Adamusic - 2nd Account & hub for 'CLUBPOP"!
FOLLOW MY MAIN ACCOUNT ⬇

International DJ based in Germany. For booking requests contact booking@hollywoodtramp.de 💜

Basically, Anna Kendrick in Pitch Perfect 2
Insta: @adamusic_
Twitter/X: @dadamusic_
"CLUBPOP" on my 2nd account ⬇

<a href='http://gigs.gigatools.com/u/DJMannyLehman' target='_new'>DJ Manny Lehman's Upcoming Gigs </a>Wednesday 27 November, 2013 <a href='http://gigs.gigatools.com/u/DJMannyLehman' target='_new'>Ultra Suede, West Hollywood, United States</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Talent. Experience. Ambition. Passion. Any one of these attributes alone may lead to success. But when all four converge in equal force, well, now you’re talking superstar status. A standout in this exclusive club even among his peers, Manny Lehman is a musical chameleon whose abundant innate gifts, coupled with a renowned stamina, have helped him fashion one of the more prolific and enduring careers on the global party circuit. Custom tailoring an aggressive hodgepodge of melodic anthems and militant percussion for each room and audience, Manny always delivers the goods. Perhaps the only thing more remarkable than his impressive talent and keen sense of perception is how he has managed to stay at the top of his game for so long, with nary a scratch on his record.

“Nobody can sum up the attitude of a room and keep the energy pumping like Manny Lehman. From the first song till the very last, he is relentless!” -- DJ Billy Carroll One of an elite crew of DJs who has headlined every major event on the gay party circuit -- twice, often more -- Manny credits his highly-acclaimed performances in 1999 at both the White Party in Palm Springs and Montreal’s Black & Blue Recovery Party as the catalysts that sent his career soaring into overdrive. A pivotal gig at South Beach’s Club Amnesia soon followed, as did later residencies at the legendary Twilo in New York City, Miami’s Crobar, Factory and Here in Los Angeles, Nation in Washington, D.C. and New York’s Avalon (fka Limelight) and Roxy. Complementing this perpetual flurry of nightclub bookings are frequent guest spots at world-renowned weekend dance events like White and Winter Parties in South Beach, Chicago’s Fireball, Cherry in D.C. and Gay Disney in Orlando, many of which have become perennial gigs.

International stops regularly include such exotic locales as Tel Aviv, London, Ibiza and, Paris, Rio de Janiero , Mexico City, Montreal, and Japan, Thailand, Amsterdam, and Sao Paulo, Cologne, and Nice, among others. From parties at 10,000-foot snow-covered peaks requiring helicopter transport to beach parties in Thailand, Stadiums of 30,000 people, and even SONY Picture’s Opening Night for the Cannes Film Festival…Manny has done it all. Manny has also left an indelible mark on dance music culture through his various roles behind the scenes. During his stint developing new talent as an executive at A&M Records, Manny discovered powerhouse diva CeCe Peniston. He later executive produced her first single, “Finally,” which went on to become one of the definitive club anthems of the early 90s. 

Always on the lookout for tomorrow’s stars -- “I love to find diamonds in the rough and help polish them up,” he says -- Manny continues to develop new artists and has founded his own management company. He also lends his talent to more established artists, not the least of whom are Janet Jackson, Cher, Madonna, and Sara Brightman. His chart-topping remixes of “Come On Get Up,” “When the Money’s Gone,” “What It Feels Like for a Girl,” and “Harem,” respectively, have solidified his status as a hotshot remix specialist. His version of Ibiza’s “VIP,” and his original production of “Harder,” featuring Stefanie, were massive underground club hits that pushed the boundaries of his talents to the edge. Manny’s production prowess is further evidenced by the critical and commercial success of his various compilation mix CDs. Bangin’ (Progressive Beats) (Tommy Boy), Party Groove: Winter Party (Centaur), Circuit Sessions Volumes 01 and 04, and A Night in Orbit (4 Play Records) have each paved the way for his latest endeavors : the double set CD Freedom ( Tommy boy), which featured the two original productions, “Anthem” and “Freedom,” and the dance remix for the title song from Rent, “Change of Seasons,” ; the haunting dance remix of “The Wings” title track from Brokeback Mountain ; and Manny’s current Tommyboy Super-Project which is another double set CD, featuring eight original tracks, including the new single by Dance Diva Taylor Dayne, “ I’m Not Featurin’ You”

DJ Bookings > ali@warmagency.com

Initially established in 2003 at The Eagle in London’s Vauxhall, Horse Meat Disco has evolved into a powerful force in queer and club culture as a whole, while staying local to its original home, each and every Sunday. Co-founded by James Hillard and Jim Stanton, and encompassing residents Severino and Luke Howard, the crew continue to maintain not only the weekly Sunday party, but a number of residencies in cities across the world, alongside a kaleidoscope of club appearances, festival dates and specially curated mixes.

