Daily Drops 8.03.2025

Support the show: https://www.patreon.com/mrbillstunes
Get it in your podcatcher: https://mrbillstunes.libsyn.com/

The Mr. Bill Podcast pairs producer, composer, and educator Mr. Bill with his friends and colleagues from around the music industry (and beyond) to discuss whatever might be the big topic of the day, or whatever tangent they find themselves flying off on.

Mr. Bill Links:
https://live.mrbillstunes.com/
https://discord.gg/ySjhgWQ
https://mrbill.bandcamp.com/
https://www.youtube.com/user/MrBillsTunes

The Mr. Bill Podcast

Bugg'n In The Air TNGHT

Raining Blind Puppies

"They flood the feed, they twist the truth— Turn the volume up and cut ‘em loose! Power to the sound, power to the streets, Turn the speakers to a weapon, feel the beat!"
(Distorted bassline kicks in—slow build—then BOOM, full band drops in, heavy riff, pounding drums.)
 They sell the war, they sell the fear, They own the networks, they own the ears. They write the rules, they pick the kings, They rig elections, they pull the strings.


[Verse 1: ]
Billionaires feast while the people starve, They sellin’ us dreams that they tore apart. We break the chains, we shake the ground, Turn it up loud—make ‘em shut it down!
 They track the steps, they scan the face, They turn the planet to a database. They sell our lives, they sell our time, They call it freedom, but watch the signs.

No more silence, no more fear, We take the streets, we make it clear. No more kings, no more gods, Just one sound that breaks the facade!

[Bridge: Spoken Word Over Distorted Bass & Feedback] "They got the wealth, they got the tech, but we got the sound!" "They write the script, we burn the script—THEY CAN’T BLOCK IT OUT!"


[Chorus: Shouted, Gang Vocals, Heavy Guitars] (Crowd chant): GET AFFECTED! WAKE ‘EM UP! Sound is power, time is up! (Crowd chant): GET AFFECTED! SHAKE THE EARTH! One voice, one sound, know your worth!
(Guitar riff rides out, hard-hitting drums keep it moving.)


[Chorus: Shouted, Gang Vocals, Heavy Guitars] (Crowd chant): GET AFFECTED! WAKE ‘EM UP! Sound is power, time is up! (Crowd chant): GET AFFECTED! SHAKE THE EARTH! One voice, one sound, know your worth!


[Verse 2: ] Yeah, they own the code, they own the grid, They track your thoughts, watch what you did. AI soldiers, drones patrol, Data-mined minds, control’s the goal.

Tech gods preach while the masses scroll, Another headline, another black hole! They sellin’ our futures like stocks on the screen, But we flip the script—keep the signal clean!Turn it up, let the people ignite, One voice, one fire, one fight! We the power, we the light, No fear, no chains—UNITE!

[Chorus: Shouted, Gang Vocals, Heavy Guitars] (Crowd chant): BREAK THE SIGNAL, TEAR IT DOWN! Music unites, bring ‘em to the ground! (Crowd chant): KILL THE FEED, HEAR THE SOUND! No more kings, run ‘em outta town!
(Dissonant guitar riff, sirens wailing in the background.) 

[Bridge: Spoken Word Over Distorted Bass & Feedback] "We don’t need another master. We don’t need another cage. We need soundwaves sharper than blades. We need voices louder than bombs! We need—REVOLUTION THROUGH SOUND!" Words bond…
(Drums build up… massive breakdown, distorted guitars & bass shake the speakers.)

[Verse 3: ] Rise up! Cut the cord! New world—no lords! No gods! No chains! No silence! No slaves!

They sell control wrapped up in fear, Puppets dance while the tyrants cheer! Tech gods feed on the lives they steal, Turn a profit while they bend the wheel.

Cops suit up, they protect the elite, While the hungry still die in the heat. Oligarchs keep the power concealed, While the poor get crushed under dollar bills!

Stand up, wake up, break that chain, They own the board, we burn the game! No more silence, no more slaves, Turn it up, let the people rage!

