this is beutifulu can you please get in touch witn me and send me the instrumental i teallu want to make my own interpretation

this was so powerful after watching bandersnatch 

Thom Yorke – In the absence thereof

Swimming Pool

swimming pool - marie madeleine

mama's boy - Dominic fike

𝗟𝘆𝗿𝗶𝗰𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗯𝗮𝗰𝗸𝗴𝗿𝗼𝘂𝗻𝗱 𝘃𝗼𝗰𝗮𝗹𝘀:
Su, guardiamo Settevoci  
Cordialmente, TV7  
Cordialmente, TV7  
Carosello, Doremi  
Carosello, Doremi  
Più cretini di così  
Non possiamo diventar  
Su, guardiamo Settevoci  
Su, guardiamo Settevoci  
Cordialmente, TV7  
Cordialmente, TV7  
Carosello, Doremi  
Carosello, Doremi  
Più cretini di così  
Non possiamo diventar  
Su, guardiamo Settevoci  
Su, guardiamo Settevoci

It's basically a (kids) choir about watching very early 60es and 70es Italian TV programs (Carosello, Doremi and Settevoci), on the premise of "We can't get more stupid than we are now".   

𝗦𝗼𝘂𝗿𝗰𝗲: https://www.reddit.com/r/MusicRecommendations/s/QV1yOcGqoF

Brutus || instrumental - The Butress

my most famous song lol
feat jonathan bree

The Cigarette Duet

Blood Of An American - Bobby Wright Cover

Byd Sbwriel

Aberbargoed

Princess Chelsea - The Cigarette Duet

"O Superman (For Massenet)" is a 1981 song by experimental performance artist and musician Laurie Anderson. Part of the larger work United States, "O Superman", a half-sung, half-spoken, almost minimalist piece unexpectedly rose to #2 on the UK Singles Charts in 1981. 

As revealed in the documentary "John Peel's Record Box" the single was a particular favourite of the late DJ, whose championing of it lead to it being a hit in the UK. 

O Superman (For Massenet) ( Laurie Anderson Cover )

Grieg: Peer Gynt Suites No. 1 & 2 / Ellington Strayhorn: Suite Thursday (Remastered)

Peer Gynt Suites: Ase's Death

james blake - dont miss it (remix)

Stine Janvin — Fake Synthetic Music
Format: Digital (vinyl out November)
Cat.No. PAN 84
Release Date: 12 October 2018 
Buy digital: https://bit.ly/2OjxCLs / https://bit.ly/2Cb1guQ

Vocalist, performer and sound artist Stine Janvin works with the extensive flexibility of her instrument of the voice, and the ways in which it can be disconnected from its natural, human connotations. Created for variable spaces from theatres, to clubs and galleries, the backbone of Janvin’s projects focus on the physical aspects of sound, and potential dualities of the natural versus artificial, organic/synthetic, and minimal/dramatic. 

Fake Synthetic Music is Stine Janvin’s latest live performance for voice, echo, lights and spatial distribution. The concept was created to present a full-body physical and ambient experience with the frequency range of her voice. Inspired by past and present producers of architectural electronic music, Janvin presents a new take on 'deconstructed rave' by exploring both sonic and optical illusions, otoacoustic emissions and minimal melodic sequences in reference to pop, techno and trance. 

The release introduces a recorded version of her ‘fake synthetic material’, and through her ongoing live performances, she continues to work between the music and art scenes, developing further her methodology of imitation and resonance through audio visual concepts. 

The tracks on Fake Synthetic Music reflect the concept of sonic illusions and Janvin's use of the voice as a sound source. “…I wanted to explore how I could vocalise in a way that would combine architectural sound with dance floor sequences.” she says. Each track is based on a different take on these ideas, some being pure studio production, using only her vocal archive of sustained notes, chopped up into innumerable pieces of different lengths, and re-attached. Tracks, such as ‘Like Right Now’ and ‘Like Last Night’ are examples of live material converted to a recorded format, keeping the simplicity of the direct voice signal through a digital delay effect with no post-production processing.

The album is mastered by Rashad Becker, featuring photography by Camille Blake and artwork by Bill Kouligas.

@stinejanvin
http://p-a-n.org

Fake Synthetic Music

Stine Janvin - Like Last Night (PAN 84)

Cover of Kate Bush’s song ‘Army Dreamers’. This ensemble version keeps close to the original but is augmented by Silvermoths distinct collage of instruments and voices, making it a version you’ll keep coming back time and time again.

Army Dreamers

'Crush', out now on Ninja Tune: https://floatingpoints.lnk.to/crushSo

Follow Floating Points -
Spotify: https://found.ee/floatingpoints-sp
Apple Music: https://found.ee/floatingpoints-am
Instagram: https://found.ee/floatingpoints-ig
Facebook: https://found.ee/floatingpoints-fb
Twitter: https://found.ee/floatingpoints-tw
Youtube: https://found.ee/floatingpoints-yt
Bandcamp: https://found.ee/floatingpoints-bc
Soundcloud: https://found.ee/floatingpoints-sc
Songkick: https://found.ee/floatingpoints-sk

Crush

Requiem for CS70 and Strings

'Burning Pile' by Mother Mother at 1.1x speed

Burning Pile (1.1x speed)

Mother Mother - Burning Pile

SUDNO — MOLCHAT DOMA.

Members: Just me, mr_hopkinson's computer.

Influences: Homer Dudley's Voder, The Davo articulatory synthesizer, and of course, The Haskin's Pattern playback.

Sounds Like: Well, um, I hope I have my own sound style, but I've been compared to my influences listed above, plus I suppose similar things could be Grandpa Bell Labs, 386dx, Lassigue Bendthaus, ri 057, Cylob, Morrissey, Eddie the shipboard computer, Stephen Hawking, Satnav & BT call minder. 

O Superman (For Massenet) ( Laurie Anderson Cover )

mr_hopkinson's computer

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