Taking inspiration from a diverse, counter-cultural history of clubs and DJs, as well as from the sprawling, ever-expanding musical collections of it's resident crew, the sound of HMD is impossible to place. Nonetheless their style is undeniable, as is a popper-scented air of sheer authenticity. Rooted in hedonism, rhythm, freedom and emotion, a Horse Meat Disco set reinforces everything invigorating about disco, as comfortable as shattering old-school mirror ball cliches as basking in their light.

A typical HMD set blends classics, italo disco, house, oddities and punk funk, to conjure their initial spirit of “a queer party for everyone”, including, but not limited to, “Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” They have made appearances on every notable club scene in the modern world, as well as those beyond, and have long been a key fixture at festivals including Glastonbury, Bestival and Festival No.6.

Outside of the club, the Horse Meat Disco train rolls across the airwaves on Rinse FM, where the crew hold down a weekly residency every Sunday afternoon, serving as a pre and post-club Sunday lunch accompaniment, often delving into the more soulful shades of their sublime taste, often encompassing rave groove, gospel and whatever they can’t get away with on the dancefloor (which, as the years have proven, isn’t much). A series of expertly curated and acclaimed compilations for reissue label Strut helped further cement HMD’s formidable but communal reputation as disco masterminds, spreading their sound and many enviable obscurities into front rooms and record bags across the world. Their latest, ‘Meat Me Down the Disco’, was released on Z Records in 2017.

After decades of crate digging, globetrotting and partying, the HMD story continues apace. 2017 also saw the crew record their long-awaited contribution to BBC Radio 1’s ‘Essential Mix’, as well as their first joint foray into production, ‘Waiting For You To Call’, featuring Roy Inc., and released on their own, self-titled imprint. They are currently working on new music to be released with Glitterbox, with the new single ‘Let’s Go Dancing’ released in December 2018.

More mixes at http://djrubot.podomatic.com

Morabito: The Art Of Enduring Excellence

The word “legendary” rolls off the tongue easily and often these days, but in the world of music and nightlife that story is usually told in the past tense. Unless the legend happens to be Susan Morabito. Few names have dominated the dance scene over the course of three decades and remain as relevant, current and celebrated as Morabito.

Susan moved to New York City in 1987, and after opening her own record store in Greenwich Village called BPM, she had her breakthrough as a DJ when she landed a multi-year summer residence at the famed Pavilion in Fire Island Pines. In the early days of AIDS activism, she provided the musical inspiration at many international fundraising parties and became a sought after name on “the circuit”. The GMHC Morning Party on Fire Island, Dance On Washington and Cherry in Washington, D.C., Blue Ball and Blue Redo in Philadelphia, Zoo Party in San Diego, Alegria in New York, Gay Days in Orlando, White Party in Palm Springs, Big Guns on the USS Intrepid for the 25th anniversary of Stonewall and the 20th anniversary of Dance On The Pier in New York are just a few of the events she played.

She kept people dancing until sunrise at after hours events during both Miami's Winter Party and White Party weekends, and her own Equinox and Climax parties became part of NYC nightlife history. She was the first woman to headline (with DJ Paulo one year and Victor Calderone another) one of the most famous dance parties in the world, the sexually infused, leather themed Saint At Large Black Party in New York City. Among many others, she also played The Saint At Large White Party with Peter Rauhofer and Twilo Halloween with Danny Tenaglia.

Susan Morabito has graced every major club and sound system in NYC, including Twilo, Roxy, Tunnel, Sound Factory, Limelight, Palladium, Roseland, Cielo, Pacha, Webster Hall, XL and Stage Forty8. Her musical reach extends to gigs in Tokyo, Sydney, Rio de Janeiro, Milan, Amsterdam and across New York’s cultural landscape, where she created the soundscapes to many must-attend galas by Calvin Klein, American Ballet Theater, Louis Vuitton, Gucci, Sotheby's, Martha Stewart, Anna Wintour and Robert Isabel. Susan was also the musical director for the fashion world's most luminous event, The Metropolitan Museum of Art Costume Institute benefit gala tribute to icon Jacqueline Kennedy Onassis.

In 2013 Susan dropped her first name and introduced a visual identity to emphasize and support a new musical direction as “just” Morabito. Because of her instinctual understanding of music's power and her ability to drive the night with a wide range of tribal, underground, progressive and tech house, the project was enthusiastically received by the community. The past two years brought a quarterly residency at Viva in New York, repeated major club bookings in Los Angeles, Miami, Atlanta, Philadelphia, Houston, Provincetown, San Francisco, Montreal, Washington and Chicago, and saw Morabito headlining the WE Party in New York and San Francisco, Masterbeat for New Year’s Eve and Halloween in Los Angeles, White Horizons during White Party Week in Miami, The Pines Party with Chus+Ceballos on Fire Island and after 22 years, the return to the main event for the 25th anniversary of the famous Black & Blue festival in Montreal.

A new generation is now discovering and raving about the impeccable taste and rare ability to create a cohesive and seamless experience on the dance floor that sets Morabito apart and that earned her the appreciation and respect of dancers and peers alike. Through a new focus on music production and remixing she will take her meticulous standards and craft well into the future and will ensure that the legend continues.

MoustacheMe is following