Epic track. The vocals are full of life & they blend perfectly with the instruments.

Love this track. The vocals are so awesome. The production is so clear. Great work here!

interesting track, the lyrics are very poetic and the drums/guitar add a bit of interesting experimentalism

Love your voice.. it has those nice bluesie growls

May the lame-stream media and it's subjects enjoy they're eternity in hell.

Hunter's Grifter Madness

An acoustic version of this song from our electro-vocoder album 'tws_tvs'
featuring John's son Bram on the harmonica!

LYRICS:

Sunset glowing on the mountain
Hour is late but no one's counting
Eat our tea out of a round tin
Look out baby, we've gone campin'

Wake up waiting for the sunrise
Tartan blanket on our cold thighs
Canvas creaking on some loose guys
Campfire smoke will sting in both eyes

Darling, where's the matches?
I can't find the lighter!
Washing in the river
Cooking by the fire

We're home here in the wild
We lay our heads on stone
And share our sunburn smiles

Gone Campin' (Sunburn Smiles) - acoustic version

Special thanks to my friend Pierluigi Luisi for playing bassline.

Glass roads

Wait

mdsway.bandcamp.com

Original composition.... Alejandro Gonzalez M.

Inexorabilis

I Will Be

A beautiful track by Shiloh Smith - Vocals, Lyrics, Guitar and Composition
Guitar decorations by Robert Grigg
Check out
Shiloh Smith : https://soundcloud.com/shilohwwsmith

Better Place - Shiloh Smith (Feat Robert Grigg)

Everything Burns

CAP 3: La payasa súcubo comienza a ejecutar varios humanos que caen bajo sus encantos en el circo de la perdición. 

Sentencia

Add to cart

Spells

Night Won’t Let Me Go

Whitman's America - VIII. A Prairie Sunset (Soprano Solo)
Duration: ca. 24'
for soprano and baritone soloists, chorus and orchestra

Performed by American Modern Orchestra and Albany Pro Musica, Kent Tritle, conductor, Larry Pine, narrator, Caitlin Lynch, Soprano Soloist, Chad Sloan, Baritone Soloist, José Daniel Flores-Caraballo, Albany Pro Music Artistic Director, Mostly Modern Festival, Arthur Zankel Music Center, Filene Concert Hall, Skidmore College, Saratoga Springs, NY, June 15, 2018.
Publisher: Bill Holab Music: www.billholabmusic.com/store/index.p…n%27s+america
For More Information: robertpaterson.com/whitmans-america
View Score Online: issuu.com/robertpaterson/docs/…n_s_america__score-p
Formerly titled Walt's America for world premiere.

NOTE: Instrumentation is designed to be identical to the Brahms Requiem, but with additional percussion.

PROGRAM NOTE
I have always been very fond of Walt Whitman and his poetry, not only for the inherent beauty and sense of optimism he illustrates in many of his works, but also for his intimacy, directness, colorful descriptions, and the way in which he sings the praises of nature and our role in it as individuals.

Whitman’s America is a setting of six poems from Whitman’s final version of Leaves of Grass, often called the Death Bed Edition, since he compiled this version the year he died. My work is constructed in an arch form as a sort of quasi-fantasia. I view each connected movement or section as a scene or vision, perhaps from an imagined Whitman as he lay on his deathbed. My goal was to capture and highlight a variety of themes that permeate Whitman’s poems, and in particular, themes that have to do with his love of America and the American people.

The work begins with Gliding o’er all, a poem in which Whitman portrays a positive attitude toward death; he is prepared for it and ready to embrace it. He presents a tone of acceptance through the irony of singing of many deaths, for the positive act of singing, in the way he imagines, does not typically correlate with death. Next is I Dream’d in a Dream, sung by a solo baritone, a poem that describes a utopic vision of peace and harmony. Following that is I Hear America Singing, about American pride and having pride in one’s work. Next is America, describing the destiny of America as a nation, his love of the masses, his devotion to Democracy and America fulfilling the spiritual needs of its people. Second to last is A Prairie Sunset, sung by a solo soprano, a poem that captures the beauty of the American prairie, an aspect of the American landscape that Whitman was very passionate about. Finally, I end with After the Dazzle of Day, a beautiful poem describing the starry night sky, an evening filled with music and his own internal symphony during the silence that follows.

Whitman’s America was commissioned by the Gulf Coast Symphony (Fort Myers, FL) as part of their 2020 Commissioning Project, Andrew M. Kurtz, Music Director and Conductor.

Movement Titles:
I. Gliding o'er all
II. I Dream’d in a Dream
III. I Hear America Singing
IV. America
V. A Prairie Sunset
VI. After the Dazzle of Day

I Will Be

MP Project

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