A collage of looped grooves, drum samples, recorded percussion, agogo, tambourine, thunder tube, rain samples, delayed vocals, and a euphoric chorus. Grab the file over at my bandcamp :)

Lightnin Strikes (Daniel T Edit)

Chylorama 129

...taken from:
Artist:  Web Web
Album:  Plexus Plexus
Release Date:  25 April 2025
ALBUM PRE-ORDER > https://CompostRecords.lnk.to/WebWeb-PlexusPlexus
Cat.-No.:  CPT 653-1 / -2 / -3
Format:  Vinyl LP incl. Download Card / CD / Digital
UPC / Format:
673794265315 > LP + Download-Card 
673794265322 > CD
673794265339 > Digital

Tracklisting LP/CD:

Side A

A1. Apotheosis (4:12)
A2. The Madness Of Ajax (2:05)  
A3. Sacred Tree (3:31)
A4. Mysia (2:28)
A5. Sun-Hero (1:16)
A6. Bird’s Lament (3:06)
A7. Royal Princess (1:53)

Side B

B1. Morning Ritual (3:36)
B2. Nyx (3:02)
B3. Garden Of Hesperides (2:09)
B4. Cheiron (2:56)
B5. Sha-Sa-Vish-Nu-Ka-Di (2:18)
B6. The Argonauts Assemble (2:39)
B7. Infant At The Time (3:59)

Info:
Web Web with their sixth album in seven years and with a new touch. More psychedelic, sometimes more krauty than before. 
This time, WEB WEB in their original line-up (without Max Herre) have (again) chosen a special guest: JJ Whitefield (The Poets Of Rhythm / Karl Hector & The Malcouns / Syrup), who contributes the fantastic guitar sound.
His riffs are sometimes funky as with the Poets Of Rhythm or Syrup, or more psychedelic as with Karl Hector & The Malcouns or his many live and studio recordings with Embryo. The sound color of his guitar gives the album the thrust into the wonderful atmosphere of spacey jazz-kraut bands of the seventies.

The concept of the album should be the exact opposite of the previous WEB MAX album (WEB MAX II): Back to the (WEB WEB) roots, with spontaneous, improvised pieces, fragments, ideas that mean the greatest possible liberty and live spirit.
And the idea of bringing JJ Whitefield on board was just as unpredictable and improvised: one day before the session, Roberto Di Gioia thought to himself:
"JJ and I have always lived in Munich. But unfortunately, we've never really crossed paths. I'm a great admirer of his art, his music, his way of playing. He is so inspiring because he doesn't compromise. He plays in his own way, he's not a copy of anyone or anything."

So Roberto spontaneously called JJ and asked him if he could imagine playing on one or two songs. JJ immediately said yes, and a day later he was in the studio.
They actually only played two songs: One lasted 25 minutes, the other 45 minutes. And most of the tracks (apart from a few others without him) for the album "Plexus Plexus", which means something like: Network, interweaving.
The 14 compositions were created over two days, recorded by Jan Krause (Beanfield) in Munich. The energetic live session lasted twice 10 hours, and everyone - Roberto Di Gioia (Rhodes, Fender Precision Bass, Moog, Mellotron, percussion), Christian von Kaphengst (Fender Precision Bass, Rhodes), Peter Gall (drums, percussion, Fender Rhodes), Tony Lakatos (tenor saxophone, flute) - was “on fire” to the core. The musicians switched instruments to create a completely different overall sound: Kaphengst on Fender Rhodes sounds different to Roberto, his playing has a different harmonic structure, and Roberto on bass is familiar from numerous Max Herre recordings, or from Till Brönner's album “Till Brönner”, and of course also from the “Let Yourself Be Loved” by Joy Denalane, which he produced and which was released on Motown Records.

Michael Reinboth (Compost) was present at the session and spontaneously made a small request: "Hey, why don't you play Moondog's "Bird's Lament"? So they listened to the original once (!) and the guys played it through twice in their irresistibly professional way. 

The cover artwork is once again by Jan Steins and continues the series of fantastic illustrations for all Web Web albums.

Web Web

Facebook: www.facebook.com/webwebmusic
Instagram: www.instagram.com/webwebmusic
Spotify: https://open.spotify.com/artist/4EmIrTN6q1uhLRL8hmhuHF
Bandcamp: https://webweb.bandcamp.com/

Plexus Plexus

*PREMIERE*  WEB WEB - Apotheosis (with JJ Whitefield)

Good friends and Record Mission co-captains, Dan Tyler (one half of the Idjut Boys) and Nick The Record, take the reins for the third volume of the Mr Bongo Edits 12" series. With previous editions coming courtesy of Danny Krivit and Luke Una, Dan and Nick set their sights on a hand-picked selection of iconic ‘70s Cuban recordings for this three-track cosmic whirlwind. Across the A side, Dan picks out two Juan Pablo Torres tracks, with Nick taking on Grupo Los Yoyi on the B. Tweaking, extending and reworking the recordings with a dose of extra magic they remould the tracks to fit the sounds and structure of today’s dancefloors. 

