n an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band’s alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.

Recorded in Rio de Janeiro, Marca Passo is the first full-length release since the passing of founding drummer Ivan "Mamão" Conti in 2023, following the earlier loss of keyboardist José Roberto Bertrami in 2012. Alex Malheiros, the sole remaining original member, sees his stewardship of the band’s musical legacy as his spiritual duty. He is joined by the equally devoted Kiko Continentino (Milton Nascimento, Djavan) on keyboards, who has been with the group since 2016, and new recruit Renato Massa (Marcos Valle, Ed Motta) on drums.

Yet since their earliest recorded music, Azymuth have always been far greater than the sum of their parts. The "three-man orchestra’s" unmistakable sound is rooted in Brazil's MPB studio scene of the 1970s and early 1980s—a time when artists blended traditional Brazilian rhythms with global jazz, rock, and emerging psychedelic and progressive elements. Marca Passo continues this legacy, seamlessly fusing Brazilian musical traditions with global influences while showcasing the exceptional musicianship that powers Azymuth's distinctive, multi-dimensional sound.

The album is produced by studio mastermind Daniel Maunick, responsible for Azymuth’s two previous studio albums, Fênix in 2016 and Aurora in 2011. Daniel’s credits also include albums by Marcos Valle, Sabrina Malheiros and Terry Callier. Azymuth also invited Daniel’s father, British jazz-funk royalty Jean Paul “Bluey” Maunick, of Incognito, to play guitar on a new version of Azymuth’s eighties classic “Last Summer In Rio”, in tribute to the song’s composer, José Roberto Bertrami. Equally, “Samba Pro Mamao” is a new composition dedicated to Azymuth’s beloved original drummer, Ivan “Mamão” Conti.

Marca Passo releases on limited edition blue, red & black vinyl LP editions, CD and digitally on the 6th June 2025, via Far Out Recordings, supported by European and North American tours.

Azymuth - Arabutã

Presenting the third single ‘Ron Song’ taken from Melbourne/Naarm multi-instrumentalist Don Glori’s forthcoming third album, Paper Can’t Wrap Fire. An ode to Brazil’s musical heritage, it’s Don’s nod to icons and influences including João Donato and Seu George. Samba-flecked, yet with a distinctive Don Glori groove, it’s doused in buttery Rhodes, hazy vocal harmonies and acoustic guitar riffs. Combine that with a serving of long majestic horn lines and the instantly recognisable cuíca and it’s a one-way ticket to Rio’s sunshine-soaked shores. 
 
Speaking about the track, Don mentions, “The thing I love about ‘Ron Song’ is all the ear candy. The Rhodes was routed through the preamp of an original suitcase Rhodes to give it the proper stereo trem it needed. The guitar just breaking through the ribbon mic contrasts against the very digital chorus on the bass. The bass is pushed out to the sides, using every dial tone sample at once. Texturally it feels like an ear massage. 
 
Alcides Neto laid down cuíca throughout the track and fans of Azymuth/Brazilian music in general will appreciate the partido alto underneath the trumpet solo. It’s as if the cuíca and Rhodes are having a conversation in the outro.”


Don Glori - Ron Song

“Moving Circles” is a walk across the desert—a conversation between friends in the heat, where sharp guitar lines meet smooth trumpet tones. Producer-composer-instrumentalists Jack Barone and Andy Baxter (Robohands) dive into eastern-inspired psychedelia, fusing ancient scales with synths and modern techniques to create something both timeless and new.

Moving Circles

Tremendous Fantastic

This one was an unexpected treat. Two of our favourite contemporary musicians, Finn Rees & Sholto coming together and collaborating on a double dose of celestial, cinematic alchemy.

At Mr Bongo we are massive admirers of drummer, musician, and producer Sholto (Oscar Robertson). His two albums on Funk Night Records and DeepMatter Records, had both been highlights of their respective years. We’d gotten to know Oscar and sent him a few records. Included in the package was Australian pianist-composer Finn Rees’ debut album, Dawn Is A Melody, which was one of our favourite releases on Mr Bongo in 2024.

In Oscar's words 'For me it was a standout modern jazz record - encapsulating a spiritual / hazy dreamy soundscape which hugely resonated with me. Glissando keys and harp with lush melodies, I was instantly intrigued.”  

The pair started following each other online and as luck would have it, Finn was staying in London for the summer season, so they arranged to meet. The pair instantly clicked and said it felt like they'd known each other for years. After 40 minutes of chatting, they started to jam. 

'Love In Memory' and 'Bluebell' were recorded over two days - a track a day in Oscar's SFJ studios. Laid down on mostly analogue equipment, the pair utilised Wurlitzer’s, mellotrons, and ribbon mics through Oscar’s ‘70s Studer desk. Composed and crafted without any real intentions, other than a shared appreciation for the same style of music and approach, the tracks started to take shape. The results were as lush, nostalgic and textured as you’d expect from these two brilliant musicians, with a classical feel inspired by artists such as Piero Piccioni, Piero Umiliani, and Henry Mancini. 

For the beautiful string arrangements, the pair recruited the talents of Sholto's long-time friend and collaborator Clementine Brown (Penguin Cafe Orchestra) and Matthew Hayes of 30/70, Allysha Joy, Xpress Point, Zeitgeist Freedom Energy Exchange fame, was brought in to play bass on 'Bluebell'.

