George Frideric Handel's - Water Music

Mozart Violin Concerto No.3 In G Major - 1st Movement

A cello quartet arrangement of the second movement from J S Bach's Orchestral Suite No. 3 in D major, BWV 1068.
Cello arranged and performed by Deryn Cullen
Mix and mastering by @dan-cullen

J S Bach - Air on the G - String

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Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. It was the last symphony that he composed, and also the longest.

The work is nicknamed the Jupiter Symphony. This name stems not from Mozart but rather was likely coined by the impresario Johann Peter Salomon in an early arrangement for piano.

The four movements are arranged in the traditional symphonic form of the Classical era:

Allegro vivace, 4/4
Andante cantabile, 3/4 in F major
Menuetto: Allegretto - Trio, 3/4
Molto allegro, 2/2

The symphony typically has a duration of about 33 minutes.

The second movement, also in sonata form, is a sarabande of the French type in F major similar to those found in the keyboard suites of Johann Sebastian Bach.

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https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
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Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - The Essential Collection

Symphony No. 41 in C-Major, K. 551: ‘Jupiter’ II. Andante cantabile

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The Concerto for Flute, Harp, and Orchestra in C major, K. 299/297c, is a composition by Wolfgang Amadeus Mozart for flute, harp, and orchestra. It is one of only two true double concertos that he wrote, as well as the only piece of music by Mozart that contains the harp.

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The piece is one of the most popular such concerti in the repertoire, as well as often being found on recordings dedicated otherwise to either one of its featured instruments.

I. Allegro

The orchestra states both themes. The first is immediately present, and the second is introduced by the horn. Both themes fall under the conventional sonata form. The soli then re-work the already present themes.

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Mozart Concerto
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Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en

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https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

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https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
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Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - Symphonies, Sonatas, Serenades, Concertos & Overtures

Concerto in C Major for Flute, Harp and Orchestra, KV 299 / 297c: I. Allegro

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Mozart's Clarinet concerto in A major, K. 622 was written in 1791, shortly before Mozart's death, for the clarinetist Anton Stadler. It consists of the usual three movements, in a fast–slow–fast form:

Allegro (in A major and in sonata form)
Adagio (in D major and in ternary form)
Rondo: Allegro (in A major and in rondo form)

It was also one of Mozart's final completed works, and his final purely instrumental work (he died less than two months after its October premiere). The concerto is notable for its delicate interplay between soloist and orchestra, and for the lack of overly extroverted display on the part of the soloist (no cadenzas are written out in the solo part).

The closing rondo has a cheerful refrain, with episodes either echoing this mood or recalling the darker colours of the first movement. It is a blend of sonata and rondo forms that Mozart developed in his piano concertos, most notably the A major Piano Concerto, K. 488.


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Mozart Concertos
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Amazon
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Orchestral samples included in this recording from the Vienna Symphonic Library.

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Concerto for Clarinet & Orchestra In A-Major, KV. 622: III. Rondo, Allegro

Tidal

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Mozart's Clarinet concerto in A major, K. 622 was written in 1791, shortly before Mozart's death, for the clarinetist Anton Stadler. It consists of the usual three movements, in a fast–slow–fast form:

Allegro (in A major and in sonata form)
Adagio (in D major and in ternary form)
Rondo: Allegro (in A major and in rondo form)

It was also one of Mozart's final completed works, and his final purely instrumental work (he died less than two months after its October premiere). The concerto is notable for its delicate interplay between soloist and orchestra, and for the lack of overly extroverted display on the part of the soloist (no cadenzas are written out in the solo part).

The second movement, marked Adagio, is a rounded binary form (i.e. ABA'). (It was popularized by the film Out of Africa.) It opens with the soloist playing the movement's primary theme with orchestral repetition. The B section, in which the solo part is always prominent, exploits both the chalumeau and clarion registers. 

The only true cadenza of the entire work occurs right at the end of the B section, immediately before the return of the A section. There are some passages that exploit the lowest notes of the basset clarinet in the B section.
Wikipedia

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Mozart Concertos
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https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

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https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Concerto for Clarinet & Orchestra In A-Major, KV. 622: II. Adagio

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Mozart's Clarinet concerto in A major, K. 622 was written in 1791, shortly before Mozart's death, for the clarinetist Anton Stadler. It consists of the usual three movements, in a fast–slow–fast form:

Allegro (in A major and in sonata form)
Adagio (in D major and in ternary form)
Rondo: Allegro (in A major and in rondo form)

It was also one of Mozart's final completed works, and his final purely instrumental work (he died less than two months after its October premiere). 

The concerto is notable for its delicate interplay between soloist and orchestra, and for the lack of overly extroverted display on the part of the soloist (no cadenzas are written out in the solo part).

The opening orchestral ritornello is joyful and light, and soon transforms into a flurry of sixteenth notes in descending sequence, played by the violins and flutes while the lower instruments drive the piece forward. After the medial caesura, the strings begin a series of canons before the first closing theme, featuring duelling violin I's and violin II's, enters. 

The soloist exposition of this movement appears on almost every professional orchestral clarinet audition.

Orchestral ritornello: bars 1–56
Solo exposition: bars 57–154
Ritornello: bars 154–171
Development: bars 172–227
Ritornello: bars 227–250
Recapitulation: bars 251–343
Ritornello: bars 343–359

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Orchestral samples included in this recording from the Vienna Symphonic Library.

Concerto for Clarinet & Orchestra In A-Major, KV. 622: I. Allegro

Napster

OF 0014 1 CD STEREO ADD
CARLO MARIA GIULINI /
ORCHESTRA DEL MAGGIO MUSICALE FIORENTINO

Ludwig van Beethoven
Egmont op. 84 Ouverture
Sinfonia n. 7 in la maggiore op. 92

Firenze, Teatro Comunale, 29-30 giugno 1984

CARLO MARIA GIULINI / ORCHESTRA DEL MAGGIO MUSICALE FIORENTINO

Finale dell'Ouverture Egmont di Ludwig van Beethoven diretta da Carlo Maria Giulini

Johann Sebastian Bach - Air

Bodenseefestival 2011 - 10.06.2011

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Beethoven - Sonata No. 23 in F minor op. 57 "Appassionata" (Live)

Wolfgang Amadeus Mozart - 1756–1791
is unarguably one of the most prolific and notable classical composers of all time. A child prodigy, Mozart was already proficient on the keyboard and violin by the age of five, composing remarkable works and performing before European royalty. At just 17 years old, he was engaged as a musician at the Salzburg court but, driven by ambition and a restless spirit, he embarked on travels to seek better opportunities.

In 1781, while visiting Vienna, Mozart’s dismissal from his Salzburg post marked a turning point in his life. He chose to remain in the imperial capital, where he gained widespread fame but struggled to achieve lasting financial stability. It was during his final years in Vienna that Mozart created many of his most celebrated works, including symphonies, concertos, operas, and the unfinished Requiem.

Over the course of his short but extraordinary life, Mozart composed more than 600 works, spanning symphonic, concertante, chamber, operatic, and choral genres. These masterpieces are recognized as pinnacles of Western art music and continue to inspire audiences and musicians alike. His enduring influence on classical music is profound, solidifying his legacy as one of history’s greatest composers.