memyselfandI - Part 1

kurai - Part 1

Monkeytown Records Release Radar

Playlist 2

2024 slyangel111

Back Catalogue

Collection of tracks from line-up to HavenKBH (https://havenkbh.dk)available on SoundCloud

HavenKBH

PUCH OPEN AIR - seit 25 Jahren Euer Lieblings-Indie-Festival auf der grünen Wiese bei Petershausen/München.

am Samstag, den 26. Juli 2014
Beginn 16.00 Uhr

MOUNT KIMBIE
MOUSE ON MARS
JAKI LIEBEZEIT (CAN) & JOCHEN IRMLER (FAUST)
FENSTER
DAS WEIßE PFERD
BEIßPONY

https://www.puch-openair.de
https://de-de.facebook.com/puch.openair

PUCH Open Air 2014 - 25 Jahre PUCH - am 26.07.2014

Luke Slater’s most well known pseudonym Planetary Assault Systems is back in the fullest swing with 'No Exit', a standalone EP following his famed 'Deep Heet' installment series. 'No Exit' unmistakably bears all the hallmarks of Planetary Assault System, from mind-tripping and floor-stirring hypnotic energy to the theme of pushing the outer limits of unknown territories.
The EP kicks off with the title track, at its first breath of rolling beat already infusing an ample dose of psychedelic madness, which only to be intensified with the layers of digital chime tones that are constantly multiplying and shape-shifting. “Undertow” on the B side continues with the signature warping and reverberating bells and bleeps but this time with enticing hi-hats and distorted bass, gradually all melting into one big sinister groove. The last track of the EP “Nanendi” might fool you in the beginning with its minimalistic beat, but as soon as the demure yet ominous veil of melody - beautifully moody and almost spooky at times - starts humming and howling, it’s well on its way to make a deep, haunting emotional connection while keeps the tension boiling. Without a doubt 'No Exit' EP is the one that shows the most distinctive core DNA of Planetary Assault Systems and much like his seminal album The Messenger, it’s a deadly unique, dazzling, and powerfully effective work that will stand the test of time.

Tracklisting: 
A: No Exit
B1: Undertow
B2: Nanendi

Planetary Assault Systems - No Exit - Mote Evolver

Now available on iTunes: http://bit.ly/guV1Wa

Till The World Ends



Acoustic At The Ryman - Available Feb 11, 2014
Pre-order on iTunes: http://smarturl.it/bohaatrit



Neighbor

Wicked Gil

No One's Gonna Love You

The Funeral

The Nighttripper - Tone Exploitation (Planetary Assault Systems Remix)

Borai & Denham Audio - Make Me

01. Ashes
02. Blood & Gold
03. We Don't Like You
04. 16
05. Hope

All tracks written and produced by Tears & Marble.
Mastered by Robin Schmidt @ 24/96 Mastering.
For the duration of the free download period, all tracks are free for personal use. For commercial use, please contact us.

Photography: Pascalle Kouwenhoven


Blood & Gold

Hello friends of Horses!

How are you? Here is some news! We’re excited to tell you that we are in the studio working on a new album that we hope to release later in the coming year. We are working with the incredible Jason Lytle as producer. You may recognize his name as the head scientist of the band Grandaddy. We can’t wait to finish this thing up and get it out to y’all!

In more good news, we have also teamed up with Mr. Lytle for a Christmas kind of song to bring you some seasonal good tidings or something. Stream it here and download it from iTunes at http://smarturl.it/hanganornament!

Happiest Holidays to you all.

With Love,
Band of Horses

Grandaddy and Band Of Horses - Hang An Ornament

Reminder

Tales of a Kleptomaniac

Dealing With the Man

Cannibal (Expanded Edition)

Blow

Marcel Fengler - Thwack (P.A.S + L.B. Dub Corp Remixes) & L.B. Dub Corp - Native + Lurcher's Dubs

Elaenia

For Marmish

Signs

Signs (Album Version) [feat. Frank Wiedemann & RY X]

