house

Buy @ Bandcamp

Renegades Of Jazz 'Moyo Zaidi'

Lorina 12

groove 1

2017

In To The Spring 2018

beats

Third instalment in the Grooooove series. BBQ friendly vibes ;)

Groove Series 003

Slayer - World Painted Blood

J.PERIOD takes listeners on a musical journey through the catalog, legacy and lasting impact of the one and only Godfather of Soul.

For Tracklist & Free Download: http://jperiod.com/music/album-view/jb

Follow for updates: http://twitter.com/jperiodBK

J.PERIOD'S "The Legacy Of JB" is part of "The Big Payback" summer mix series, also featuring DJ Scratch & Amerigo Gazaway: https://soundcloud.com/bigpayback

J.PERIOD Presents… The Legacy Of JB

You can give a "Heart" on Hypem if you like it :) : http://hypem.com/track/24t33/Bob+Marley+-+Jamming+(Kungs+Remix)

Here is a little summer remix of Jamming by Bob Marley !
Hope you enjoy it
Free download as usual <3

Free Download

Bob Marley - Jammin' (Kungs Remix)

For the soul crew. https://markrae.bandcamp.com/

Life Is So Amazing

Trash Yourself - Ready to Explode

Track list at Wax Poetics:
http://bit.ly/1H54POi

'Lawn Chair Vibes' mixtape by Monk-One

Raise your fists. The RAGE Revolution is here. 

Rage Against The Machine - Sleep Now in the Fire (BTSM Remix)

Kevin Karlson feat. Nelly - Got The Love (Original Mix)

1 La Rue Qui Mène Vers La Gare (WIP 2)

"Shape Shifter" is the first release by Add Noise Collective, a musical cooperative based in Denver, CO by musician/designer Mike Tallman. This funky dubbed out instrumental features drums sampled from Congo Sanchez, the Euforquestra horns and Matt Grundstad aka FUNKMA$TER. Recorded to tape on a Tascam 388 studio 8.

Purchase:
https://addnoise.bandcamp.com/

Official music video:
https://youtu.be/D8ge8XoEfyU

Recorded and mixed/dubbed by Mike Tallman 
at Add Noise Studios - Denver, CO.

Congo Sanchez - drums
Matt Grundstad - congas, tambourine
Matt Bricker - trumpet
Austin Zaletel - saxophone
Mike Tallman - all other instruments 

released February 17, 2017

Shape Shifter

Hello! This is Dj F – twice! 
I want to share the work that was planned in the late summer of 2016. 
The idea came up after another event, where was played very fast and monotonous music, and the dancers danced almost the same. My whole inner world is desired to display what is happening inside me when I want to Express something in dance. 
For me personally, dance, break dancing in particular is a special kind of trance or meditation. Hence the name of the mix “B-boy Meditation“ 
The compilation consists of 11 tracks, which were written by me and my friends specially for this work. Also in the mix includes 4 tracks that were purchased on I-Tunes and Bandcamp. The nature of these 4 tracks are perfect for idea of mix.
This mix for training. For deep immersion in the creative process by using their body and music. The goal is to reveal a new, unexplored horizons.

PS
I dedicate this work to the festival "Battle of Styles" This festival attracts more than 1000 participants here for many years and I hope that the younger generation will seek to acquire the right taste in music and more Mature b-boys will be inspired.

I really want to thank for help in creating a mix of the following people:

Man Kalyan (Syndicate Family https://vk.com/mankalian) 
Jora Iraq (Syndicate crew - https://vk.com/bboyiraq)
Skill Bo (Bo ZaTrueClan - https://vk.com/bozatrueclan)
Jo's Unique (https://vk.com/joniknwb)
Maarween Daarween (33/45) for the cover (https://vk.com/id221115683)

My wishes for the next one — be yourself and love life!

