Booking requests for Marcel Vogel or Lumberjacks in Hell // Intimate Friends showcases:
marcellusfunk@hotmail.com

The other  account to my day job Lumberjacks in Hell which you can find here
 https://soundcloud.com/marcelvogel

DJ, radio presenter, record dealer and self confessed vinyl junkie, Paul is a respected selector that plays across the board and rocks a party with ease. 

Paul’s DJ sets come rooted in the past whilst giving a nod to the future, effortlessly joining the dots between funk, soul, disco, boogie, hip hop, jazz, afrobeat, reggae, bass, house and techno.

Possibly best known as the host of the Dig Deep Radio Show, Paul has worked with some of the most respected DJs and live acts from around the world. 

A seasoned club and festival regular, Paul has residencies in Manchester's Northern Quarter and can often be found DJing behind closed doors in some dark seedy basement doing what he loves.

Always keen to share his love of vinyl, his Dig Deep Records store is constantly supplying DJs and record collectors with the best music both old and new.

https://www.instagram.com/mannmademusic_sr3/

Paul Dig Deep's monthly dig in the crates of funk, soul, jazz, hip hop, latin, brazilian, afrobeat, down tempo grooves, disco, boogie, deep house, broken beat, bass & techno, and everything in between. (Cowbell Radio, Preston FM, Unity FM)

Breaking new music from up and coming artists, whilst not forgetting the classics…

http://www.digdeepradioshow.blogspot.co.uk
https://www.digdeeprecords.co.uk

More Dig Deep podcasts and DJ mixes:
soundcloud.com/paulthornton (Soundcloud)
soundcloud.com/pauldigdeep (Soundcloud)
mixcloud.com/paulthornton
www.digdeepradioshow.blogspot.co.uk

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

From humble origins in Detroit, raised on a healthy diet of Motown, Jazz and early Hip Hop – Terrel Wallace (aka Tall Black Guy) has become a standard bearer for the current hip hop beats scene. Through a steady stream of productions filled with incredibly clever sample flips and deft production chops, he has won fans across the world, including Gilles Peterson (who included him on one of his Brownswood Bubblers albums), Lefto, Anthony Valadez, Jazzy Jeff, Questlove and countless others. With the tangible beginnings of worldwide recognition, Tall Black Guy has established himself to be one of the most influential producers working today.

2011-2020 has seen TBG's first vinyl releases with bstrd boots, First Word Records, Ubiquity Records and his own imprint Tall Black Guy Productions (TBGP). Plus projects with artists like: 80s Babies, The Primeridian, Malice & Mario Sweet, Maylee Todd, Temika Moore, Teri Tobin, Skyzoo, The Colman Brothers, Little Dragon, The Foreign Exchange, Sola Rosa, Rainy Milo, Georgia Anne Muldrow, The Black Opera, Reel People, Phonte, Zo!, Miles Bonny

***Disclaimer: NONE of my beats are free to use. If you wish to buy a beat etc. please contact : infotallblackguy@gmail.com

Raised from a pup on everyday Motown and popular disco, Mr Mutley grew into his ears listening to early hip hop, house and techno before discovering the true roots of the music of his youth in the deeper side of jazz, soul, funk, afrobeat and boogie.

Having always been fascinated with keyboards, drums and flashing lights - starting to sample his record collection and lay down some beats was the next logical step.

Mr Mutley is following