clouders for - associated - similar

stoner rock and blues with a psyKadelic tinge .... guitar riff intensive with a pounding bassline  

N-JOY !

RIFF INTENSIVE

kool bands kool guitar riffs koool fanbase 

special thanks to chiara gala who turned me onto these wonderful bands

chiara gala = awesome

N-JOY !!!!!!!

KOOL-AID

great riffs great vocals great sound great bands

HIGHBALL

Tale of The Mountain Man

Mr. Bad Luck! <3

rock

chilled perhaps

Purchase on iTunes: http://georiot.co/4DCA
Purchase From Relapse: bit.ly/RedFangWhales
Purchase at Bandcamp: redfang.bandcamp.com/

Official links:
www.facebook.com/redfangband
www.redfang.net
www.redfang.bandcamp.com

www.Relapse.com
www.facebook.com/relapserecords
www.twitter.com/relapserecords


Red Fang - No Hope

Taken from the upcoming album "A Hiding Place"

GOLDEN Vinyl Gatefold: http://shop.napalmrecords.com/zodiac-a-hiding-place-golden-vinyl.html
FOREST-GREEN Vinyl Gatefold: http://shop.napalmrecords.com/zodiac-a-hiding-place-forest-green-vinyl-7254.html
BLACK Vinyl Gatefold: shop.napalmrecords.com/zodiac-a-hiding-place-black-vinyl.html
LTD Digipak: http://shop.napalmrecords.com/zodiac-a-hiding-place-digipack.html

ZODIAC - Downtown

I asked Hans https://soundcloud.com/clouders_for if he would be interested in playing on this track and as you will all hear he agreed..... and what an Amazing addition he made to it with his Wonderful playing..the man is a Superb musician as most of you know if you havn,t already heard him play check out his Cloud.."https://soundcloud.com/clouders_for"   Thank you my friend:)

Into Africa feat-clouders for (Hans-Michael Albers)

Red Fang have premiered "Black Water," a bonus track from their new album 'Whales and Leeches' out now on Relapse Records.

Purchase from Relapse: bit.ly/RedFangWhales
Purchase from iTunes: http://georiot.co/4Bof
Purchase at Bandcamp: redfang.bandcamp.com/

Official links:
www.facebook.com/redfangband
www.redfang.net
www.redfang.bandcamp.com

www.Relapse.com
www.facebook.com/RelapseRecords‬
www.twitter.com/relapserecords
www.relapserecords.bandcamp.com‬
www.youtube.com/user/RelapseRecords

Red Fang - "Black Water"

Megalithic Symphony

Sail

Triad - Oi (Bass Chopper Remix)

TEXT033
John Beltran - Faux/Faux (Four Tet remix)
12" available soon

John Beltran - Faux (Four Tet Remix)TEXT033

Clutch -- Electric Worry

Music by Paploviante  
Vocals, Lyrics, production and 1st guitar solo by 
Bruce Conover
© 2014 Conover/Paploviante

Run Rabbit Run
There's a man in these shoe's
that you will never know.
There's a part of his smile
that he will never show.

Everbody needs someone
Everybody needs someone to Love

There's a song in the field
'bout a rooster that crow's
And the longer he sing's
The believer will be

Mr. Rabbit's
found his pace
no one else can run the race
for him.

Mr. Rabbit's
found his pace
no one else can run the race
for him

repeat 1st verse and run your own race............

run man run.......................................................

Run Rabbit Run))) Conover/Paploviante

Her 12 Faces’, out 18th February on Inertia Recordings, is the stunning new album from producer/guitarist Lanu. Drawing on his passion for a sonic world where Beat culture collides with indie, dream pop, lounge and folk music, this solo record marks a stylistic point of departure for the prolific musician who is better known as Lance Ferguson, the composer, bandleader, lead singer and creative force behind acclaimed Australian funk outfit The Bamboos. Lanu’s vision is paired with the captivating vocals of Megan Washington for a mix of modern, kooky immediacy and timeless charm. Think the eclectic, immediate crossover appeal of Little Dragon, Feist, Emiliana Torrini, Charlotte Gainsbourg or Janelle Monae.