Playlist:
1. Man Kalian - War and Peace 
2. SKIllBO’s - Forest Demon
3. Ftwice - Guitar
4. Jo Unique feat. Leonid Sorokin - Julia
5. Iraq - Mexico
6. Naab - Black
7. Iraq - Shoot
8. Tor - Heikki
9. Man Kalian - Soviet Groove
10. Man Kalian - Battle of Rhymes
11. Jo Unique - Asia
12. Czarny Wladek - Wolnosc
13. CJ Plus - Alshain
14. Ftwice - Space
15. Iraq - Sitar

Dj F - Twice - B - Boy Meditation (Battle Of Styles 2017)host by SouthScream

This Mix is made for chilling in the Sun - enjoy and have a good time!!!
♫
These are the awesome Artists & Remixer who made this Mix possible:

01 Bobby Womack - California Dreaming (Jayl Funk Edit)
02 Jayl Funk - Ab Aeterno
03 KT-Tunstall - Black Horse (The Reflex Remix)
04 Marvin vs. Al Supersonic - Doggone Soul (alekkz bootleg)
05 ProleteR - Spooky (ProleteR tribute)
06 Savage Henry - Mary Jane
07 Betty Wright - Clean Up Woman (Dj XS Short Edit)
08 JeraniuM - Odeath (OBrother Remix)
09 Betty Everett - You're No Good (Dead Horse Beat remix)
10 Bar Kays - Lets Have Some Fun (SLY Edit)
11 Otis Redding - (Sittin' On) The Dock Of The Bay (Dj Twister Edit)
12 The Crusaders - Street Life (Moog & Scratch edit by Synapson)
13 Betty Wright  - Slip And Do It (SoulSeduction Edit)
14 Eddie Floyd  - Knock On Wood (Bobby Cooper Re-Edit)
15 Otis Redding - Wonderful World (Dj Twister Edit)
16 The Chi-lites - Are You My Woman (Bobby Cooper Edit)
17 Geraldine Hunt  - It Doesn't Only Happen At Night (Ziggy Phunk Nighttime Edit)
18 Professor RJ Ross - I've Got To Use My Imagination (Kevin Karlson Remix)
19 Blacknuss - Last Night A DJ Saved My Life (C&J Mix)
♫
Your word spreading 'Comment', or '❤', and/or click of the 'Repost ↻ Button' are all warmly welcomed. 
♫
Follow: 
Facebook: www.facebook.com/schinowatz
Homepage: www.schini.at
---

Mixed around the World

DOWNLOAD

SoulBeatMix

Sage

BREAK HOP - Tape

ULTRAVIOLET

Back For More (feat. Jeremih)

The Battles - Sergeant Pepper's Lonely Hearts Club Band - Kone BreakDj EDIT

free download

Beautiful

Blurb from Renegades of Jazz:

“After releasing his ‘Moyo Wangu’ album in late 2016 where David Hanke connected to the time he spent in his early childhood in Arusha/Tanzania, it’s now time for ‘Moyo Zaidi’, the remixed version of the original album. While ‘Moyo Wangu’ was translated as ‘My Heart’, ‘Moyo Zaidi’ can be translated as ‘Heart Returned’.

The original songs have been reworked by twelve producers and DJs from all across the scene and continents. From America over Europe to Australia and from Funk over Cumbia and Dub to Deep House and Downbeat this remix album is a bounty stack of styles and directions. Funk versions from Moscow, Lisboa and London, some Cumbia from Brisbane, a Dub treatment from Los Angeles, Afrodisco comes from Bogotá, soulful Downbeat from the Black Forest and London, a slow mover from Hamburg and twisted Deep House from Amsterdam, Belgrad and London.”

Chris Read’s remix of ‘Afro Cookie’ is the opening track.

Moyo Zaidi

Renegades Of Jazz - Afro Cookie (Chris Read's Afro Concrete Mix) [Snippet]

Sabrosa's Colombian 'pacifico region' flavoured re-jink (snippet) for Renegades Of Jazz Moyo Wangu remix album - Moyo Zaidi.
Full track/release here:
https://renegadesofjazz-agogo.bandcamp.com/album/moyo-zaidi

released 15th Dec 2017. ©Agogo Records.

