This track is so familiar but I can't think what it is. ID anyone?

Move D

The DJ-set of @jus-ed at the Onder De Bomen stage at De Weide Festival 2024. His soulful heartwarming sound broke the clouds open for some well needed sunshine.

DJ Jus-Ed / Onder De Bomen / De Weide 2024

The Night Institute were invited by Double Vision to the iconic Golden Lion in Todmorden

The Night Institute At The Golden Lion - 02.11.24

dj set from lanificio 159, roma, italia.



i really have to bring my own needles in the future - with all these traktor djs, turntables sound really shitty these days when playing vinyl - on the other hand i kinda like how you can hear the actual room, it's size, the coating of the walls and of course, the crowd though the microphonic needles...



ciao andrea!



;-)



move d in rome 10-03-05

The first half of RA.996 is Ron Trent's take on luxurious house.

As part of our countdown to RA.1000, a milestone in the 24-year history of RA's weekly mix series, we're switching up the usual format. The next few editions will pair two acts who complement each other's strengths, offering a fresh take on a particular community, scene or style. 

This week, we're zeroing in on Ron Trent and Ash Lauryn, two names who fly the flag high for old-school US house—a foundational pillar of the electronic underground. 

Trent takes the A-side. Hailing from Chicago, the birthplace of house, the pioneer is a master of finding the sweet spot where machine music meets organic instrumentation.  Listen to any DJ set or record in his extensive back catalogue and you'll find a wealth of exquisitely expressive melodies and deep, spiritual frequencies, making him the ideal narrator for any survey on house. (If you've only got a moment, sink into "Morning Factory," nine minutes of perfection.) 

Trent's return to the RA Podcast, 19 years after his debut in 2006, represents his many decades of expertise in fusing funk with gorgeous musicianship under the umbrella of heart-stirring house. Some may call it a masterclass but to us, it's just Trent doing what he does best.

Listened to as a whole, RA.996 is a powerful snapshot of house's elegance, class and most importantly, understated yet innately euphoric joy.

Find the interview and tracklist at ra.co/podcast/997

RA.996 Ron Trent

CC:DISCO! BARBARELLAS CROATIA 2025

This is my opening set at my residency night at Globus. 
My special Guest was Cassy!
Enjoy the set! 
Ed Jus-Ed That is...

DJ JUS-ED OPENING SET GLOBUS 18.07.2025

Here's the recording of my HÖR set from June. Hope you like this edition with a stronger leaning to my 4everlove house music :)

HÖR - Iron Curtis - Jun 10 2025

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website: https://openlab.fm/news/star-creature-vibes-radio-09-tim-zawada

This month’s episode features a mixed bag of vintage and new borderline boogie, left field and house off the deep end. Peak summer styles here in Chicago so more up tempo to match the moods of the city.

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

Star Creature Vibes Radio 09 - Tim Zawada

Well it only to 18years for Cassy and I to be back on the same night. 2007 was my first time coming to play at P-Bar in Berlin Germany. It was also my first international booking. I didn't realize this until this year. So I asked Cassy if she would do me the honor and play on my residency night at Globus...In Tresor! I was nervous and excited! I also messed up during the set a few transitions...But recovered Nicely...lol so here it is Back to Back!
Enjoy!
Ed Jus-Ed That is...

CASSY JUS-ED B2B GLOBUS 18.07.2025

RA.1000 launches with Theo Parrish, live at fabric: a vanishingly rare club mix from the king of deep crates and impossible transitions.

There are DJ sets and then there are Theo sets. No matter how many times you've caught him in action, every time still feels like the first. Running hot, levels smoking, isolator working over time. You think you know dance music? Think again.

Parrish's long-awaited debut on the RA Podcast is a milestone for the series, one we've sought for over 15 years. So it was only right that Theo led off our 1000th celebrations, the first of ten mixes this week. Recorded live at fabric last December as part of RA's collaborative party with the London club for their 25th anniversary, this three-hour segment documents the crescendo of his eight-hour marathon. 

The Detroit legend doesn't release mixes often, and when he does, they're usually studio recordings: think NTS shows, his 100% Detroit edition of DJ-Kicks or classic tapes Body (1997) and Methods of Movement (2020). A capture of the Sound Signature boss on the dancefloor is hard to come back. On RA.1000, you'll hear Theo in his element.

Sure, there's galvanising build-ups and crowd-pleasers, but laced throughout a Parrish beatdown are rarities designed to shock the system. In a business dominated by image-driven marketing, the vinyl master towers above thanks to a relentless hunger for lustrous melodies, moods and textures of all stripes, which he and he alone can fold into an inspiring and exhilarating joyride.

On RA.1000, blissful reggae precedes new wave disco; '80s R&B morphs into synthy techno; bleepy Chicago jack makes way for a poignant vocal ballad. Theo, once again, proves that anything and everything is possible with the right records.

@theoparrish @fabric @soundsignaturedetroit @crownruler

Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

RA.1000 Theo Parrish

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. Full send — this one's special.

Gabriel Szatan, Editor (RA): When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes, chronicling a moment when the resting heart rate of dance floors plunged lower than potentially any comparable point in the 21st century. A masterclass, and entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like a racecar.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. We sought to render an accurate picture of DJ culture in 2025 for the longhaul.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

dj-set from a nice outdoor party called 'mondrausch'

move d @ mondrausch  2010-05-01

move d feat. dj laté live at horst kreuzberg, 2010-06-24
booking requests: romy@magnet-musik.de
http://www.myspace.com/moufang 
http://www.residentadvisor.net/dj/moved 
http://www.discogs.com/artist/Move+D


work! live@horst 2010-06

dj-set @ the wire, leeds
MAD!!!

booking requests: maya@magnet-musik.de
http://www.myspace.com/moufang
http://www.residentadvisor.net/dj/moved
http://www.discogs.com/artist/Move+D

move d @ mono_cult, leeds, 2010-10-08

live set @ redbox 3rd anniversary, j-pop shibuya, oct. 3rd 2009

http://www.myspace.com/moufang
http://www.residentadvisor.net/dj-page.aspx?id=1731

move d live @ redbox tokyo 2009-10-3

https://move-d.bandcamp.com
http://www.discogs.com/artist/Move+D

My musical odyssey started about two decades ago. 
That was a short time before the fall of the Berlin wall.
 
It was in the early nineties, when we had immigrated to Germany. I was 15. As so often in life, the beginning was a mere accident in conjunction with a youngster's curiosity.

We had moved into another town, where I happened to pass a record shop and heard this music - unlike anything I had ever heard before.
It was loud, it was hard, it was Jeff Mills Waveform Transmission Vol. I. This name was to thread through my rather modest biography like a recurrent theme

The sound was fearsome and exciting at the same time, an encounter with something quite unknown.
I was just curious … where does this music come from, who makes it, and above all how do they do it!??

At a later date the puzzle came together when various facts gradually combined into a picture that had a name to it - Detroit !!

And there were other masterpieces: Robert Hood - Minimal Nation, Kenny Larkin - Metaphor and Laurent Garnier - Shot in the Dark.

More records followed, 2 Turntables and a battle mixer. My collection increased with my musical likings.

I then went back to the roots. Soul and jazz music became decisive factors in my musical development.
Techno made me a music lover, but I was not limited to one style.
Towards the end of the decade I stopped putting on records and took up photography … but that is a different story

Although I was not active in terms of music in the new millennium, my enthusiasm for that sound and my respect for the artists remained unabated.
And in early 2007, again quite accidentally (how else), I started to make music myself.

move d in rome 10-03-05

Move D

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