Thank you Anna for another wonderful performance!!

this song really embrace the whole me when listening... Amazing

Amazingly nostalgic and dreamy Piano-Sound....

@user-394132763-589302756: merci beaucoup, jai pense cest un melodie pour le temps avant le Paque?

This is the result of my first contact with an Access Virus Ti2. I recorded live two layers with the keyboard keeping a minimalistic approach in mind.

Eno's Little Nightmare • Ernesto Schmied

The Looking-Glass

All music written, recorded, performed, and composed by Jeffrey Lasky.  All rights reserved to Jeffrey Lasky 2023.

Cover art from my BFF Duff Davis.  Please visit him at https://soundcloud.com/bluegreenguitar

Airborne over Dearborn

This is the first release of the original version of Evie's Song that I dedicate to my beautiful wife.

This version is a relatively simple piano piece that I developed and played on the piano.  From this music I composed a more complicated piano work that Liz Dicker (https://soundcloud.com/liz-dicker) so kindly performed.  You can hear that wonderful rendition by clicking this link https://soundcloud.com/liz-dicker/evie-by-christopher-larkins.

I also used this music as the main theme for the last movement of my 4th Symphony.  https://soundcloud.com/cpjl/larkins-symphony-no-4-movement-4

I hope you enjoy listening.

Evie's Song

Writen by Josh Turner
Produced by Josh McAlexander

Trust in the Lord with all thine heart;
and lean not unto thine own understanding.
In all thy ways acknowledge him,
and he shall direct thy paths.
Proverbs 3:5-6

Me and God (Cover)

Welcome to the third part of this very personal and emotional 4-Movement-Symphony !

An orchestral work about "HOME" is a great undertaking, with high expectations, which one actually almost has to fail at.
Therefore, I embark on a personal journey of thought and try to paint musical pictures with four movements from different viewpoints.

The first movement, introduced by a pathetic orchestral forte meanders - moves across stylistic zones, sometimes on the borderline of classical tonality, sometimes loud and self-confident, then desperate, often romantic and peaceful from scene to scene.
Fugue-like quotations are juxtaposed with post-romantic sequences. Film music-like moments duel with almost classical reminiscences.
This movement represents the restless quest that touches on many things but finishes very few. The last tones fade away with a romantic, allusive love scene and gentle slumber.

The second movement is marked by illness and melancholy. As it has happened many times in my musical endeavors, life sets strong impulses and overturns my original plans. 
It turned from a movement that was originally intended for love, to a fantasy about fever dreams and fear, caused by my sudden sickness. So this movement was getting quasi a setting about Corona.
Fever dreams, fears for my loved ones, weakness and deep griefs and heaviness weigh down the sounds. The situation seems hopeless.
Several times my beloved tries to lighten the state of mind - orchestrated by the English horn. These are the short moments when the music changes from minor to major for a few bars. The illness, however, remains dominant until this movement ends with a touch of hope.

The third movement dabbles in joie de vivre. A 6/8 time signature in the corner sections and 3/4 time in the middle section suggest lightness. Nevertheless, the piece remains rather subdued and demonstrates that life brings many burdens with it. The expression: Home cannot be found through exuberant celebration.

The fourth movement initially alludes to several events in the preceding movements. To illness, to travel, to loss, to transient joys. 
As it progresses, it deals with the people who are truly meaningful, my children, my family, my darling.
The finish is a declaration of love for people. The music becomes more and more romantic and expresses the joy of life.

Home is not found in places or in moods. 
It is a gift: Home is where the heart finds peace and tranquility.

Symphony of Home

Symphony of Home: III. Floating Dance

Don't Squeak Unless You Are Squoken To (acoustic guitar instrumental)

Trio Tricoter performs Siete canciones populares españolas by Manuel De Falla arranged by Iyad Mohammad. Musicians are Cag Ercag on the cello . Aysu Sadiqova on the qanun and Zina Asfour on the piano.
This Project is sponsored by The Arab Funds for Arts and Culture.
Music recorded at Babajim Studios with music director Peter Snapper in Istanbul edited by Kawar Studios and mixed by Neos.

Manuel De Falla - Siete canciones populares españolas -Cancion

Music, lyrics by Tatyana Zotova
Piano, arranged by Oleg Andrev

Загораюсь (In fever)

free as a bird
expecting the painful fall

the strong winds in the dark
tear my paper wings

in the morning
the sun shines and dries my eyes

and a solid mask
petrifies my face

where are the bars that held me?
why has the hand that fed me gone?
where are the chains that hugged me?
why not those sweet lies?

Free as a bird
enjoying beautiful landscapes

Now the storm is potion
and gives me titanium wings

freedom mills grind the grain
with the strong winds of the night

in the morning
fresh bread for breakfast

where are the bars that held me?
why has the hand that fed me gone?
where are the chains that hugged me?
why not those sweet lies?

Fresh Bread For Breakfast ( Black Album mix)

Anna Sutyagina plays Meditation I by Jason Olshan. 
Read more about Jason here:
https://movingclassics.tv/classicpeople/jason-olshan/

Meditation I - Jason Olshan

Moving Classics TV is a popular platform for new piano music www.movingclassics.tv It is curated by a concert pianist and founder Anna Heller.

Meditation I - Jason Olshan

Moving Classics - New Piano Music

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