Get Affected - Everyman & Urgeto

Gramatik Stehreo - This Little Light Of Mine

Stream / Download : https://wstwd.io/pindrop 

Pin Drop

BIO: Benn Jordan’s career began in the late 1990’s as a recording artist most widely released under the moniker “The Flashbulb”. A decade later, Benn would become synonymous with artist advocacy after he purchased his music rights back from record labels,formed a non-profit publisher, and challenged the early models of digital music distribution by using peer-to-peer file transfers instead of iTunes. This led to Benn being a consultant for Bandcamp before the service launched in 2007.&nbsp; After expanding his non-profit to carry a music education school and community center in Chicago, Benn moved to the Atlanta area in 2017 and started what has now become one of the most popular YouTube channels in the pro-audio and audio technology space. The channel now exists under Benn’s non-profit umbrella and funds data-science and the never ending challenge of finding ethical business models that can make the music business easier to navigate for artists and creators. During this time his unique relationship with audio-related businesses and organizations expanded as fast as his amount of viewers and public reach. Benn Jordan doesn’t exactly keep it a secret that he’s discontent with the way independent artists have been treated by the tech industry, and he is very proactive about getting ahead of the curve and attempting to help write and set ethical standards for AI audio technology, and holds patents in technology fighting the non-consensual training of generative AI.      &nbsp; &nbsp;

MBP #166 Benn Jordan

Andrew develops some of the world's most advanced analog modelling audio algorithms, releasing these as plugins through his own company Cytomic, and licensing technology to industry leading developers like Ableton (Live, Move, Push), and Xfer Records (Serum).     Summary In this conversation, Bill Day and Andy Simper delve into the intricacies of audio programming, DSP algorithms, and the evolution of music production tools. They discuss the challenges faced in hardware development, the early days of VST plugins, and the impact of the Glue compressor on Ableton's EQ8. The conversation also explores the technicalities of filters, the transition from bi-quad to state variable filters, and the nuances of summing engines in audio quality. Throughout, they emphasize the importance of efficiency in DSP and the future of audio processing. Chapters 00:00 Introduction and Background 06:02 Early Days of Audio Programming 11:56 The Glue Compressor and Its Impact 18:01 The Transition to Better Algorithms 23:55 The Future of Audio Processing 30:33 Understanding Audio Summing and Its Implications 36:06 The Complexity of DSP Equations 41:18 Optimizing CPU Usage in Audio Plugins 52:12 Challenges in Audio Feature Extraction 59:17 The Complexity of Circuit Simulation 01:06:18 Modeling Analog Gear: The Importance of Realism 01:11:39 Criteria for Meaningful Emulation vs. Mimicry 01:20:40 Imagining Unlimited Computational Power in DSP 01:25:42 Unsolved Problems in Digital Signal Processing &nbsp;

MBP #174 Andrew Simper

Amidst the kaleidoscopic landscape of electronic music, Skyberak stands as a visionary architect of sound, masterfully weaving vibrant hues of color into the intricate fabric of bass music. With a signature style that defies convention, Skybreak's sonic creations explore the uncharted territories of Color Bass and Future Riddim, giving rise to a symphony of textures, emotions, and boundless creativity. Collaborations are a cornerstone of Skybreak's sonic voyage, serving as gateways to musical exploration and innovation. His creative energy flows seamlessly alongside artists such as Ace Aura, Aethoro, ALLEYCVT, and Azure Spark, to name just a few. With each collaborative endeavor, Skybreak melds his sonic identity with the unique perspectives of his musical counterparts, resulting in tracks that are as diverse as they are captivating. Through a prolific discography, Skybreak's music finds its home on an array of prestigious labels, each one a testament to his ability to traverse the sonic spectrum. From the ethereal landscapes of Seeking Blue to the bass-driven frontiers of Never Say Die and Disciple, his releases resonate with audiences across genres, speaking to his dynamic range as a producer and his dedication to pushing the boundaries of bass music. At the core of Skybreak's sonic identity lies a passion for Color Bass and Future Riddim—a genre that he has nurtured and evolved since his inception in 2017. His tracks are not mere compositions; they're vivid landscapes of sound, each element carefully placed to evoke a kaleidoscope of emotions. The rhythms, melodies, and textures intertwine to create an immersive experience that transcends sound, becoming a canvas for listeners to explore the depths of their imagination. Skybreak's transformative influence extends beyond his own productions. Through a remix of "Blue Eternal" by Said The Sky &amp; Motion City Soundtrack, he infuses his unique touch into existing tracks, breathing new life into familiar melodies. This remix is a testament to his ability to reshape music into his own sonic realm, infusing it with his trademark energy and creativity. As he continues to forge his path through the evolving landscape of electronic music, Skybreak's name becomes synonymous with innovation, audacity, and a relentless pursuit of artistic expression. His journey is a testament to the transformative power of music, showcasing the ability to create immersive worlds through sonic landscapes. With each track, each release, Skybreak invites audiences to experience the beauty of color bass and future riddim—a vivid symphony that transcends the ordinary and propels listeners into realms of uncharted sonic wonder.

