This track is from the album Home Before Dawn and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/hazah2

Walking

Synthwave ditty for a game.

Artwork by Luke Austin-Heywood https://www.lukeaustin-heywood.co.uk/

Encounter

Sertraline

Ambrosia

the summer

Punk Project @ 33 & A Third

Naive Nocturne Bebny Na Sniadanie (Antsonamelonrind Mix)

It didn't need to end this way,
I hope you know that.
You can tell me every day
That I wasn't in the wrong
But you can't take it all back.

So if you see me
Please do not despair.
You chose a different path
And I just hope you're happy there.

Looking back at all we were
And I can just see your smile.
Looking back for a sign to say
That it has all been worthwhile.
Looking back at all we were
And I can just see your smile.
Looking back for a sign to say
That it has all been worthwhile.

I can't find myself next
To no-one else.
Hopelessly romantic,
Please take me for granted.
I can't find myself next
To no-one else.
Falling for my lovers,
I'm the one that suffers, I know.

I've seen a side to my head that
I'd rather left go to rest,
But now I'm scare of what I'd do,
I can't trust myself around you.

Sleeping ain't the same
When I struggle to close my eyes.
I'm self-destruction gift-wrapped,
My mind is like a bear trap tonight.

Looking back at all we were
And I can just see your smile.
Looking back for a sign to say
That it has all been worthwhile.
Looking back at all we were
And I can just see your smile.
Looking back for a sign to say
That it has all been worthwhile.

I can't find myself next
To no-one else.
Hopelessly romantic,
Please take me for granted.
I can't find myself next
To no-one else.
Falling for my lovers,
I'm the one that suffers, I know.

I thought you'd be the one to save me.
I thought you've be the one to set me free.
I thought you'd be the one to save me.
I thought you've be the one to set me free.

I can't find myself next
To no-one else.
Hopelessly romantic,
Please take me for granted.
I can't find myself next
To no-one else.
Falling for my lovers,
I'm the one that suffers, I know.

Hopelessly Romantic

If I had a night to
Spend with nobody but you
I'd take you out to dance again
And watch your eyes light up
When the songs kick in.

Oh, you made my heart ache,
Knowing I'd never see it again.
And I've been thinking a lot.
I've been thinking about what I lost.

Let me take you back,
Let me take you back,
To that beat up bar
Where I saw you dance.
Let me take you back,
Let me take you back,
So I can watch you dance,
So I can watch you.
Could you feel it?
Could you feel it?
When you walked away,
When you walked away.
Could you feel it?
Could you feel it?

I can't hold back from letting it slip.
You had me infatuated with
The swaying of your hips.
Baby, your touch was electric.
So let's go back and revisit this.

Oh, you made my heart ache,
Knowing I'd never see it again.
And I've been thinking a lot.
I've been thinking about what I lost.

Let me take you back,
Let me take you back,
To that beat up bar
Where I saw you dance.
Let me take you back,
Let me take you back,
So I can watch you dance,
So I can watch you.
Could you feel it?
Could you feel it?
When you walked away,
When you walked away.
Could you feel it?
Could you feel it?

Gotta take a back seat, and I
Gotta take a back seat, and I
Gotta take a back seat.

Let me take you back,
Let me take you back,
To that beat up bar
Where I saw you dance.
Let me take you back,
Let me take you back,
So I can watch you dance,
So I can watch you.
Could you feel it?
Could you feel it?
When you walked away,
When you walked away.
Could you feel it?
Could you feel it?

When I Saw You Dance

I Wanna Be Loving You

Collective EP1

Level Up

Hazah = 2 men, about a dozen instruments and a laptop... 

Matt
Vocals, acoustic guitar, flute, Irish pipes, whistles, clarinet, harmonica and banjo
George
Bass, electric guitar, backing vocals, keyboard/synths, programming/production etc

We formed in 2003 when we started jamming over drum loops and beats created on Logic and Reason. It was just a laugh at first after work but then we sent a demo into 'Glastonbury's emerging talent competition' - it was the first year they ran it and lo and behold we got through to the finals! It was a great start for us because we got to know some great people involved in Glastonbury and we've been back to play there several times since. This also led to more festival slots such as 'The Workhouse', 'Off the Tracks' and 'The Glade'. We've done a fair few parties and nights around and about too.

We try to capture those magical moments that just slot together when jamming in our music. A lot of the time we simply jam and press record and then cut up the material afterwards, maybe adding or re-recording some bits or just leaving it as it is, we're not too fussed about a totally crisp and polished production to be honest, but we do try to have it 'presentable'. 

Feedback is most welcome, even criticism! (but not too much ;-) please comment and follow and we will of course comment and follow back. 

We're well up for collaborations, anybody wants to remix, cut up, rap over, sing over...anything please don't hesitate to contact us.

Hazah! 

xxx


Walking

*Hazah*

Hazah