new with those voices to remind you?

Redundant complications unexplained
Is there any need?

You never sing out of key when the music suits you
How can the melody change when the words serve to mute you?
You laugh so loud when your good friends entertain you
You don’t understand that the real joke is about you

Another conversation unexplained

TAKE (Cripple Club collab with DDJohn) *download

Mountain Songs is a project dedicated to my brother Brian Reeves (aka Rocky Mountain, 1948–2012), an accomplished songwriter, guitarist and arranger.  He was the creative force behind so many of the songs on this page.  If you have time, please click for lyrics and track history. 
This is for you Bri, with love and thanks from us all.   We miss you. (Gary Reeves)

Involved in different local music associations with my clarinet  (in classic and jazzy mode) ,  I also  love to play the guitar, I love to try to create and produce music with Cubase and different other instruments at home. I love all forms of music. 
Thank you reading these lines, for your kind words , listens and all forms of appreciation and support, I'm always happy to explore,  discover new sounds  and collaborate on this unique platform with wonderful musicians  !!

2022 Collabs, Jams and Chansons :
https://on.soundcloud.com/pkz71
Proud to be inducted  in 2022 as an Official Lunatics after this:
https://soundcloud.com/cosmic-ratzzz/lunatics71-skyline-cosmic-ratzzz-ddjohn?si=aa7c346eca754497a8e4168605590197&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Still so happy to listen to this one with my french SC buddies in the memory of Georges Brassens on this one :
https://soundcloud.com/ddjohn/les-copains-dabord-george-brassens-with-le-hot-club-de-soundcloud-quebec-usa-fra?si=ec03fb2f0b8b42b1b57522bf07221d14&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
...and loving to play with friends in the marvelous style of Django Reinhardt
https://soundcloud.com/ddjohn/sets/collabs-with-lami-bjp

Album/EP featurings @ the clarinet :

https://soundcloud.com/mountain-songs/take-cripple-club-collab-with-ddjohn-download?in=ddjohn/sets/2015-1/

https://open.spotify.com/album/2XfVKVx3ZE1qUBwoUojmfW
.... and @ the guitar :
https://chrispendergraft.bandcamp.com/track/aint-seen-the-worst-of-it-yet-tribute-to-jimmy-page

TAKE (Cripple Club collab with DDJohn) *download

Mountain Songs

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