Hey loves! "Love a Little Harder" is a song all about embracing love with everything you've got. It's about giving your all, even when it's tough, and never holding back when it comes to matters of the heart.I wanted to create a track that encourages us to be fearless in love, to open ourselves up to vulnerability, and to cherish every moment with the ones we care about.Through "Love a Little Harder," I hope to inspire you to love deeply, to appreciate the beauty in every relationship, and to never take love for granted.So, let's spread love like confetti and remember to always love a little harder. You never know how much it might mean to someone.

Tasha - Love A Little Harder

This remastered album is the musical journey accompanying the harrowing events of Book 3 of "Hinter uns das Land" ("Behind Us The Land"), a poignant novel by Frank Talmon l'Armée. As the war closes in, the Feyerabend family, along with countless others, is forced to make the heart-wrenching decision to flee their beloved home in East Prussia. This collection of 16 tracks captures the emotional turmoil and the perilous journey that unfolds, painting a vivid sonic picture of a family caught in the midst of historical upheaval.

Book 3 plunges the listener into the chaos and fear of the final days of the war in East Prussia. The once-familiar streets of Danzig (now Gdańsk) become a haunting labyrinth of desperation and uncertainty as Inge and her family navigate the treacherous path to the harbor. The music reflects the growing tension, the ever-present threat, and the agonizing choices forced upon those seeking refuge. You will sense in the music the desperation of many refugees, but also their determination to survive.

The journey culminates in the boarding of the "Lappland," a vessel overflowing with refugees, all carrying their own stories of loss and hope. As the ship embarks across the vast and unforgiving Baltic Sea, the music evokes the vastness of the ocean, the precariousness of their situation, and the uncertain future that awaits them. You can hear in the sounds the inner turmoil of the characters: the children who do not yet fully comprehend what is happening and the adults who try to hold on to hope in the face of unimaginable fear.

From haunting melodies that echo the emptiness of a lost home to surging orchestrations that mirror the turbulent sea, this soundtrack captures the full spectrum of human emotion in times of war. Moments of quiet reflection are interspersed with powerful, driving rhythms, reflecting the resilience and determination of those who refuse to give up hope, although they know their lives will never be the same.

This musical collection offers a unique and immersive experience, drawing the listener deeper into the world of "Hinter uns das Land." It's a testament to the enduring power of family, the unwavering human spirit, and the search for peace amidst the ravages of war.

Lappland (From the Original Novel Soundtrack)

“Ego mortuus sum” (“I am dead”) marks a violent turning point on the album — a cry from the edge featuring the fierce vocal presence of Fredrik Keith Croona (Against I). Musically, it’s a collision of extremes: progressive structures twist through shifting time signatures before collapsing into relentless staccato grooves, while old-school death metal riffing forms the scorched earth on which the vocals roar.

The song was born in a moment of spiritual rupture — a place where faith felt hollow and rituals failed to heal. Lying on the metaphorical altar brought not peace, but anguish. The lyrics rage against sacred comfort, throwing brutal imagery into the light: Heaven reimagined as a “cesspool of saints”, sanctity as emptiness. It’s raw, it’s defiant — the sound of someone shouting into the void.

Yet amid the fury, a thread of hope weaves through. The chorus draws from Psalm 29: “Domine, clamavi ad te et sanasti me” — “O Lord, I have cried to thee, and thou hast healed me.” Even at the height of spiritual collapse, the possibility of redemption remains — battered but not erased.

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EGO MORTUUS SUM

One final blink until life gets complete,
until God’s grace destroys my melting meat.
Fermenting in the cesspool of the saints,
I pass away through firmamental drains.

Until my wine starts clotting in my mouth
drowning I dive this quietude throughout.
Candles are lit along my road to death,
out of my mouth I inhale my own breath.

Domine, 
Clamavi ad te,
Et sanasti me,
Domine!

(O Lord, 
I have cried to thee, 
and thou hast healed me.
O Lord)

Until I leave my assets far behind
peeling my lifeblood off this mortal mind.
Let loose this fire, enkindle my distress,
let my soul sink in this subversive hex!

One final blink until life gets complete,
laying face-up over the altar sheet.
My facial features under gleaming stars
this fake subsistence one by one disbarks.

Horror Sacri

Ego Mortuus Sum

“Messiah of Shrinking Shores” unfolds like a sorrowful parable — the story of a soul who gave everything, only to be abandoned by both Heaven and Earth. Written in poetic form years ago, the lyrics speak in third person, echoing the voice of someone who once carried the burdens of others, now discarded, worn down, and left with nothing but silence. “The ashtray of God” — a chilling metaphor for spiritual obsolescence — captures the depth of his disillusionment, culminating in the heartbreaking surrender: “Let me sink into the flood.”

This song gives voice to that universal moment when we feel used up, overlooked, and forgotten — when the world no longer sees us as valuable, only convenient. Hungarian vocalist Fati Urbán lends her angelic, haunting tone to these emotions, adding an ethereal fragility that elevates the pain into something strangely beautiful.

Though the song carries the atmosphere of gothic and doom influences, it never settles into one mood. Progressive metal elements weave through its structure — the intro and outro riffs pulse with complex time signatures, and the chorus rides on staccato rhythms that resist collapse. It's both a lament and a protest; a farewell and a final cry for meaning.

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MESSIAH OF SHRINKING SHORES

He clung with nails of wood so tight,
Scratching the fresco-black of night.
Obscured he wrote a gospel’s rhyme, 
Ashtray of God, clandestine grime.

All that he saw, all fails did stay,
No skyey dew would fall his way,
breathing desert dust-eating life,
rotten finger-flesh, he played a strife.