Sparkling Controversy

Nuits Sonores / Nectarines

Nuits Sonores

Damogen Furies

Exjag Nives

Baltang Ort

Kontenjaz

Rayc Fire 2

Stor Eiglass

The Final Experiment

Taken Effect

The Double Album

Lizard

Lyrics

I never said that you could be my cover
You shouldn’t ask me when you got another
the shit’s so heavy but im holding on its hard to keep my face up
you ain’t got inside me any place, fuck

it feels like it is coming out 
but I know its just the beginning, i aint got a doubt
Going and Growing your’re like an infinite rage
it just keeps pushing me pushing it to the edge

you got something to say
say it to my face
you hit and run away
cause you ain’t got the balls to stay
you take me to the beginning cause i can see the end
im so much ready today cause i ain’t got nothing to spend

cause yeah you always try to blend, try to keep a pace
with a telling that’s a lie and gets them all amazed  
by the power you think you’re making me loose 
think you’re clever getting every one to use
but you're the one abused

you take me down to
you take me down to 
you take me down to

you better get a second to think about it
consider your thoughts about it give it just a minute before you take the wrong turn and burn with it 
burn with it 
like the fine big flame that just came out of your brain when you tried to think about it for 
a minute 
a minute 
a minute 
you will soon fall back

I never said that you could be my cover
You shouldn’t ask me when I’m coming over
the shit’s so heavy but im holding on its hard to keep my face up
you ain’t got inside me any place, fuck

it feels like it is coming out 
but I know its just the beginning, i aint got a doubt
Going and Growing your’re like an infinite rage
it just keeps pushing me pushing it to the edge

No Cover

Lyrics

hey what do you say about me?
you like to talk a lot baby
i don’t make it light, i don’t take it easy
hey what do you say about me?

even body wants a piece of this
no they cant resist but
i am harder than the road i chose they wont like it when they
get closer

hey what do you say about me?
I was always where I was supposed to be
i don’t make it light, i don’t take it easy
hey what do you say about me?

do you think they ready for the way im gonna break it down to them?
do you think they ready are they gonna understand then?
worked so hard im coming home
because i’ve learned and i have grown
im solid, stronger than before
they just a come and go
why u always got something to prove
something to explain
why wont you leave me here, closer to my bed
you making this because he said
what you trying to prove
You making everyone embarrassed
you’re mistaking me with someone else
whats it gonna be?

yeah what do you say about me
you like to talk a lot baby
i don't make it light, i don't take it easy
hey what do you say about me?

Easy

Mouse on Mars "Parastrophics" (MTR022) 
Monkeytown Records CD / 2xLP / Download 
Release dates: 
Feb 24th 
Feb 27th (UK) 
Feb 28th (U.S.)

Over the course of ten albums - not to mention an avalanche of side projects, remixes and collaborations - Jan St Werner and Andi Toma of Mouse On Mars established themselves as two of the most inventive and unpredictable artists in electronic music. But since they delivered the bracing, angular salvo that was Varcharz back in 2006, there has been an uncharacteristic period of silence. 

In 2012, that silence is broken. Mouse On Mars' triumphant return comes in the shape of Parastrophics, a life-affirming and constantly surprising album which is crammed with ideas, exuberance and sheer kinetic energy. It's like listening to the entire history of pop music - distilled, refined and crystallized into a string of compulsive new shapes, full of glitter, intrigue and addictive detail. Atomised fragments from two lifetimes of listening flare and fade, tiny scraps of memory shrapnel hover, tantalizing and insubstantial, before being whisked away by the next impatient idea. 

But despite all that restless curiosity, Parastrophics also demonstrates a peerless command of pace. Whereas some previous Mouse On Mars releases have bordered on the frenetic, their latest displays a subtle but persuasive sense of control. Even when tempos climb, 303s squirm and kick / snare patterns snap to brisk attention, there's an elegance to the way that each element slips in and out of the mix which speaks, 
whisper it, of maturity. Parastrophics is as a playful as ever, but it's never throwaway. The closing track „Seaqz“ is the perfect illustration, a frenetic romp which is perfectly held in check by gracefully undulating melodies; it brings into focus the beguiling sense of confidence that suffuses the whole record. All of which is a roundabout way of saying that, after six years away, Mouse On Mars have come back with their best record yet.

Mouse On Mars - they know your name feat. Dodo Nkishi /// Monkeytown 2012

Mouse On Mars - Chagrin /// Too Pure, Rough Trade, American Recordings 1994

Selection of tracks taken from our debut album back in 1994!

Full track list from the album... 
1 Frosch 
2 Elli Im Wunderland 
3 Uah 
4 Chagrin 
5 Future Dub 
6 Die Seele Von Brian Wilson 
7.1 Katang	
7.2 Untitled 
7.3 Untitled

www.facebook.com/mouseonmars

Mouse On Mars - Future Dub /// Too Pure, Rough Trade, American Recordings 1994

Mouse On Mars - Presence /// Sonig, Domino, Thrill Jockey, Zomba, Tokuma 2000

The Jumper

The Jumper (Mass Medium Remix)

