it's a first draft of the piece certainly worth investigating the sonic possibilities it offers. 
the synth always behaves differently in re-proposing the sequence, depending on the envelope phase in which it is found, I am fascinated by it, I have been looking for a sound like this for a long time.
I find it very meditative, so much so that it reminded me of seeing the splendid paintings of the painter Aldo Mondino, more than twenty years ago, in an exhibition at Villa delle Rose in Bologna. 
I immediately fell in love with those fantastic paintings. 
On the cover a detail of the work: Master of Fantasmagorie.
 
work in progress

Sufi's Dance In Slow Motion

This track was created for the Naviar Haiku group.
582
https://www.naviarrecords.com/naviarhaiku582-here-and-there/

2025-02-27

here and there (Naviarhaiku 582)

Dissolving elephants and golden walls

An interpretation of:

here and there
upon scorched fields
wild violets

Naviar haiku challenge 582, details here: https://www.naviarrecords.com/haiku-music-challenge

Assembled using a combination of Voltage Modular and Bento, the noise synth from Giorgio Sancristoforo; https://www.giorgiosancristoforo.net (Bento is about 2/3 of the way down the list).

I started out with Bento, got it set up worked out which controls I wanted to manipulate the moved onto Voltage Modular and patched together the other elements I'd need. Although a bit of a fiddle, I'd assigned all my physical controls to Bento so had to control all the VM components with the mouse, everything was manipulated and recorder in a single live take.

Scorched Fields - (Naviarhaiku - 582)

Prompted by and in response to:

out of the blue
of early morning light:
a paulownia leaf

Naviar haiku challenge 583, details here: https://www.naviarrecords.com/haiku-music-challenge/

Not as I envisaged at the outset owing to a lucky experiment and a willingness to got with the flow. All the base sounds are generated in virtual modular using VCV Rack with split outputs allowing multitrack recording. I had planned on using the Deelay plugin from Sixth Sample and while I was tweaking the settings put it into chaos mode as an experiment, not what I wanted but more suitable for this track, saved some VCV patching.  With the other elements in place I set up physical controls and did a test run to get an idea of what to patch next. After what would have been the opening ran to over six minutes I decided that with a couple of tweaks I had enough for a take, more minimal and slower evolving than my original idea but probably suits the haiku better. I used a touch of Frostbite 2 from Audio Thing to add some texture to the opening.

Early Morning Light - (naviarhaiku - 583)

i like how this came out, and plan to integrate it into my slowly expanding project at https://museumofhistoricalmaterials.bandcamp.com

a frantic 5/4 reworking of a 4/4 track i've been working on this week. mellotron via m-tron pro iv. blackhole immersive, ds tantra 2 and imagiro autochroma pad things out in the return channels. at 30s, an ableton percussion rack (EFX Small Cymbals) starts playing out a morse code message: "kaufmann, you scumbag".

More on the 694th weekly Disquiet Junto project, 5/4ify — The Assignment: Add a 5/4 beat to a pre-existing piece of music — at https://disquiet.com/0694/

[disquiet0694] kaufmann in 5/4

steady spring rains...
both dream and reality
Mount Yoshino! 

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.

Haiku by Ōshima Ryōta: https://thepoetryhour.com/poets/oshima-ryota/

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF realitY [naviarhaiku591]

Combining elements of Meccaniche del Sueno´s  contributions to the past two disquiet junto projects plus adding some music I created is how I made this track

Wilfried Hanrath - Mechanics of Dreams, with Meccaniche del Sueno (disquiet0699)

ROTER STREUSSEL

Visit jsmatteson.com for more.
Video: https://youtu.be/muLABWlHaKI

HSR (JSMatteson)

Reihe OP7 Next Level

I'm primarily a visual artist both 2D and 3D, for the last decade I've operated almost exclusively in the digital 3D realm.   since the late 80s I've made periodic forays into the sonic world, MIDI sequencing, minimalism, musique concrète, found sounds  and improvisation. I am seldom happy with anything and seldom consider a piece finished.

Scorched Fields - (Naviarhaiku - 582)

Mr_Lamppost