If he was saved, he tore his crown,
blood-stained tears fall, like storm pour down,
showing his fake gloriole,
he will baptize you, he will bury.

And as he climbed the western sky,
the stars within themselves did die,
"Embrace me now, and take my blood” 
said “Let me sink into the flood."

Messiah of Shrinking Shores

the piece  is almost polyrhythmic 
uses as a riff a 7-note rhythmic pattern x-x-xx-x-x-x taken from african drums
this gives 3 bars of 4 which seems assymetric when repeated
deep in the mix there is also the pulse of 4 bars of 3

seven on twelve

If You Me

If You Need Me

Dude Wipes - for the man so he can clean both his Ass and his Face.
https://www.tiktok.com/@hollywoodpkr/video/7522438275571649806
https://open.spotify.com/artist/7yM5jH3ytahItsh6eRieYP
https://youtu.be/ANBbG5P1WfI
Hi everyone - please vote for this track! https://distrokid.com/spotlight/hollywoodpkrvampits/vote/

Dude Wipes

Eyes Close

TRIAL&ERROR

Gisbert - Kleine Schritte ins Dunkel (aus dem Roman "Hinter uns das Land")

Es beginnt nicht mit einem Paukenschlag. Es beginnt im Flüstern.

Mit "Kleine Schritte ins Dunkel" erhält die Welt von "Hinter uns das Land" eine neue, weise Stimme: Gisbert, der Großvater des kleinen Albrecht aus dem Roman. Es ist die Stimme eines Mannes, der ein langes Leben gelebt und die feinen Risse im Fundament der Gesellschaft schon früh erkannt hat. Seine Warnung ist keine laute Anklage, sondern ein schwermütiges Klagelied über eine Welt, die sehenden Auges auf den Abgrund zugeht.

Der Song ist eine zeitlose Parabel darüber, wie Freiheiten schleichend erodieren – durch Worte, die gestrichen werden, durch Zäune, die unscheinbar wachsen, und durch ein Schweigen, das lauter ist als jeder Protest. Eine karge, eindringliche Ballade, getragen von einer Stimme, die die Last der Voraussicht in sich trägt.

Eine Mahnung, die heute so relevant ist wie damals.

Text: Frank Talmon l'Armée
Musik: Beyond & Before Music
Gesang: Gisbert

Mehr zum multimedialen Roman- und Musikprojekt "Hinter uns das Land":
https://linktr.ee/Beyond_and_Before

#HinterUnsDasLand #KleineSchritteInsDunkel #SingerSongwriter #Folk #Ballade #Geschichte #Warnung #Lyrik #Soundtrack #Konzeptalbum

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Gisbert - Small Steps Into Darkness (from the novel "Hinter uns das Land" / "The Land Behind Us")

It doesn't start with a bang. It starts with a whisper.

With "Small Steps Into Darkness," the world of "Hinter uns das Land" gains a new, wise voice: Gisbert, the grandfather of little Albrecht from the novel. It is the voice of a man who has lived a long life, a man who recognized the fine cracks in the foundation of society long before they shattered. His warning is not a loud accusation, but a melancholic lament for a world that refuses to see the cliff it's walking towards.

The song is a timeless parable about the insidious erosion of freedom—through words that are erased, through fences that grow inconspicuously, and through a silence that is louder than any protest. A sparse and haunting ballad, carried by a voice that bears the weight of foresight.

A cautionary tale that feels as relevant today as it did in the past.

Lyrics: Frank Talmon l'Armée
Music: Beyond & Before Music
Vocals: Gisbert

Discover the multimedia novel and music project "Hinter uns das Land":
https://linktr.ee/Beyond_and_Before

#TheLandBehindUs #SmallStepsIntoDarkness #SingerSongwriter #Folk #Ballad #History #Warning #Lyrics #Soundtrack #ConceptAlbum

lyrics:

Kleine Schritte ins Dunkel


Ein Wort gestrichen
Wer merkt’s schon
Ein Buch verschwunden
Bleibt kein Ton
Ein kleiner Schritt
So unscheinbar
Wie Sand im Wind
Unsichtbar

Kleine Schritte ins Dunkel
Still und sacht
Keiner hat’s gesehen
Keiner hat’s gedacht
Bis wir aufwachen
Bis wir versteh’n
Doch dann ist es zu spät
Dann ist nichts mehr zu dreh’n

Ein Zaun gebaut
Nur für den Schutz
Ein Blick wird schärfer
Ein Herz wird stutz
Ein leiser Zweifel
Doch wer spricht laut
Die Stille wächst
Die Hoffnung taut

Es beginnt im Flüstern
Im leisen Rauch
Und wächst im Schatten
Wie Dornenstrauch

Kleine Schritte ins Dunkel
Still und sacht
Keiner hat’s gesehen
Keiner hat’s gedacht
Bis wir aufwachen
Bis wir versteh’n
Doch dann ist es zu spät
Dann ist nichts mehr zu dreh’n

Ein Schritt
Ein Schritt
Und noch ein Schritt
Die Kette klirrt
Das Herz zerbricht
Doch wer schaut hin
Wer hält die Hand
Wenn alles fällt
Wie Treibsand

Kleine Schritte ins Dunkel

Black  Cello Syndicate -  _J _^_ X_ remix
Producer and hard-core techno bunny

Black  Cello

Hey, my name is Markus. In the past I've made Metal, Punk and Heavy Rock with my friends in my garage. I played the bass guitar and sometimes vocals. But that was way back (in the 90s). Now I produce my own songs at home and upload them. The music styles are from Metal, Punk, Rock to House and Dance, just everything I like. I would be happy if my songs are heard and positive feedback comes. I am also interested in cooperation and publish acapellas at looperman.com

If You Need Me

MP Project