Ferguson has always had a clairvoyant’s sense for collaborations (the first Lanu album featured then-little-known Aloe Blacc), and he first introduced Megan Washington to his fans as the voice of The Bamboos’ 2008 hit cover version of Kings Of Leon’s “King Of The Rodeo”. 

Album opener and first single “Beautiful Trash” is one of five Washington-voiced songs on ‘Her 12 Faces’; a supreme nugget of outsider pop. Supported by spectacular animated video by Lucy Dyson (Sarah Blasko, Augie March, Gotye)

‘Her 12 Faces’ flows effortlessly between finely crafted indie-leaning pop songs and lush instrumental/electro pieces; mesmerising instrumental track “The Coral Route” takes its name from the path flown by TEAL Airways Flying Boats through the South Pacific islands in the ‘50s. It’s also a special ode to his Hawaiian-style steel guitar playing grandfather, Bill Wolfgramm, who released New Zealand’s first ever LP and a host of records during the time the Coral Route was in service. “It’s really a tribute to him – and if I had ever been able to make a tune with him it might have sounded a little like this”. 

The album closes with a French language version of “More Than This”. “Yeah it’s a Roxy Music cover. I was going for some kind of ‘Life Aquatic’ twist on this and I thought having a Frenchman doing it would be just the ticket”, says Ferguson. “When he left my house after recording I asked him, ‘What are you doing for the rest of the day?’ His response: ‘I am going to make love to my girlfriend for 24 hours’. True story.”

A perfectly pitched mix of the sentimental, the irreverent, the personal, the humorous, the acoustic and the electronic, ‘Her 12 Faces’ is set to break yet more new ground for Ferguson, whose recent work with The Bamboos, Kylie Auldist, Lyrics Born & Washo has collected widespread recognition & acclaim both here at home and abroad.


1988

Black Mountain - "Druganaut" from 'Black Mountain', out 6/23/15 via Jagjaguwar
Direct:  http://smarturl.it/blackmountain2015
iTunes:  http://smarturl.it/blackmountainitunes
Amazon:  http://smarturl.it/blackmountainamazon
Indies:  http://smarturl.it/blackmountainindies

MORE INFO: http://bit.ly/BlackMountain_10thAnn

It's only a cliché because it's true, but the greatest records are timeless. Black Mountain's self-titled debut album is just such a record, its roots leading twisting paths back into the past, while always sounding like 'now', like a future still to come. The work of a small collective of musicians operating from Vancouver, Canada, far from any industry buzz but firmly in the eye of their own storm of creativity, Black Mountain's debut album was, of course, a beginning, but it also marked an ending for Jerk With A Bomb, the group that preceded Black Mountain.

Begun as the fourth Jerk With A Bomb album, Black Mountain's debut grew from skeletal sessions cut by McBean and Wells. "We laid down the bed tracks, the guitars and drums," remembers McBean. "Matt [Camirand, bass] joined, and we changed the band name after a dream of how life could be different in the B section between Black Flag and Black Sabbath. Josh's roommate Jeremy [Schmidt, keys] was lurking about. We asked him if he wanted to add some synth bleeps or whatever. He came back with all these orchestrated keyboard parts, and we said, 'Oh, you should probably join the band now.'"

They cut the album at the Hive in Vancouver, recording in "a big cement room with a tall ceiling, nice boomy acoustics, lots of natural reverb," remembers McBean, "on an 8-track reel-to-reel tape recorder." During the sessions, these elemental first Black Mountain tracks found their true shape: the wry, giddy shuffle of "Modern Music," with its Roxy Music sax and Velvets-y chug; the epic, sky-staring riffage of "Don't Run Our Hearts Around;" the hypnotic, gracefully heavy groove of "Druganaut;" the joyful rush of "No Satisfaction;" the dark, powerful blues of "Set Us Free;" the mysterious murk of "No Hits." Here was a new classic rock, its reference points arcane and clear, its sound fresh, unfamiliar and irresistible.

