World: bruno@kompakt.fm

Experience Designer at Rebolledo, Pachanga Boys, Hippie Dance, Futuro Primitivo, Bar Imprudente, TOPAZdeluxe, Mayan Warrior and other cool projects in the making...

comfort in chaos

record label @expertsonly

Miguel Garji is characterized by a decidedly open to mergers and unconventional, which runs from the Deep more Soul, to the American Deep House Tech-House with a touch stronger vocal or electronic, according to the climate of the particular session. 




Bookings: jessica@blivemusic.art (Worldwide)
diana@provocateur-booking.de (Gsa)

An unequivocal industry visionary, DJ Hell's career has embodied and then transcended his many guises: Anti-Superstar DJ, International DeeJay Gigolo Label Boss, GQ Man of the Year, Playboy, Jetsetter, Bon Viveur, Munich Machine, New York Muscle. Seeing, and envisioning - that is of enormous relevance to Hell. He managed to convey pure artistic prowess as well as pure style during his thirty year DJ career. The individual look, the do-it-yourself approach, the elitism. That's how it grew.

Listen to my new track 'Velvet & Ice': https://selectedbase.lnk.to/velvetice

Ferreck Dawn is all about the drums. They have to be heavy and physical to get his dance floors full, while the vocal details bring the all-important heart and soul. After 20 years in the game, this signature sound is what the Dutchman is recognised for around the world. It has taken him to every major club and festival, to labels like Defected, Repopulate Mars and Club Sweat and to the Beatport number 1 spot a number of times. 

"I like to please everybody on the dance floor," he says of this mix of the visceral and more emotional. Whether using original vocalists or digging deep for a sample, it is the melody, soul and texture of the human voice rather than the words that Ferreck is drawn to. And it has been this way since his international breakout tune in 2014: 'Love Too Deep,' with his friend Redondo, got signed to Spinnin Records, made the daytime playlist on BBC Radio One and led Ferreck to quit his job and pursue music full time. 

His early tunes soon got support from the likes of Carl Cox, Luciano and Green Velvet, and another milestone came with 'In Arms' on Defected in 2018. It became one of the most played tracks of the Ibiza season, reached the overall number 1 on Beatport and gathered over 70 million streams. In 2021, he repeated the trick of serving up a sizzling summer anthem and Beatport chart-topper with 'Back Tomorrow' together with UK powerhouse singer Jem Cooke, again on Defected. As with many of his tunes, global radio support and high-profile DJ plays helped make it a modern classic.

Part of the reason Ferreck remains a chart-topping producer after nearly 20 years is his ability to do it all. He searches out interesting collaborators from different sub-genres to mix it up and find new inspirations. Whether it's David Guetta's house alias Jack Back, 'The Void' with Lee Foss, 'My Own Way' with A-Trak and Lord, he never stops evolving. Of course, the best in the scene also come calling for the famous Ferreck sound: he has remixed an a-list of artists including Diplo, Tiesto, Martin Garrix, Vintage Culture, Claptone, Oliver Heldens and many more. 

Ferreck traces his love of chunky bottom ends back to his earliest experiences of dance music. Growing up in the Netherlands, he was surrounded by gabba and hardcore. It swept him up and defined his early years as DJ Dusk. But the often high tempos and impenetrable grooves proved to be a creative dead end for him once he began producing. He had more to say and was keen to explore a wider array of moods and grooves so added a stylized version of his own first name, Freek, and flipped Dusk to Dawn. He gravitated towards a unique mix of powerful techno drums and emotional house vocals and Ferreck Dawn was born. 

As a DJ now, he understands people want to hear the signature Ferreck sound. So in the booth, he balances his own productions with tracks that speak most to him, as well as some carefully chosen classics and future gems. This means he is able to smash out a high-impact 90-minute festival set at Extrema Outdoor, but also go deeper and play all night long at cult clubs like London's Fabric, and everywhere in between.

Fresh off the back of his first solo tour of the US, Ferreck has a wealth of new music coming with Meduza, Vintage Culture, Dom Dolla and Izzy Bizu. "If I won't play it, I won't release it," he says, "and I stand by that 200%." It is that quality control that has kept him at the top of his game for almost 20 years. 

MGMT: dmc@purplewall.com / lucas@purplewall.com
Bookings: 
Worldwide: harrison@activetalentagency.com
North & South America: charlie@spinartistagency.com
Benelux: maurits@peoplesagency.nl

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

Serch Rosas is following