Playlist 2

VOODOO HOODOO RECORDINGS - 6

Electronic music collection of tal - 7

Back Catalogue

Luke Slater’s most well known pseudonym Planetary Assault Systems is back in the fullest swing with 'No Exit', a standalone EP following his famed 'Deep Heet' installment series. 'No Exit' unmistakably bears all the hallmarks of Planetary Assault System, from mind-tripping and floor-stirring hypnotic energy to the theme of pushing the outer limits of unknown territories.
The EP kicks off with the title track, at its first breath of rolling beat already infusing an ample dose of psychedelic madness, which only to be intensified with the layers of digital chime tones that are constantly multiplying and shape-shifting. “Undertow” on the B side continues with the signature warping and reverberating bells and bleeps but this time with enticing hi-hats and distorted bass, gradually all melting into one big sinister groove. The last track of the EP “Nanendi” might fool you in the beginning with its minimalistic beat, but as soon as the demure yet ominous veil of melody - beautifully moody and almost spooky at times - starts humming and howling, it’s well on its way to make a deep, haunting emotional connection while keeps the tension boiling. Without a doubt 'No Exit' EP is the one that shows the most distinctive core DNA of Planetary Assault Systems and much like his seminal album The Messenger, it’s a deadly unique, dazzling, and powerfully effective work that will stand the test of time.

Tracklisting: 
A: No Exit
B1: Undertow
B2: Nanendi

Planetary Assault Systems - No Exit - Mote Evolver

The Nighttripper - Tone Exploitation (Planetary Assault Systems Remix)

SUCK

Deadmau5 "This Sucks" [Project 56]
The Simpsons "TV Sucks!" [Songs in the Key of Springfield (Original Music from the Television Series)]
Glen Hansard "Broken Hearted Hoover Fixer Sucker Guy" [Once]
Julianne Baird & Ronn McFarlane "Where the Bee Sucks" [Shakespeare's Music]
DJ Shadow "Why Hip-Hop Sucks In '96 - Alternate Take" [Endtroducing]
Handsome Boy Modeling School "Modeling Sucks" [So...How's Your Girl?]
The Jesus and Mary Chain "Suck - Single Version" [Psychocandy]
Peeping Tom "Sucker (feat. Norah Jones)" [Peeping Tom]
Jim Reeves "Yonder Comes a Sucker" [The Essential Jim Reeves]
Fujiya & Miyagi "Sucker Punch" [Transparent Things]
Bob Dylan & The Band "Apple Suckling Tree" [The Basement Tapes]
This Mortal Coil "The Horizon Bleeds and Sucks Its Thumb - Remastered" [Filigree & Shadow]
Run–D.M.C. "Sucker M.C.'s (Krush-Groove 1)" [RUN-DMC]
Wire "Being Sucked in Again - 2006 Remastered Version" [Chairs Missing]
Joe Ely "Suckin' A Big Bottle Of Gin" [The Best Of Joe Ely]
A.R. Kane "Honeysuckleswallow" [I]
Quasi "Poverty Sucks" [When the Going Gets Dark]
Luscious Jackson "Energy Sucker" [Natural Ingredients]
Kelly Clarkson "My Life Would Suck Without You (Chriss Ortega Club Mix)" [Just Dance 2]
Cocteau Twins "Suckling The Mender" [Blue Bell Knoll]
Pigface "Suck" [The Best Of Pigface]
Parliament "Give Up The Funk (Tear The Roof Off The Sucker)" [Greatest Hits (The Bomb) - Parliament]
Arctic Monkeys "Suck It and See" [Suck It and See]
Beck "Soul Suckin' Jerk" [Mellow Gold]
Super Furry Animals "Suckers!" [Hey Venus!]
Monkey W/Fire "Sucker!" [Lighter Fluid, Matches]
Mental Overdrive "Gravity Sucks, Maan" [Ad Absurdum]
Radiohead "We Suck Young Blood" [Hail To the Thief]
Mott The Hoople "Sucker" [All The Young Dudes]
Nine Inch Nails "Suck" [Broken]
Shriekback "Suck" [Hand On My Heart]
LCD Soundsystem "Yr City Is a Sucker" [London Sessions]
Modeselektor "Suckerpin" [Happy Birthday!]
Massive Attack "Backward Sucking (Heat Miser)" [No Protection]
Joni Mitchell "Sweet Sucker Dance " [Mingus ]

Freeform Portland KFFP KFFD

SUCK

Risingson

Mezzanine

Angel (feat. Horace Andy)

Teardrop (feat. Elizabeth Fraser)