MBP #172 Skybreak

Hailing from Sydney, Australia, PhaseOne’s distinct sound (a unique blend of hard-hitting Bass Music infused with Metal) quickly found him a niche in the hardline EDM landscape. His music has been described as “a symphony of filth”, and boy are they not wrong. As a producer, guitarist, and songwriter PhaseOne expertly crafts a “metal meets electronic” sound that not only defies genres but has earned him multiple number 1s, and millions of streams globally. PhaseOne’s DJ performances bring unmatched energy to the stage; it’s a show he’s toured extensively in global markets including North America, South America, Europe, Australia, the Asia Pacific region, the Middle East, and Europe, playing sold-out headline shows and festivals such as Tomorrowland, EDC, Rampage and Lost Lands, with some of the biggest names in electronic music. His music is loved and supported by artists such as Skrillex, Illenium, Slander, and Excision.  &nbsp;

MBP #173 PhaseOne

In this conversation, this research team discusses their innovative project that combines social cognition, crowd dynamics, and machine learning. They explore how to utilize body tracking technology and infrared cameras to gather data on audience behavior during live performances. The team aims to understand the relationship between crowd dynamics and environmental factors, ultimately seeking to predict crowd behavior and enhance audience engagement. In this conversation, the speakers delve into the complexities of extracting data from crowd dynamics, particularly in the context of music performances. They discuss the challenges of video data extraction compared to audio, the inspiration behind their project, and the ethical implications of using technology for crowd surveillance. The conversation also touches on the potential for real-time integration of audience behavior into performances, the future of brain-computer interfaces, and the exploration of life beyond Earth through advanced technology.  Michael Schnebly is an Applied Physics PhD student at Harvard University, where he studies the mechanics of proteins. He is also the creator of Stepwise (@stepwise.xyz), an experimental artist project using body-tracking technology to build new musical instruments and ways of performing. His work bridges scientific research, live performance, and social experimentation.  Michael is one of the co-creators of “Calibration,” a new collaborative research-performance series alongside neuroscientist Landry Bulls and electronic music artist Supertask. Calibration is a scientific study of group synchrony, embodiment, and the neural basis of musical experience through body-tracking in live concert crowds. It launches at Cervantes’ Other Side in Denver this summer.     Landry Bulls is a PhD student in the Department of Psychological and Brain Sciences at Dartmouth College. As part of the Social Computation, Representation, and Prediction (SCRAP) Lab working with Dr. Mark Thornton, he uses computational methods to study social signaling of human groups and crowds.&nbsp;    For the people who love to experience music, look no further than Supertask. With deep roots in hip-hop and a focus towards immersion, Supertask creates sonic landscapes that dance between the intensity and stillness of the human consciousness. His offerings of musical escapism are consumed by the concept of infinity, and with a background in IT, Supertask often utilizes code and programming in his artistic vision. A vision that his loyal community, the Dev Team, are directly involved in. Blending both analog and digital sound design, his unique approach has proven to be a driving force in the forward progression of electronic music. Through soundscapes that feel sentient, interactive live streams, and mind-bending visuals, Supertask is changing the way that we consume art.

MBP #175 Supertask, Michael Schnebly + Landry Bulls

Justin Frankel is a programmer, musician, and human being. In this conversation, Justin, the creator of Winamp and Reaper, shares his journey through programming, the evolution of his software, and the philosophy behind his work. He discusses the challenges of working under AOL, the artistry involved in software development, and the unique pricing model of Reaper. Justin also reflects on the future of AI in music and the importance of human connection in art.  &nbsp;