The album's initial success saw the band take to the road, leaving their Vancouver enclave for stages across Canada, America and Europe. "It felt like there was a real explosion of excitement at shows," remembers McBean. "The first couple of tours, we kinda were pretty shambolic. We wouldn't write setlists, we'd just feel the energy in the room and call things out, jamming on songs like 'No Hits' and 'Druganaut.' It was a good time for live rock'n'roll: DJ booths were being transformed back to drum risers, people were digging 20 minute jams and there were bands like Comets On Fire and Oneida out there who we felt kinship with. I was into Faust and Amon Duul but had no idea of the scene of modern bands doing that stuff. And then we met those bands, and it was cool. And then we went on tour with Coldplay...and the adventures continued."
Their jaunt across the world as guests of perhaps the biggest band in the world right then is a tale for another time, perhaps: the start of Black Mountain's next chapter, and all that followed. For now, savour the compact, spacey brilliance of that cosmic, heavy and subtle debut album, expanded now with a raft of delicious bonus tracks scavenged from the Black Mountain Army archives.

Black Mountain - "Druganaut" from 'Black Mountain', out 6/23/15 via Jagjaguwar
Direct:  http://smarturl.it/blackmountain2015
iTunes:  http://smarturl.it/blackmountainitunes
Amazon:  http://smarturl.it/blackmountainamazon
Indies:  http://smarturl.it/blackmountainindies

Black Mountain

Druganaut

Pre-Order

Black Mountain - "Druganaut"

Taken from the debut album "Natural Causes" 
http://shop.napalmrecords.com/audiotopsy

AUDIOTOPSY - Headshot

Taken from the album "Natural Causes"
http://shop.napalmrecords.com/audiotopsy
US customers: www.napalmrecordsamerica.com/store/audiotopsy

AUDIOTOPSY - The Calling

The Wolves are Coming

Black Mountain - "Behind The Fall" from 'Black Mountain', out 6/23/15 via Jagjaguwar

Direct: smarturl.it/blackmountain2015
iTunes: smarturl.it/blackmountainitunes
Amazon: smarturl.it/blackmountainamazon
Indies: smarturl.it/blackmountainindies

MORE INFO: bit.ly/BlackMountain_10thAnn

It's only a cliché because it's true, but the greatest records are timeless. Black Mountain's self-titled debut album is just such a record, its roots leading twisting paths back into the past, while always sounding like 'now', like a future still to come. The work of a small collective of musicians operating from Vancouver, Canada, far from any industry buzz but firmly in the eye of their own storm of creativity, Black Mountain's debut album was, of course, a beginning, but it also marked an ending for Jerk With A Bomb, the group that preceded Black Mountain.

Begun as the fourth Jerk With A Bomb album, Black Mountain's debut grew from skeletal sessions cut by McBean and Wells. "We laid down the bed tracks, the guitars and drums," remembers McBean. "Matt [Camirand, bass] joined, and we changed the band name after a dream of how life could be different in the B section between Black Flag and Black Sabbath. Josh's roommate Jeremy [Schmidt, keys] was lurking about. We asked him if he wanted to add some synth bleeps or whatever. He came back with all these orchestrated keyboard parts, and we said, 'Oh, you should probably join the band now.'"

They cut the album at the Hive in Vancouver, recording in "a big cement room with a tall ceiling, nice boomy acoustics, lots of natural reverb," remembers McBean, "on an 8-track reel-to-reel tape recorder." During the sessions, these elemental first Black Mountain tracks found their true shape: the wry, giddy shuffle of "Modern Music," with its Roxy Music sax and Velvets-y chug; the epic, sky-staring riffage of "Don't Run Our Hearts Around;" the hypnotic, gracefully heavy groove of "Druganaut;" the joyful rush of "No Satisfaction;" the dark, powerful blues of "Set Us Free;" the mysterious murk of "No Hits." Here was a new classic rock, its reference points arcane and clear, its sound fresh, unfamiliar and irresistible.

