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Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. It was the last symphony that he composed, and also the longest.

The work is nicknamed the Jupiter Symphony. This name stems not from Mozart but rather was likely coined by the impresario Johann Peter Salomon in an early arrangement for piano.

The four movements are arranged in the traditional symphonic form of the Classical era:

Allegro vivace, 4/4
Andante cantabile, 3/4 in F major
Menuetto: Allegretto - Trio, 3/4
Molto allegro, 2/2

The symphony typically has a duration of about 33 minutes.

The third movement, a Menuetto marked allegretto is similar to a Ländler, a popular Austrian folk dance form. Midway through the movement there is a chromatic progression in which sparse imitative textures are presented by the woodwinds (bars 43 to 51) before the full orchestra returns. 

In the trio section of the movement, the four-note figure that will form the main theme of the last movement appears prominently (bars 68 to 71), but on the seventh degree of the scale rather than the first, and in a minor key rather than a major, giving it a very different character.

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Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - Symphonies, Sonatas, Serenades, Concertos & Overtures

Symphony No. 41 in C-Major, K. 551: ‘Jupiter’ III. Menuetto, Allegretto

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Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788.[1] It was the last symphony that he composed, and also the longest.

The work is nicknamed the Jupiter Symphony. This name stems not from Mozart but rather was likely coined by the impresario Johann Peter Salomon in an early arrangement for piano.

The four movements are arranged in the traditional symphonic form of the Classical era:

Allegro vivace, 4/4
Andante cantabile, 3/4 in F major
Menuetto: Allegretto - Trio, 3/4
Molto allegro, 2/2

The symphony typically has a duration of about 33 minutes.
The sonata form first movement's main theme begins with contrasting motifs: a threefold tutti outburst on the fundamental tone (respectively, by an ascending motion leading in a triplet from the dominant tone underneath to the fundamental one), followed by a more lyrical response.

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Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

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https://www.deezer.com/us/album/12179034

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https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
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Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - The Essential Collection

Symphony No. 41 in C-Major, K. 551: ‘Jupiter’ I. Allegro vivace

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The Symphony No. 36 in C major, K. 425, (known as the Linz Symphony) was written by Wolfgang Amadeus Mozart during a stopover in the Austrian town of Linz on his and his wife's way back home to Vienna from Salzburg in late 1783.

The entire symphony was written in four days to accommodate the local count's announcement, upon hearing of the Mozarts' arrival in Linz, of a concert. The première in Linz took place on 4 November 1783. The composition was also premièred in Vienna on 1 April 1784.

The autograph score of the "Linz Symphony" was not preserved.

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Orchestral samples included in this recording from the Vienna Symphonic Library.

Symphony No. 36 in C-Major, K. 425: ‘Linz’ IV. Presto

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Symphony No. 35 in D major, K. 385, was composed by Wolfgang Amadeus Mozart in 1782 and is also called the Haffner Symphony. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of Sigmund Haffner's ennoblement. 

The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776.

IV. Presto

The last movement, labeled "Presto", maintains just as much fire as the first movement. According to Steinberg, and Ledbetter, this "Presto" movement not only bears a similar atmosphere to the overture to Le Nozze di Figaro, but also provides a reminiscence of Osmin's comic aria "O wie will ich triumphieren" from Die Entführung aus dem Serail. 

This opera was first performed just two weeks before the composition of this finale. Hence, it may explain why there exist such similarities. When providing his father, Leopold, with performance instructions for the "Presto", his advice was that this movement should be played "as fast as possible".

Although the "Presto" begins at a quiet, brisk pace, the listener is immediately arrested by three beats of silence, followed by the full orchestra performing at a clear forte level in bar 9. Such musical surprises appear throughout this movement. 

Like the first movement, this movement is in the key of D major, and the form of the "Presto" movement is clearly in sonata-rondo form. Permeated with silences, rapid dynamic shifts, and a bright grace-note passage near the closing of the movement, one may expect the unexpected.

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Orchestral samples included in this recording from the Vienna Symphonic Library.

Symphony No.35 in D-Major, K. 385: ‘Haffner’ IV. Presto

Audius

This piece is very dear to me, I hope you enjoy it! 

We Fell in Love That November

Johann Sebastian Bach - Partita No. 2, BWV 1004 - Hilary Hahn

Kaunas Chamber Orchestra, Silvano Frontalini - Benedetto Marcello 12 Concerti Grossi Op. 1
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Benedetto Marcello -  Concerto No. 1 from 12 Concerti Grossi Op. 1

[نسخه کامل] از کنسرتو براندنبورگ شماره ۳ ، باخ - اجرا شده بر روی ساز‌های دوره باروک - به رهبری یکی‌ از بهترین‌های موسیقی کلاسیک " جان الیوت گاردینر" رهبر معاصر انگلیسی‌


این اجرا را به کسانی‌ که دوستدار سرعتهای چشمگیر و گوش‌نواز در موسیقی هستند، توصیه می‌کنم ;-)

Bach Brandenburg Concerto No.3 - Gardiner

A Bruce Evans Arrangement of J.S. Bach's Sheep May Safely Graze 

Sheep May Safely Graze

Bach recognized from whom his amazing talents were given....this piece is one of many that he wrote in dedication to the almighty himself.  


Jesu' Joy of Man's Desiring ~ Bach

Official MOZART artist persona of Tom Connell (PRS writer).
IPIs: 
•Tom Connell 671594418 
• Mozart 1187246925 
• Wolfgang Amadeus Mozart 1187246827 
USCO: SR 809-097 (Wolfgang Amadeus Mozart, pseud 2017).
Modern recordings/arrangements by Tom Connell; not affiliated with historical estates/publishers.