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The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a Requiem Mass to commemorate the February 14 anniversary of his wife's death.

The Süssmayr completion of the Requiem is divided into fourteen movements, with the following structure:

I. Introitus
Requiem (choir and soprano solo) (D minor)
Kyrie, Bruno Walter, 1956.
II. Kyrie (choir) (D minor)
III. Sequentia (text based on sections of the Dies Irae)
Dies irae (choir) (D minor)
Tuba mirum (soprano, contralto, tenor and bass solo) (B-flat major)
Rex tremendae (choir) (G minor–D minor)
Recordare (soprano, contralto, tenor and bass solo) (F major)
Confutatis (choir) (A minor–F major, last chord V of D minor)
Lacrimosa (choir) (D minor)
IV. Offertorium
Domine Jesu (choir with solo quartet) (G minor)
Hostias (choir) (E-flat major–G minor)
V. Sanctus (choir) (D major)
VI. Benedictus (solo quartet and choir) (B-flat major)
VII. Agnus Dei (choir) (D minor–B-flat major)
VIII. Communio
Lux aeterna (soprano solo and choir) (B-flat major–D minor)

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Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - The Essential Collection

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Requiem in D Minor K. 626: Hostias (Instrumental)

Official MOZART artist persona of Tom Connell (PRS writer).
IPIs: 
•Tom Connell 671594418 
• Mozart 1187246925 
• Wolfgang Amadeus Mozart 1187246827 
USCO: SR 809-097 (Wolfgang Amadeus Mozart, pseud 2017).
Modern recordings/arrangements by Tom Connell; not affiliated with historical estates/publishers.

NON-PROFIT DO NOT OWN ANY MUSIC COPYRIGHT
SLOWED AND REVERB CREATOR
=NO SOCIAL MEDIA MOVEMENT=
	Isaiah 44:9-20
Complete Jewish Bible
9 All idol-makers amount to nothing;
their precious productions profit no one;
and their witnesses, to their own shame,
neither see nor understand.
10 Who would fashion a god or cast an image
that profits no one anything?
11 All involved will be ashamed,
but more than anyone else, the people who made them.
Let them all be assembled, let them stand up;
let them fear and be shamed together.
12 A blacksmith makes a tool over burning coals;
with his strong arm he shapes it with hammers.
But when he gets hungry, his strength fails;
if he doesn’t drink water, he grows tired.
13 A carpenter takes his measurements,
sketches the shape with a stylus,
planes the wood, checks it with calipers,
and carves it into the shape of a man;
and, since it is honored like a man,
of course it has to live in a house.
14 He goes to chop down cedars;
he takes an evergreen and an oak;
he especially tends one tree in the forest,
plants a pine for the rain to nourish.
15 In time, when it’s ready for use as fuel,
he takes some of it to keep himself warm
and burns some more to bake bread.
Then he makes a god and worships it,
carves it into an idol and falls down before it.
16 So half of it he burns in the fire;
with that half he roasts meat and eats his fill;
he warms himself; says, “It feels so good,
getting warm while watching the flames!”
17 With the rest of the log he fashions a god,
a carved image, then falls down before it;
he worships it and prays to it.
“Save me,” he says, “for you are my god!”
18 Such people know nothing, understand nothing.
Their eyes are sealed shut, so that they can’t see;
their hearts too, so they can’t understand.
19 Not one thinks to himself or has the knowledge
or the discernment to say,
“I burned half of it in the fire,
baked bread on its coals, roasted meat and ate it.
Should I now make the rest an abomination?
Should I prostrate myself to a tree trunk?”
20 He is relying on ashes!
A deceived heart has led him astray;
so that now he won’t save himself, just won’t say,
“This thing in my hand is a fraud!”