Original arranged by David Hanke/Renegades Of Jazz.
Additional remix production and arrangement by Paprika & David Hanke. All percussion - guacharaca, guache, tambora, congas - Paprika.

Them Who Walk Slow (Sabrosa's Pacifico Cumbia)

Renegades Of Jazz - Them Who Walk Slow (Sabrosa's Pacifico Cumbia Remix) [SNIPPET]

“After releasing his ‘Moyo Wangu’ album in late 2016 where David Hanke connected to the time he spent in his early childhood in Arusha/Tanzania, it’s now time for ‘Moyo Zaidi’, the remixed version of the original album. While ‘Moyo Wangu’ was translated as ‘My Heart’, ‘Moyo Zaidi’ can be translated as ‘Heart Returned’.

The original songs have been reworked by twelve producers and DJs from all across the scene and continents. From America over Europe to Australia and from Funk over Cumbia and Dub to Deep House and Downbeat this remix album is a bounty stack of styles and directions. Funk versions from Moscow, Lisboa and London, some Cumbia from Brisbane, a Dub treatment from Los Angeles, Afrodisco comes from Bogotá, soulful Downbeat from the Black Forest and London, a slow mover from Hamburg and twisted Deep House from Amsterdam, Belgrad and London.”

Released by:
    Agogo
Release date:
    15 December 2017

Renegades Of Jazz - Zebra Talk ft. Kabanjak (Tim Jules Remix)

“After releasing his ‘Moyo Wangu’ album in late 2016 where David Hanke connected to the time he spent in his early childhood in Arusha/Tanzania, it’s now time for ‘Moyo Zaidi’, the remixed version of the original album. While ‘Moyo Wangu’ was translated as ‘My Heart’, ‘Moyo Zaidi’ can be translated as ‘Heart Returned’. The original songs have been reworked by twelve producers and DJs from all across the scene and continents. From America over Europe to Australia and from Funk over Cumbia and Dub to Deep House and Downbeat this remix album is a bounty stack of styles and directions. Funk versions from Moscow, Lisboa and London, some Cumbia from Brisbane, a Dub treatment from Los Angeles, Afrodisco comes from Bogotá, soulful Downbeat from the Black Forest and London, a slow mover from Hamburg and twisted Deep House from Amsterdam, Belgrad and London."

https://renegadesofjazz-agogo.bandcamp.com/album/moyo-zaidi

Moyo Wangu

Jamboree (Mr Bird Remix)

Renegades Of Jazz - Jamboree (Mr. Bird Remix) 2MIN EDIT

hibernation

Its been a long time coming and finally after 5 years in the making we are very proud to have the chance to present to you instrumental music of a different kind created by the iconic Brazilian musician - Camarão.      

One of the very first Forró songs I ever heard was Camarão’s “Retrato de um Forró,” courtesy of a mix that Fred Thiphagne – founder of the Goma-Gringa label – had made for the music blog Les Mains Noires. But it wasn’t until my friend, the Australian DJ Carlo Xavier, dragged me to Brazil that I got hooked.

Our Brazilian record safari started in Belém, the capital of the Pará state in the north of the country, and although Forró music originated in the northeast of Brasil, it was here in Belém that my Forró education began. 

In the first two days of our trip we had the good luck to bump into a record stand at Praça das Mercês, in the old part of the city; its owner, known as Max Alvim, is considered to be one of Belém best record dealers, and he certainly lived up to his reputation. We found many records of interest almost immediately, but Max advised us to leave a want-list and come back a few days later. When we returned, Max had manage to lay his hands on many of the Carimbó and Siriá LPs we had been looking for. But what surprised us most about Max was his extensive knowledge of Forró music and where to find it. Two weeks into our adventure, not only had we managed to find most of the Pará music we were after, but we also ended up with about half of Camarão’s musical output. 

