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The Mr. Bill Podcast pairs producer, composer, and educator Mr. Bill with his friends and colleagues from around the music industry (and beyond) to discuss whatever might be the big topic of the day, or whatever tangent they find themselves flying off on.

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The Mr. Bill Podcast

Andrew develops some of the world's most advanced analog modelling audio algorithms, releasing these as plugins through his own company Cytomic, and licensing technology to industry leading developers like Ableton (Live, Move, Push), and Xfer Records (Serum).     Summary In this conversation, Bill Day and Andy Simper delve into the intricacies of audio programming, DSP algorithms, and the evolution of music production tools. They discuss the challenges faced in hardware development, the early days of VST plugins, and the impact of the Glue compressor on Ableton's EQ8. The conversation also explores the technicalities of filters, the transition from bi-quad to state variable filters, and the nuances of summing engines in audio quality. Throughout, they emphasize the importance of efficiency in DSP and the future of audio processing. Chapters 00:00 Introduction and Background 06:02 Early Days of Audio Programming 11:56 The Glue Compressor and Its Impact 18:01 The Transition to Better Algorithms 23:55 The Future of Audio Processing 30:33 Understanding Audio Summing and Its Implications 36:06 The Complexity of DSP Equations 41:18 Optimizing CPU Usage in Audio Plugins 52:12 Challenges in Audio Feature Extraction 59:17 The Complexity of Circuit Simulation 01:06:18 Modeling Analog Gear: The Importance of Realism 01:11:39 Criteria for Meaningful Emulation vs. Mimicry 01:20:40 Imagining Unlimited Computational Power in DSP 01:25:42 Unsolved Problems in Digital Signal Processing &nbsp;

MBP #174 Andrew Simper

Amidst the kaleidoscopic landscape of electronic music, Skyberak stands as a visionary architect of sound, masterfully weaving vibrant hues of color into the intricate fabric of bass music. With a signature style that defies convention, Skybreak's sonic creations explore the uncharted territories of Color Bass and Future Riddim, giving rise to a symphony of textures, emotions, and boundless creativity. Collaborations are a cornerstone of Skybreak's sonic voyage, serving as gateways to musical exploration and innovation. His creative energy flows seamlessly alongside artists such as Ace Aura, Aethoro, ALLEYCVT, and Azure Spark, to name just a few. With each collaborative endeavor, Skybreak melds his sonic identity with the unique perspectives of his musical counterparts, resulting in tracks that are as diverse as they are captivating. Through a prolific discography, Skybreak's music finds its home on an array of prestigious labels, each one a testament to his ability to traverse the sonic spectrum. From the ethereal landscapes of Seeking Blue to the bass-driven frontiers of Never Say Die and Disciple, his releases resonate with audiences across genres, speaking to his dynamic range as a producer and his dedication to pushing the boundaries of bass music. At the core of Skybreak's sonic identity lies a passion for Color Bass and Future Riddim—a genre that he has nurtured and evolved since his inception in 2017. His tracks are not mere compositions; they're vivid landscapes of sound, each element carefully placed to evoke a kaleidoscope of emotions. The rhythms, melodies, and textures intertwine to create an immersive experience that transcends sound, becoming a canvas for listeners to explore the depths of their imagination. Skybreak's transformative influence extends beyond his own productions. Through a remix of "Blue Eternal" by Said The Sky &amp; Motion City Soundtrack, he infuses his unique touch into existing tracks, breathing new life into familiar melodies. This remix is a testament to his ability to reshape music into his own sonic realm, infusing it with his trademark energy and creativity. As he continues to forge his path through the evolving landscape of electronic music, Skybreak's name becomes synonymous with innovation, audacity, and a relentless pursuit of artistic expression. His journey is a testament to the transformative power of music, showcasing the ability to create immersive worlds through sonic landscapes. With each track, each release, Skybreak invites audiences to experience the beauty of color bass and future riddim—a vivid symphony that transcends the ordinary and propels listeners into realms of uncharted sonic wonder.

MBP #172 Skybreak

Hailing from Sydney, Australia, PhaseOne’s distinct sound (a unique blend of hard-hitting Bass Music infused with Metal) quickly found him a niche in the hardline EDM landscape. His music has been described as “a symphony of filth”, and boy are they not wrong. As a producer, guitarist, and songwriter PhaseOne expertly crafts a “metal meets electronic” sound that not only defies genres but has earned him multiple number 1s, and millions of streams globally. PhaseOne’s DJ performances bring unmatched energy to the stage; it’s a show he’s toured extensively in global markets including North America, South America, Europe, Australia, the Asia Pacific region, the Middle East, and Europe, playing sold-out headline shows and festivals such as Tomorrowland, EDC, Rampage and Lost Lands, with some of the biggest names in electronic music. His music is loved and supported by artists such as Skrillex, Illenium, Slander, and Excision.  &nbsp;

MBP #173 PhaseOne

In this conversation, this research team discusses their innovative project that combines social cognition, crowd dynamics, and machine learning. They explore how to utilize body tracking technology and infrared cameras to gather data on audience behavior during live performances. The team aims to understand the relationship between crowd dynamics and environmental factors, ultimately seeking to predict crowd behavior and enhance audience engagement. In this conversation, the speakers delve into the complexities of extracting data from crowd dynamics, particularly in the context of music performances. They discuss the challenges of video data extraction compared to audio, the inspiration behind their project, and the ethical implications of using technology for crowd surveillance. The conversation also touches on the potential for real-time integration of audience behavior into performances, the future of brain-computer interfaces, and the exploration of life beyond Earth through advanced technology.  Michael Schnebly is an Applied Physics PhD student at Harvard University, where he studies the mechanics of proteins. He is also the creator of Stepwise (@stepwise.xyz), an experimental artist project using body-tracking technology to build new musical instruments and ways of performing. His work bridges scientific research, live performance, and social experimentation.  Michael is one of the co-creators of “Calibration,” a new collaborative research-performance series alongside neuroscientist Landry Bulls and electronic music artist Supertask. Calibration is a scientific study of group synchrony, embodiment, and the neural basis of musical experience through body-tracking in live concert crowds. It launches at Cervantes’ Other Side in Denver this summer.     Landry Bulls is a PhD student in the Department of Psychological and Brain Sciences at Dartmouth College. As part of the Social Computation, Representation, and Prediction (SCRAP) Lab working with Dr. Mark Thornton, he uses computational methods to study social signaling of human groups and crowds.&nbsp;    For the people who love to experience music, look no further than Supertask. With deep roots in hip-hop and a focus towards immersion, Supertask creates sonic landscapes that dance between the intensity and stillness of the human consciousness. His offerings of musical escapism are consumed by the concept of infinity, and with a background in IT, Supertask often utilizes code and programming in his artistic vision. A vision that his loyal community, the Dev Team, are directly involved in. Blending both analog and digital sound design, his unique approach has proven to be a driving force in the forward progression of electronic music. Through soundscapes that feel sentient, interactive live streams, and mind-bending visuals, Supertask is changing the way that we consume art.

MBP #175 Supertask, Michael Schnebly + Landry Bulls

Justin Frankel is a programmer, musician, and human being. In this conversation, Justin, the creator of Winamp and Reaper, shares his journey through programming, the evolution of his software, and the philosophy behind his work. He discusses the challenges of working under AOL, the artistry involved in software development, and the unique pricing model of Reaper. Justin also reflects on the future of AI in music and the importance of human connection in art.  &nbsp;