The album's initial success saw the band take to the road, leaving their Vancouver enclave for stages across Canada, America and Europe. "It felt like there was a real explosion of excitement at shows," remembers McBean. "The first couple of tours, we kinda were pretty shambolic. We wouldn't write setlists, we'd just feel the energy in the room and call things out, jamming on songs like 'No Hits' and 'Druganaut.' It was a good time for live rock'n'roll: DJ booths were being transformed back to drum risers, people were digging 20 minute jams and there were bands like Comets On Fire and Oneida out there who we felt kinship with. I was into Faust and Amon Duul but had no idea of the scene of modern bands doing that stuff. And then we met those bands, and it was cool. And then we went on tour with Coldplay...and the adventures continued."
Their jaunt across the world as guests of perhaps the biggest band in the world right then is a tale for another time, perhaps: the start of Black Mountain's next chapter, and all that followed. For now, savour the compact, spacey brilliance of that cosmic, heavy and subtle debut album, expanded now with a raft of delicious bonus tracks scavenged from the Black Mountain Army archives.

Black Mountain - "Behind The Fall" from 'Black Mountain', out 6/23/15 via Jagjaguwar

Buy 10th Ann. Edition

Black Mountain - "Behind The Fall"

Run All Night

The Mountain Man

What would you say if I told you I was never coming home again?
 Well I'm never coming home again....

C&C4 

Home Again  Conover/Hans-Michael Albers

Amber

Pull down the posters tell ‘em; I’m found
Send all the dogs home tell ‘em; I don’t need a hound
Turn back the news crews get ‘em out of town
Fire off your rockets and follow me down

Follow me down Follow me down
Follow me down Follow me now

Amber - you’re so magnificent
Amber - you run away

Tighten the crossbow and stand in my way
William Tell apple is going to say
Amber’s initials... and an autograph line
Black and white pictures will set me in time

Amber - you’re so magnificent
Amber - you run away
Amber - you’re so magnificent
Amber - you were the rain


Original song 'Amber The Magnificent 'https://soundcloud.com/conover/magnificent by @Conover

Amber The Magnificent

Amber

...and healing.

This week I was badly hurt in an accident...8 hours in the ER, 12 hours in the trauma unit. I am recovering at home slowly. Sharing music is healing for me, and the irony of this title seemed appropriate. Sincere thanks Hans.   https://soundcloud.com/clouders_for

I want to dedicate this to the amazing people in the trauma unit, and more importantly my wife Marie. Marie's quick action saved my life.

Hans- Original music, Guitar and everything else.
Me- Telecaster

Hurt (Clouders for: & Telefan)

Broken Bones

At Dawn

Devils On My Trail

Fifth track of 1000mods' debut album "Super Van Vacation"

Vidage

Thanks for 700k plays! Don't forget to check out the other tracks on my profile.

Rooster (Alice in Chains)

From Black Mountain's original soundtrack to the film Year Zero, out now!

Year Zero: The Original Soundtrack

Mary Lou

Black Mountain - "Mary Lou"

Wilderness Heart

The Hair Song

Black Mountain-"The Hair Song"

Carry On

Restless Fugitive

Stoned Jesus - Stormy Monday (extended)

http://www.smalltownsupersound.com/2012/03/21/neneh-cherry-cherry-album-june/

Neneh Cherry + The Thing - Dream Baby Dream (Four Tet remix)

Pizza!'s contribution to Manimal Vinyl's Bowie Tribute record. Proceeds go to War Child UK.

Pizza! is 
Geoff Geis, Alex Myrvold, Tyler Sabbag, Duncan Thum, and Rand Voorhies

This recording features horns and woodwinds from Eugene Toale and vocals from Caitlin Craggs and Chloe Thum 

Pizza!: Modern Love (David Bowie cover)

Crimson Door

All is over

Pyramidonia

Edvard Snifferson - Voice, guitars, bass guitar
Mac - Drums

Necessary

SPACE LORD (Monster Magnet)

Edo Snifferson - Voice, guitar, bass guitar
Mac - Drums

Burning Rain '70

If you love bone-crushing riffs, Rock&Roll and don't mind a little psychedelia to go with it, then this might be for you. 