Having formed the Idjut Boys in the early ‘90s, Dan and Conrad McDonnell have crafted a dubbed-out, disco-tinged style that permeates their countless productions, remixes and DJ sets. Speaking of the two tracks Dan has chosen to rework for this EP he mentions, “Having been caught under an avalanche of good music from Mr Bongo, I took it upon myself to extend and add effects to a couple of the fantastic tracks from the Juan Pablo Torres LPs they recently re-issued. Just for disco jockey and barn dance use.”

First, Dan looks to Cuban maestro Juan Pablo Torres’ 1978 album 'Algo Nuevo', taking one of the standout tracks ‘Cacao’ and giving it more space to breathe. Teasing out the scatting vocal line and percussive climax that nods to George Kranz's ’83 electronic disco anthem 'Din Daa Daa', whilst adding more cosmic tripped-out synths and space echoed dubs, Dan builds the tension to fine effect. This track sounds immense on a big club system and the swirling synths felt like they were lifting the ceiling off when we played it at the amazing La Paloma ballroom in Barcelona. 

Dan then turns his attention to Torres’ 1977 'Super Son' album, giving the psych-Latin-funk track 'Pastel En Descarga' a dub makeover. Rich in delay and drama, whilst maintaining and extending the breakers funk intro, he juices it up into a punchy, no-nonsense, cosmic-funk delight. 

On the B side, Tangent co-founder, long-standing Life Force resident and seasoned rework master, Nick The Record, revisits an edit that he originally constructed in 2009. Clocking in at over double the length of the original cut, Nick’s edit of Grupo Los Yoyi’s 1977 cut 'Paco La Calle', is made with dancers firmly in mind. This secret weapon builds and simmers, with the drums and percussion pushing and pulling before the psychedelic synth lines return in a sweltering fashion. In this new 2025 version, Dan is drafted in to work some brilliant new synth lines into the mix.


Juan Pablo Torres - Cacao (Dan Tyler NAD Bulto Versión)

Len Leise Edits (LL001)
Limited edition edits. Side A 'Stars for Jorge' turned into more of a remix and the B side 'Desperado Dining' is much simpler in execution. These started as edits for me to play out a couple of years ago. But due to a few requests I thought i’d give a them a press. I’ve only pressed 150 of these. All hand numbered.

Out at the end of May.
Exclusively available via Public Possession
http://www.publicpossession.com/
Distributed in Australian via bandcamp: https://lenleise.bandcamp.com

LL001 - Side A - Stars For Jorge

Presenting the first single taken from Gabriele Poso’s forthcoming compilation on Mr Bongo, Ritmo Italiano ‘Unspoken Sounds of Italian Tamburo’. Tony Cercola ‘Lumumba’ is just one of the mesmerising tracks that Sardinian multi-instrumentalist, percussionist and producer, Poso, has curated for this captivating new compilation. It’s an under-the-radar, percussive Italo-disco / proto-house dancer, originally landing on the Italian label Tendance in 1987.

“How can one not be overwhelmed by the energetic force of Tony Cercola? An incredible artist who emerged in the 1970s within the so-called Neapolitan Power movement,” Gabriele mentions. Cercola’s track ‘Lumumba’ showcases the vibrance of Italy’s cultural crossroads, with influences from the Mediterranean, Africa and Europe all rolled into this dynamic tribal whirlwind.

Built upon a foundation of gated snares, flavourful bongos and a driving synth pop bassline, ‘Lumumba’ oozes ‘80s dancefloor energy. Reverberating chords and deft keys are layered up in masterful fashion, as earworm chants and a hypnotising lead vocal draw you in deeper. It's a perfect crossover track for a leftfield electronic dancefloor set and is tailormade to ramp up the intensity when the time is right. 


Lumumba

Proudly presenting Maravilhosamente Bem the powerful, female-centred third album by Brazilian singer, songwriter, actress, and creative director, Julia Mestre.
Alongside being a member of the Latin Grammy-winning Brazilian supergroup, Bala Desejo, Julia has been steadily building a solo career where her unique vision and alluring soft, sultry voice take centre stage. Drawing inspiration from ‘80s ballads, MPB, pop and disco productions, each song on this third album finds Julia creatively exploring different characters and tones.

A love-song-driven LP at its core, Maravilhosamente Bem holds a playful mirror up to blissful days gone by, artfully reimagined with Julia’s own modern twist. An album filled with love and nostalgia, it pays homage to her love of classic female disco divas such as Donna Summer, Sade, Alcione, Lady Zu, and the Brazilian rock queens Rita Lee and Marina Lima. Of that latter pairing, the late iconic Brazilian vocalist and musician Rita Lee (Os Mutantes) is referenced in the music video for the first single, ‘Sou Fera’, blessing Julia with a magical guitar. Marina Lima then provides guest vocals on the album’s closing track, ‘Marinou, Limou’, with her name transformed into a mantra by Julia.