Some of Camarão’s tunes had a wonderful sense of humour, while others sounded as if they had come from the soundtrack to some imaginary Brazilian Western movie, but all of them were united by a special drive and positive energy. The music surprised me, and anything that tickles my curiosity is destined to be thoroughly scrutinised.

We started toying with the idea of a compilation and decided to travel to Recife, not only to continue our Forró education but also to meet Camarão himself. 

During our stay in Recife, whenever the word Forró was spoken there was always someone coming out of nowhere eager to explain how the word came to be. Apparently in the 1940s, so the popular story goes,  British train-line manufacturing companies based in northeastern Brazil would throw parties for their employees and the best thing about these parties was that everyone was invited. These events were advertised on the radio and in the newspapers as being “for all” which, when spoken with a Brazilian spin, became “Forró”.

But according to historians this explanation is nothing more than humorous folklore. The term Forró, so they say, comes from the bantú word Forrobodó and had already been used in a song called  “Forró Na Roça” composed by Manuel Queirós and Xerém in 1937, five years before the British had arrived. Even before that, in 1912, Chiquinha Gonzaga composed the song Forrobodó, which was classified as a burlesque piece and earned her the Mambembe Prize in 1915.

No matter which version you decide to believe, Forró developed into a general term referring to a group of musical styles, including Xote, Marchinha, Coco de Roda, Baião and other mixtures of African, European and indigenous rhythms. 

We had manage to arrange for an interview with Camarão who was notorious for being a man of few words. His peers would say that “his accordion speaks for him”. We had high hopes that Camarão would not only shed some light on his own legacy but also give us a sense of the vibe in Pernambuco during the heydays of Forró music. We met Camarão at his house in Recife and found him in excellent spirits.

Interviewed by Carlos Xavier himself on the 29th of November 2012, Camarão gave us an in-depth look at his own musical story in the context of the state of Pernambuco during the 60s and 70s. We also received about 50 pictures, half of which have been used to craft the beautiful LP/CD booklet that will come with the music.

Camarão - Ma Nah Ma Nah

Hailing from Newcastle upon Tyne, UK, Steve Bird AKA Mr. Bird is the latest artist to land at Matasuna Records' nest, hatching an exotic and fiery EP.

Starting on a mid flight ambience, before charging to catch its funky prey, Dance Away, the opening track, is a scorching collaboration with Chief Commander Yaaba, one of the lead singers of London based combo Yaaba Funk. Undeniably catchy bass line, afro horns blended with a string of unexpected beat variations, Dance Away is a call to the dancefloor, a celebratory ground to let loose, where mothers and sisters alike are beckoned to shine to the positive tune.

The Sasquatch, in turn, takes us into deeper, different coordinates. A constant, relentless beat foundation spiked with stabs of funky phrasing hooking the listener from its inception, regardless of language, in an almost hypnotic mantra of soulful discourse, this banger is assuredly one for the clubs.

Up-tempo, with a finely tuned built up, Floating Funk teases the less attentive ear into believing this is a simple beat statement but Mr. Bird slams and surprises with an irresistible bassline, perfectly balanced doses of guitar and a hovering – or floating! - horn section interlaced with a rhythmically proficient cowbell and cymbal...  more
credits
released January 19, 2018

written & produced by Steven Bird
vocals on "Dance Away" by Chief Commander Yaaba
mastered by Frank Merrit at The Carvery
artwork by kapuze.net
press text by Mr. Mute

Dance Away EP

Floating Funk

Bandcamp

Mr. Bird - Floating Funk

Support

Roni Iron - O Trelos Ederlezi (The mashup pleasure)

It's about that time, ladies and gentlemen. Enjoy the ride ;-)
Please ♥ Favourite, ↻ Repost & Share!