Break

Thunder

Soulstice

Electric Dream

Iaora Tahiti album by Mouse On Mars was released Mar 10, 1998 on the Too Pure label. Iaora Tahiti, the follow-up to Mouse On Mars’s 1994 debut Vulvaland, finds the band’s multi-textured techno-pop refined to a high art. Iaora Tahiti music CDs The German-based duo takes its cue from its Krautrock forebears, using spacey, insistent beats and grooves as an anchor for its smooth analogue language and digital chittering. Iaora Tahiti songs The first two tracks, “Stereomission” and “Kompod,” are expansive, loping compositions founded on fluid, burbling basslines. “Achunkel” sounds like ghosts playing drums in a cybernetic junkyard Iaora Tahiti album. “Bib” plows a swirling ambient vortex with pulse-quickening techno rhythms. The morphing bubble-scape of “Papa, Antoine” suggests a breeding ground alive with emergent microorganisms. These are dense, abstract sound collages of the first order, cerebral, intriguing, and challenging, without sacrificing rhythmic accessibility or the occasional melodic fragment. It might be said that Iaora Tahiti is one of the finest releases of its kind, were it not so strikingly unique.

Mouse On Mars - Hallo /// Too Pure 1995

Mouse On Mars - Papa, Antoine /// Too Pure 1995

Mouse On Mars - Omnibuzz /// Too Pure 1995

dive in c&s (trey songz)

"Dimlite": Cover of "A Cloud Mireya"-"Vacant" (Guillermo Prefuse+Claudia Deheza)

Damage

EU TOUR DATES 2017:

All Tour Tickets - www.mountkimbie.com/live

27/10: Liverpool Music Week, Liverpool, UK
28/10: Ritz, Manchester, UK
30/10: Glasgow Art School, UK
01/11: The Institute, Birmingham, UK
02/11: Motion, Bristol, UK
03/11: Roundhouse, London, UK
04/11: AB, Brussels, Belgium
05/11: Paradiso, Amsterdam, Netherlands
07/11: Parkteatret, Oslo, Norway
08/11: Kagelbanan, Stockholm, Sweden
09/11: Vega, Copehagen, Denmark
10/11: Astra, Berlin, Germany
11/11: Niebo, Warsaw, Poland
12/11: Kwadra, Krakow, Poland
14/11: Meet Factory, Prague, Czech Republic
15/11: Flex, Vienna, Austria
16/11: Muffathalle, Munich, Germany
17/11: Mascotte, Zurich, Switzerland
18/11: Magnolia, Milan, Italy
19/11: Cabaret Aleatoire, Marseille, France
21/11: Rockstore, Montpellier, France
22/11: Razzmatazz, Barcelona, Spain
23/11: Joy Eslava, Madrid, Spain
24/11: Atabal, Biarritz, France
25/11: Le Trianon, Paris, France
28/11: Grand Mix, Lille, France

New music coming soon!!! - Get updates first http://smarturl.it/MKSignUp

'Home Recording' appears on the album 'Cold Spring Fault Less Youth'.

Facebook: http://smarturl.it/MKFacebook
Instagram: http://smarturl.it/KimbieInsta
Webstore: http://smarturl.it/MKWebstore
Twitter: http://smarturl.it/MKTwitter
Website: http://www.mountkimbie.com/
iTunes: http://smarturl.it/Kimbieitunes
Soundcloud: http://smarturl.it/MKSoundcloud

Cold Spring Fault Less Youth

Home Recording

Buy on iTunes

Mount Kimbie - Home Recording

Slow-motion-piano-punk with open stitches

One third piano, one third converted drums, one third singing sewing machines, talking skirts, buzzing laser guns und clacking typewriters. The Munich-based Duo beißpony reveal what it sounds like when a singer-songwriter and textile artist with roots in the riot-grrrl and feminist d.i.y-movement join forces.
 
Laura hails from the singer-songwriter and antifolk-scene. “I’m more interested in experiments and accidents", says Steffi. Both girls got to know each other in 2006 at the infamous Kafe Kult in Munich, where they also had their first stage appearance. They used the facilities to record the first couple of songs for their debut album “Brush Your Teeth" in a one-week kamikaze-recording session with a lot of ice cream. The final part of the album was recorded with the Zork Free Arts Lab in an abandoned police training building. 
Over the years, beißpony have played live shows in Italy Austria and Germany, at festivals and in art galleries.  They combine their shows with imaginative fashion und art performances and surprise their audience time and again.


Beißpony - Isolde´s Very Insightful Views On Going To Work And Suicide

Over the course of eleven albums - not to mention an avalanche of side projects, remixes and collaborations - Jan St Werner and Andi Toma of Mouse on Mars established themselves as two of the most inventive and unpredictable artists in electronic music.