No Protection

Eternal Feedback (Sly) [feat. Mad Professor & Nicolette]

Marcel Fengler - Thwack (P.A.S + L.B. Dub Corp Remixes) & L.B. Dub Corp - Native + Lurcher's Dubs

Sunday 8pm / Saturday 3am

Bring My Family Back (Paul van Dyk Mix)

Sunday 8 p.m. (A Time for Lovin' Mix)

God Is a DJ (Remix)

Postcards (Rewritten Mix)

Hour of Need (Skinny Mix)

Mouse on Mars "Parastrophics" (MTR022) 
Monkeytown Records CD / 2xLP / Download 
Release dates: 
Feb 24th 
Feb 27th (UK) 
Feb 28th (U.S.)

Over the course of ten albums - not to mention an avalanche of side projects, remixes and collaborations - Jan St Werner and Andi Toma of Mouse On Mars established themselves as two of the most inventive and unpredictable artists in electronic music. But since they delivered the bracing, angular salvo that was Varcharz back in 2006, there has been an uncharacteristic period of silence. 

In 2012, that silence is broken. Mouse On Mars' triumphant return comes in the shape of Parastrophics, a life-affirming and constantly surprising album which is crammed with ideas, exuberance and sheer kinetic energy. It's like listening to the entire history of pop music - distilled, refined and crystallized into a string of compulsive new shapes, full of glitter, intrigue and addictive detail. Atomised fragments from two lifetimes of listening flare and fade, tiny scraps of memory shrapnel hover, tantalizing and insubstantial, before being whisked away by the next impatient idea. 

But despite all that restless curiosity, Parastrophics also demonstrates a peerless command of pace. Whereas some previous Mouse On Mars releases have bordered on the frenetic, their latest displays a subtle but persuasive sense of control. Even when tempos climb, 303s squirm and kick / snare patterns snap to brisk attention, there's an elegance to the way that each element slips in and out of the mix which speaks, 
whisper it, of maturity. Parastrophics is as a playful as ever, but it's never throwaway. The closing track „Seaqz“ is the perfect illustration, a frenetic romp which is perfectly held in check by gracefully undulating melodies; it brings into focus the beguiling sense of confidence that suffuses the whole record. All of which is a roundabout way of saying that, after six years away, Mouse On Mars have come back with their best record yet.

Mouse On Mars - metrotopy feat. Dodo Nkishi /// Monkeytown 2012

Mouse On Mars - Chagrin /// Too Pure, Rough Trade, American Recordings 1994

Selection of tracks taken from our debut album back in 1994!

Full track list from the album... 
1 Frosch 
2 Elli Im Wunderland 
3 Uah 
4 Chagrin 
5 Future Dub 
6 Die Seele Von Brian Wilson 
7.1 Katang	
7.2 Untitled 
7.3 Untitled

www.facebook.com/mouseonmars

Mouse On Mars - Future Dub /// Too Pure, Rough Trade, American Recordings 1994

Iaora Tahiti album by Mouse On Mars was released Mar 10, 1998 on the Too Pure label. Iaora Tahiti, the follow-up to Mouse On Mars’s 1994 debut Vulvaland, finds the band’s multi-textured techno-pop refined to a high art. Iaora Tahiti music CDs The German-based duo takes its cue from its Krautrock forebears, using spacey, insistent beats and grooves as an anchor for its smooth analogue language and digital chittering. Iaora Tahiti songs The first two tracks, “Stereomission” and “Kompod,” are expansive, loping compositions founded on fluid, burbling basslines. “Achunkel” sounds like ghosts playing drums in a cybernetic junkyard Iaora Tahiti album. “Bib” plows a swirling ambient vortex with pulse-quickening techno rhythms. The morphing bubble-scape of “Papa, Antoine” suggests a breeding ground alive with emergent microorganisms. These are dense, abstract sound collages of the first order, cerebral, intriguing, and challenging, without sacrificing rhythmic accessibility or the occasional melodic fragment. It might be said that Iaora Tahiti is one of the finest releases of its kind, were it not so strikingly unique.

Mouse On Mars - Hallo /// Too Pure 1995

Mouse On Mars - Papa, Antoine /// Too Pure 1995

Mouse On Mars - Omnibuzz /// Too Pure 1995

dive in c&s (trey songz)

"Dimlite": Cover of "A Cloud Mireya"-"Vacant" (Guillermo Prefuse+Claudia Deheza)

Over the course of eleven albums - not to mention an avalanche of side projects, remixes and collaborations - Jan St Werner and Andi Toma of Mouse on Mars established themselves as two of the most inventive and unpredictable artists in electronic music.