sound art for disquiet0669.

More on the 669th weekly Disquiet Junto project, Phonosynthesis — The Assignment: Make music to help a forest regenerate — at https://disquiet.com/0669/

the tree that thirsts for rain (disquiet0669)

Disquiet Junto Project 0674: Cerberus Sample
The Assignment: Make a song not just with but from just one sample.

Step 1: You’re going to make a song with just one short sample as its entire sonic source material. Select your sample wisely.

Step 2: Make a song in which the sample you selected in Step 1 serves as the raw resource for all the different parts of the song. Use nothing but that solitary sample. Here is one example of a song with four parts: melody, backing chordal material, bass, and beat. Three parts may be best, but make as complex and busy a piece of music as you desire, certainly.

Tasks Upon Completion:

Label: Include “disquiet0674” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0674-cerberus-sample/

Lunero y yo - disquiet0674

Recorded, mixed & mastered 11 Dec 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

For this I used 3 instances of VCV Rack running Voxglitch ArpSeq within Ableton Live. In Live, I was running FL Studio with Sytrus loaded, Live's Wavetable and Arturia's Arp 2600. From about 23 minutes, I used this small section towards the end and did a bit of editing.

This original version of "So Glad To See You Again" was submitted as part of Naviar Haiku 571, Stillness.  

stillness:
the sound of petals
sifting down together.
by: Miura Chora

Miura Chora (1729-1780) was a Japanese poet from Toba (present-day Mie Prefecture). Early in his career, he came into contact with the Teimon School, and bonded with the great Yosa Buson. An admirer of Matsuo Bashō, he strived for a return to the simple tones and spirit of the latter's poetics, criticizing the vulgarization of haiku of his era and advocating the so-called "return" to a Bashō's style.

Photography/visual editing by Jim Lemanowicz, 30 Nov 2018, Whitney Museum Of American Art, NYC, USA

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

So Glad To See You Again (naviarhaiku571)

#4060 (89.51% 467 left): Jan. 25 2025: The fair breeze blew the white form flew (E.H.Coleridge from Sep. 2, 2024) 

Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )

Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536:
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

######## Latest Album: 28th SELECTION ALBUM JUST RELEASED ########
"Forest in Moon Light" - the 28th selection album of piano ten thousand leaves

youtube: FULL VIDEO with 20 full songs in very high quality sounds
https://youtu.be/CwTVgfDHCn4?si=1QktmBR1FEGA-tQH

spotify
https://open.spotify.com/intl-ja/album/1RxJBVCU5vdt5O6kGUMbnv?si=hLjW3kbTThegEBOjgTHUbw

appleMusic
https://music.apple.com/jp/album/forest-in-moon-light/1773383143

amazonMusic
https://amazon.co.jp/music/player/albums/B0DJVSVF5K?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_V1XCbECO4uUYzRVs8apKAEEBl

all music streaming services:
https://linkco.re/SYNa3ueY?lang=en

the fair breeze blew the white form flew - #4060 (89R51pc 476 left) by chair house 250125

#4061 (89.53% 465 left): Jan. 26 2025: No longer than the moon (E.H.Coleridge from Sep. 2, 2024) 

Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )

Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536:
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

######## Latest Album: 28th SELECTION ALBUM JUST RELEASED ########
"Forest in Moon Light" - the 28th selection album of piano ten thousand leaves

youtube: FULL VIDEO with 20 full songs in very high quality sounds
https://youtu.be/CwTVgfDHCn4?si=1QktmBR1FEGA-tQH

spotify
https://open.spotify.com/intl-ja/album/1RxJBVCU5vdt5O6kGUMbnv?si=hLjW3kbTThegEBOjgTHUbw

appleMusic
https://music.apple.com/jp/album/forest-in-moon-light/1773383143

amazonMusic
https://amazon.co.jp/music/player/albums/B0DJVSVF5K?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_V1XCbECO4uUYzRVs8apKAEEBl

all music streaming services:
https://linkco.re/SYNa3ueY?lang=en

no bigger than the moon - #4061 (89R53 percent 475 left) by chair house 250126

This track is my interpretation of: 

Curve of time -
a thought takes flight,
scent of a rose.

Naviar Haiku challenge 577, details here: https://www.naviarrecords.com/haiku-music-challenge

All done with Voltage Modular (Virtual modular environment) from Cherry audio making heavy use of the modules from Dome Music Technologies.  There were too many elements to record this in one go, I neither have enough physical controls of hands. so split it into sections; each recorded as a live, one take performance, following on from and adding to each other.  

I think I hit all the elements for this one.
Curve of Time: A bit of obvious vintage synth, cheesy but who doesn't enjoy a bit of quality Gouda? 
One thought takes flight from the rest.
And I can scent a rose.
But beyond the obvious dairy products placing the element is up to you.

Curve Of Time - (naviarhaiku - 577)

2025-02-25

walking on thin ice

unbound
(naviarhaiku587)

Feature-reel here: https://www.instagram.com/reel/DIGwWAouYFa/

Where wind lifts pages and rooftops echo.
 A piece for the powers of play— and the wide horizon within.

Based upon this haiku:

paperweights
on the store’s comicbooks –
spring breeze

– Takai Kito –

Takai Kito is a disciple of Yosa Buson. Despite becoming a professional haikai master in 1771, Kito remained one of Buson's most trusted disciples until the death of the great master and was the de facto coordinator of Buson's haikai group.

Contribution for @naviarrecords’ Haiku 587.

https://www.naviarrecords.com/naviarhaiku587-paperweights/

unbound

crooked smile 1.1 s 10 bpm take 1 42825

Entering The Jungle

One of the strangest things I ever made with a guitar, this is a spacey ambient / soundtrack piece done a couple of years ago. Prior to the start of this recording, the delay was made to sound like a random percussion type sound. I added a high pitched string sound done with Absynth, plus a little Pro-53 sweeping synth sound. With a long delay and reverb, you can make a guitar sound very much unlike a guitar. #SoundCloud ☁️

Supraterrestrial

Supraterrestrial ˓˓ ⍥⃝⃝ ˒˒ (guitar + flashback + chorus + mini universe + Absynth & Pro53)

I'm primarily a visual artist both 2D and 3D, for the last decade I've operated almost exclusively in the digital 3D realm.   since the late 80s I've made periodic forays into the sonic world, MIDI sequencing, minimalism, musique concrète, found sounds  and improvisation. I am seldom happy with anything and seldom consider a piece finished.

Curve Of Time - (naviarhaiku - 577)

Mr_Lamppost