Channelling a lo-fi ‘80s ballad aesthetic, Julia navigates a multitude of themes across the nine sublime tracks. From the sexy, whispered performances on vintage horror movie-inspired tunes ‘Vampira’ and ‘Pra Lua’, to the delicate, fragile love lullabies of ‘Sentimento Blues’ and ‘Cariñito’, and the seductive disco diva embodiment on dance tracks ‘Veneno de Serente’ and title track ‘Maravilhosamente Bem’. Another hidden highlight is the palette-cleansing mini-suite, ‘Interlúdio dos Amantes’. A luscious strings instrumental piece that lends to the beautiful Sade-esque ‘Seu Romance’.

Produced by Julia and longtime collaborators Gabriel Quirino, Gabriel Quinto, and João Moreira, Maravilhosamente Bem sees Julia embarking on a new era of her musical career. This sensational third album is a captivating showcase of the creative vision and versatility of one of Brazil’s finest stars. Released on Mr. Bongo (ROW) and Altafonte (Brazil/Portugal).


Julia Mestre - Maravilhosamente Bem

Kicking off a new edit series on É Soul Cultura, head honcho Luke Una hands over the keys to three secret weapon edits of transcendental dancefloor tackle. Having spent a lifetime getting his hands dirty digging in crates, Luke’s collection of off-the-beaten-track gems is second to none. For this three-track É Soul edit release, Luke delivers a one-way ticket to the outer reaches of the universe soaking up sounds from Trinidad, the UK and Cameroon along the way. Strap in for a triple threat of signature Luke Una edits reworking Ella Andall, Slick Mission and Manu Dibango for the modern dancefloor.

Up first, Luke twists and tweaks the Caribbean radiance of Ella Andall ‘My Spirit Is Music’, enriching this high-energy heater. Speaking about the track he said, “It’s a remarkable, ‘90s, swerve ball, machine soul, afrobeat groove from Trinidad. Incredibly rare, but most importantly it’s a wonderful fusion of drum machine and this almost carnival-like feel to this afrobeat rhythm that just turns it into the outer cosmos.”

Following that, Luke gets suitably cosmic on the dub dials with his 5am Shabeen Proto House Edit of Slick Mission ‘Times Up’. Produced by Jerry Pike of Atmosfear / Elite Records fame, Luke recounts, “This is a very much missed slice of UK house pressure which has its foot firmly in a proto-house feel. Very DIY, rough and raw – it’s an absolute gem. This is one that has definitely escaped most eyes.”

Last but not least, it’s a stop in Cameroon shining a light on the legendary Manu Dibango and his cover of ‘Jingo’ featuring King Sunny Adé. “Their version of ‘Jingo’ takes the original classic into a whole new level of outer space, afro brilliance. It’s such a beautiful cover and really turns the track into something else. The musicianship and vibes just scream out. Oddly no one really seems to know it.”

Three certified winners from Luke’s underground arsenal, reworked, refined and ready to be deployed on any dancefloor when the feeling hits.

Manu Dibango ft King Sunny Adé - Jingo (Luke Una's Dancing In Outer Space Edit)

Soulance "Kebab Discothèque" Takeover - Souleance - 14th May 2025

Presenting the second single taken from Gabriele Poso’s forthcoming compilation on Mr Bongo, Ritmo Italiano ‘Unspoken Sounds of Italian Tamburo’. This original composition from Sardinian multi-instrumentalist, percussionist and producer, Gabriele Poso, is the track that gives the album its title, ‘Ritmo Italiano’. It pays homage to the Italian masters of percussion and drumming and was recorded to emulate the classics of their era. Using drum machines and tape recordings to provide the necessary warmth, the track is driven by funky bass and equally funky synths. As you would expect from Gabriele and a track on this compilation, masterful percussion is demonstrated throughout. A central element of the song, the many percussive layers combine and are played with a swing that gives maximum dancefloor energy. Add to that an undeniable ear-worm of a chorus, and there you have the sound of ‘Ritmo Italiano’.

Ritmo Italiano

Coming soon on Jazz Room Records: JAZZR 004. Exclusive Vinyl Release.
A groundbreaking album, "El Maja" was released by The Robin Jones Seven in 1972. “El Maja”, “Carica Papaya”and the track that Robin himself said is the first recorded Samba tune in the UK: “Batucada Da Vida” are complemented by the Afro-Boogaloo of “The Wailer”, the soulful grooves of “Chant Afrique” and a particular highlight being the spiritual jazz drenched “Atlas”. See now at: https://robinjonesseven.bandcamp.com/

ROBIN JONES SEVEN - ATLAS

Record label. Record shop. Film label. Since 1989.

Juan Pablo Torres - Cacao (Dan Tyler NAD Bulto Versión)

Mr Bongo

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