Where I Came From is a captivating ambient space electronica album, perfect for filmmakers, content creators, and sci-fi enthusiasts. Ethereal synths, textured soundscapes, and atmospheric layers create a futuristic, immersive journey through cosmic landscapes. The tracks blend calm, reflective passages with uplifting, epic moments, evoking exploration, wonder, and the vastness of space. Ideal for documentaries, trailers, YouTube videos, and creative projects, Where I Came From delivers a modern, cinematic electronic soundtrack that enhances visuals with emotional depth and otherworldly ambience.

Today or Never (94 bpm) | cinematic, motivational, relaxed, hopeful

We Got This

Prisoners Of War

Danger Zone

Ancient ruins are spellbinding the travelling spirits with theres history which is forever forbidden for the future generations. The door into the beautiful and dangerous world which is disguised in walls of silence and dust will be opened only for the strongest.

Synthetics VoI. I

Maniac Lover - Mantra Generator

● Bandcamp: http://bit.ly/jst-for-the-kvlt-bc
● iTunes: https://apple.co/2IxFx4F
● Spotify: https://spoti.fi/2rZAjDF

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Following two single releases during 2017 ('Long Roads' and 'Last Blood') and a few remixes, Canada's heaviest Electronic music offering is back with his second long play album.

Continuing the one man Synth Metal band moniker and sound he pioneered back in 2011, Quebec City native Raphael Durand has always been a musical 'outsider'. Too Metal for Electronic music fans and too Electronic for traditional Metalheads, Gör FLsh was never interested in following music trends. Not being on a quest for fame freed him from any rules set by genres and his sophomore album 'For The Kvlt' is the perfect proof of that as it sets new standards for what both Electronic and Metal music can be.

Coming with eight brand new original tracks and the two singles 'Long Roads' and 'Last Blood', this is definitely Gör FLsh's most mature work to date both composition and production-wise. Dark and probably heavier than any other Electronic music album you'll listen to in a while, 'For The Kvlt' manages to strike all the right chords and find the right balance between melodic and brutal, old and modern, always with a touch of Sludgy/Doom-y heaviness.

● Follow Gör FLsh:

Soundcloud: https://soundcloud.com/gorflsh
Facebook: https://www.facebook.com/gorflsh
Bandcamp: https://gorflsh.bandcamp.com
Spotify: http://bit.ly/gor-flsh-spotify
Twitter: https://twitter.com/GORFLSH

● Follow JST Records:

Website: http://www.jstrecords.com
Bandcamp: https://jstrecords.bandcamp.com
Spotify: https://play.spotify.com/user/jstrecords
Facebook: https://www.facebook.com/JetSetTrashRecords
YouTube: http://www.youtube.com/JetSetTrashRecords
Twitter: https://twitter.com/JSTrecords

For The Kvlt

Gör FLsh - For The Kvlt

Download here

https://microchipterror.bandcamp.com/album/illegal-remixes

HAILS and SALUTATIONS to : 

Hubrid 
hubrid54.bandcamp.com 

Electric Dragon 
electricdragonuk.bandcamp.com 

Battlejuice 
battlejuice.bandcamp.com 

COGEX 
cogex.bandcamp.com 

Protector 101 
protector101.bandcamp.com 

Gregorio Franco 
gregoriofranco.bandcamp.com 

Artwork by Atomcyber 
www.artstation.com/atomcyber

Hubrid & Vulta - Fusion (Feat. Dimi Kaye) (Microchip Terror Remix)

Stars Have Souls

Deep Space

Spotify  https://open.spotify.com/intl-fr/artist/5Sve9lhcAp2vfXXt46rMdZ
https://www.youtube.com/watch?v=w698EUp6_KY&t=1526s

HUBRID DARK WAR IS HERE !!
hubrid54.bandcamp.com/album/dark-war

TRAILER /www.youtube.com/watch?v=bn-qHS9Q_e4

[DARK WAR]

AXEL  NOSFERATU - Prince Of The Night (HUBRID Remix )

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
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In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

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Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Danger Zone

ROBORG