Tracklisting: https://is.gd/Needlewurk4TRACKS

🌐Subscribe for Monthly Exclusives: www.patreon.com/jimineedles
🎧 MY PLAYLIST ''Jimi Needles | Selects" is.gd/JimiNeedlesSelects
➡️TWITCH: www.twitch.tv/jimineedles
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🌐www.fingerlickinmanagement.co.uk/artists/jimi-needles/

It's A Free Download

Jimi Needles - Needlewurk Volume 4 [Mixtape]

https://uncleted.bandcamp.com/track/t-j-stone-shes-got-to-have-it-uncle-ted-edit

T.J. Stone - She's Got To Have It (Uncle Ted Edit)

Special mix with original breaks & beats for all b-boys and b-girls worldwide ! Feel this one!

B.O.T.Y. Ukraine 2018

Mix réalisé par Bootleggers United (DJ Zebra vs. DJ Prosper) en Juin 2018
- "La conquète de l'Ouest" (BU jingle)
- Prosper & Stabfinger "Get out of my life"
- BU "Ninja Bike make me feel VIP" (bootleg)
- BU "Let the juice playing around" (bootleg)
- BU "Wide Awake extended" (bootleg)
- BU "You don't know when I'm drunk" (bootleg)
- Claude Nougaro "Je suis sous"
- BU "Lemon Lullaby" (bootleg)
- Sister Act "I will follow him" (Zebra remix)

including MGM-Studio Orchestra, Beck, "The Blues Brothers" (extrait), De La Soul, Janelle Monae, Lady Saw, Kool & The Gang, INXS, Joe Arroyo, Katerine, Chromeo, Dazz Band, Jungle Brothers, Fedde Le Grand, Parquet Courts, No Doubt, Beastie Boys, Kraak & Smaak, The Alkaholics,  NERD feat. Rihanna, The Cure, The Beatles, Curtis Mayfield, Michel Jonasz, Blondie, Thierry Roland

Bootleggers United on facebook >> https://www.facebook.com/bootutd/
EP#1 & EP#2 en free download sur http://www.zebramix.fr

BU Megamix (Juin 2018)

Steve Bird AKA Mr Bird is a musician, producer & DJ, based in Lisbon, Portugal, for 15 years now. Mr Bird has released 4 albums and many other digital releases, including the album 'Low-Fi Classics' which was released by BBE Music in July 2014. A collaboration with singer Greg Blackman, it received strong support from radio and DJs worldwide, including Craig Charles on his Funk and Soul Show, and tracks from the album have recently been remixed by Tom Moulton and Ashley Beedle and released on vinyl with the Ramrock Blue label.


In 2013, he released the 3rd Mr Bird LP, imaginatively titled "Bird Bird Bird" on the Vital Force label. He also released two 7" singles on Resense Records and Lisboa Records with Portuguese producer Dedy Dread, as well as 5 vinyl releases on the Heavy Duty Booty label and several digital releases on his own 'Fat Bird Sounds' label.


in 2001 & 2007 Mr Bird released 2 instrumental hip-hop albums on the Brighton based labels 'Hertz Recordings' and 'Frequent Soundz.'

Back in 2001 he was invited to record a session for DJ John Peel at the BBC Maida Vale Studios, which was broadcast twice in 2002.
Mr Bird is currently in demand as a re-mixer, having remixed over 100 artists & bands including Daytoner, Karthala 72, Lee Fields, Dalindeo, Renegades of Jazz, Captain Planet, Savages, Odyssey and many more. He is currently working on several new musical projects, singers & collaborators world-wide. 

For more info, DJ Bookings, licensing or Remixes please contact: 

mrbirdproductions@hotmail.com 

What the press have said about Mr Bird: 

"inescapably funky, this comes highly recommended." 5/5 (dmcworld.net)

"Modern breakbeat Soul" 
(Monkeyboxing.com)

"Essential eclecticism" 
(Knowledge Magazine) 

"Warm Jazz riffs and funky sensations" 
(Qool DJ Marv)

"Super-fly funky breakbeat instrumental, with growling P-funk bass mantled by hazy, hypnotic samplescapes" 
(DJ Mag)

"Blends live drums with squelchy bass and supplies ‘nuff jazz attitude in the process."
(The Crack Magazine)

"Well crafted mix of eclectic hip-hop jazziness" 
(Wax Magazine)