Track made for Naviar Haiku challenge 548:

The sound of silence
is all the instruction
you’ll get

Challenge details here: https://www.naviarrecords.com/naviarhaiku548-the-sound-of-silence

Quite minimal for this one, the basic structure was created using Stochas; probabilistic sequencer to control an instance of Surge XT and Solinoid virtual synths both running custom patches. The output from there was processed through various delay and reverb plugins.

Sound of Silence - (naviarhaiku - 548)

In spring sunlight
the rows of tea bushes
ripple like waves

by: Tōge Morita

Tōge Morita (1924-2013) was a Japanese teacher and poet from Osaka. In the early 50s, he started publishing his poems in the Katsuragi 葛城 magazine, later becoming its editor-in-chief and, in 1990, its editor.

Haiku by Tōge Morita

Picture by Kyle Bushnell

Join The Naviar Haiku Music Challenge
This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page. https://www.naviarrecords.com/naviarhaiku604-in-spring-sunlight/

SONG 114 - NaviarHaiku604 - In Spring Sunlight

slightly faint
yet clear
the milky way

oshio Kiyosaki (1922-1999) was a Japanese haiku poet and scholar of Japanese literature. He published a biography of Kyoshi Takahama in 1966 and co-authored Kyoshi Monogatari, another study on the renowned haiku poet, in 1979.

The Milky Way (amanogawa, or "Heavenly River" in Japanese) is a kigo for Autumn, mainly because that's when the galaxy is most visible in Japan.

Haiku by Toshio Kiyosaki

Picture by Yong Chuan Tan

agates chill wryly - naviarhaiku606

improvvisazione da una sessione registrata nel novembre 2023
in attesa di ulteriori rielaborazioni

Dead phone call _two

Please listen with headphones

Soundscape Maa was released by the Istitute For Alien Research (ifarlabel) in a compilation entitled Sonder.
https://ifarmusiqueconcretecompilation.bandcamp.com/album/sonder

The composition combines everyday sounds such as footsteps on different surfaces, the tearing of paper, lighting a match, playing tennis, clapping hands, horses clattering, machine noises and the like with voice samples from my archive, which the Dutch mezzo-soprano singer Jannie Pranger made available to me some time ago and of which a few have been electroni- cally manipulated. These two components are tghtly interwoven and form an exciting, multi-layered and multi-faceted musique concrète.
The everyday sounds are treated in the same way as the vocal sounds; for example, in the way one deals with the sounds of percussion instruments, which are also largely noisy. A drum roll, a cymbal crash, a rattle ... or an electric saw, a creaking door, shattering glass, the impact of a golf ball, a swarm of bees, etc. The mezzo-soprano voice involved is extremely varied. Snapping or hissing sounds, whispering, speaking, singing, whistling, blowing and every conceivable sound that can be produced with the voice are included. Earth is the only planet known to date that sounds; where we are constantly surrounded by sounds and noises produced by humans and animals, wind, water, etc. I wanted to represent and celebrate a tiny section of this unique sonic diversity of planet Earth in my composition. The word “maa” in the title is the Finnish word for earth/land.

Sonder

Soundscape Maa

4Sep25
https://naviarlab.tumblr.com/post/793657063087767552/naviarhaiku609-revealing-in-the-dark
😊

The sadness of things [naviarhaiku609]

VIVOR SIPHON

Made for the haiku challenge 610 of Naviar records.

dropped glass - its ring outlasts the fall  
Thank you halF unusuaL for offering this haiku!

More informations about haiku challenge:
https://www.naviarrecords.com/haiku-music-challenge/

The fall (naviarhaiku610)

Shatter the wall

Studio Composing in the  21st Century

Child Of The Third Season.

I'm primarily a visual artist both 2D and 3D, for the last decade I've operated almost exclusively in the digital 3D realm.   since the late 80s I've made periodic forays into the sonic world, MIDI sequencing, minimalism, musique concrète, found sounds  and improvisation. I am seldom happy with anything and seldom consider a piece finished.

Sound of Silence - (naviarhaiku - 548)

Mr_Lamppost