So here we have it, a chance collaborative project built on two musicians' mutual respect for each other's outputs. The result is truly breathtaking.


Finn Rees & Sholto - Bluebell

Finn Rees & Sholto - Love In Memory

The first single to be taken from СОЮЗ (SOYUZ)'s enthralling fourth album KROK, sees the release of the emotive and personal title track. “Krok” means “step” in Belarusian - and for Alex Chumak and his band this word comes with a lot of meaning. It’s a theme running throughout the album, reflecting the journeys the band has navigated in recent years. 
 
In early 2022, Chumak and original members, Mikita Arlou and Anton Nemahai, joined tens of thousands of Belarusians seeking safety from the political unrest in their homeland and the outbreak of war in Ukraine. Resettling in Warsaw, the band released Force of the Wind in October 2022, garnering widespread acclaim, a string of major European gigs, and led to Polish musicians Albert Karch and Igor Wiśniewski joining the band.
 
Embracing the uncertainty became both the inspiration and main lyrical theme for Alex Chumak, SOYUZ’ composer and arranger. ‘Krok’ was one of the initial songs written for the new album and was the first to feature lyrics. It paved the way for Chumak to find the new poetic language on the record - for the first time in his native Belarusian language. Chumak demoed the song whilst he was still in Minsk in early 2022, and then, as he and his band moved to Poland, he continued developing it. In September 2024, together with other songs, Alex took it on a trip to São Paulo, where he recorded it with the help of his longtime friend and collaborator Sessa and extraordinary musicians Biel Basile and Marcelo Cabral.
 
It is a song about transition and migration, in which this act is poetically reduced to “a step” – into the unknown and unexplored. While singing about it, Chumak also makes a step forward musically. He delivers his very atypical view on samba, which doesn’t pretend to sound Brazilian. A strict yet loose rhythm section is covered with layers of tense acoustic guitars, aleatoric piano lines, and a lush yet restrained arrangement for strings and flutes.
 
This ethereal opening track is taster of the magic to come from СОЮЗ (SOYUZ) new career-defining album.


Крок / Krok

Taken from our new compilation:
THE SUNSET MANIFESTO Vol 2
https://li.sten.to/thesunsetmanifesto2

Moods (Rotterdam) and Nic Hanson (Philadelphia)
Moods and Nic Hanson have reconnected to deliver an electrifying synth-funk odyssey with their latest single, ‘Music Never Looked So Good’. Following their previous collaboration on Moods’ 2021 single “Sinner”, the pair once again demonstrate a remarkable chemistry, effortlessly fusing bubbly synth bleeps, deep underwater chords and a hypnotic bounce into a track that is both expansive and driving. Moods continues to push the boundaries of funk, soul and R&B-infused electronica. Since his debut album, the producer has carved out a distinct sonic identity by balancing tight, rhythmic precision with expansive, genre-blurring soundscapes. We are more than pleased to have unique producer Moods and Kraak & Smaak’s “Boogie Angst” crew on board again, after The Sunset Manifesto Volume 1, where Moods delivered a wickedly original Vulfpeck cover.

footage from the movie:
Forbidden Beach (1985)

TOO SLOW TO DISCO Links:
https://linktr.ee/tooslowtodisco

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MOODS & NIC HANSON - Music Never Looked So Good

'Dersen Cafe' & 'Give Nothing' taken from the album 'Roulette' - out on 3 October
Pre-order a copy via lnk.to/alfamist_roulette  

Dersen Cafe
Written by: Alfa Sekitoleko
Produced by: Alfa Mist
Recorded & Mixed at: Invada 
Mixed by: Alfa Mist 
Engineer & Additional mixing: Stuart Matthews
Mastered by: Guy at Electric Mastering 
Alfa Sekitoleko - Keys, Synths, String Arrangement, Production, Vocals
Kaya Thomas-Dyke - Double Bass
Samuel Rapley - Sax/Bass Clarinet
Johnny Woodham - Trumpet/Flugelhorn
Jamie Leeming - Guitar
Jamie Houghton - Drums

Give Nothing 
Written by: Alfa Sekitoleko
Produced by: Alfa Mist
Recorded & Mixed at: Invada 
Mixed by: Alfa Mist 
Engineer & Additional mixing: Stuart Matthews
Mastered by: Guy at Electric Mastering 
Alfa Sekitoleko - Keys, Synths, String Arrangement, Production, Vocals
Kaya Thomas-Dyke - Double Bass
Samuel Rapley - Sax/Bass Clarinet
Johnny Woodham - Trumpet/Flugelhorn
Jamie Leeming - Guitar
Jamie Houghton - Drums



Give Nothing

y yo estaba tan contento 
no quería despedirme ni dejarte de abrazar 
y las plantas junto al viento
suprimían todas nuestras miradas
y el mal que me hace no quererte (no va funcionar)
y el mal que me hace sentirme tan mal por amarte
y el mal que me hace sentir que te vas
quiero abrazarte y nunca despertar

y quiero ahogarme en tu mente con tu saliva
el miedo a quererte no se siente tan mal

porque solo es crecer

porque solo crecer

(agh es tan bonita)

nunca me dio miedo generar dependencia(post)

LOK! - WATCH ME BABY I’M SHININ (Prod. LOK!)

Record label. Record shop. Film label. Since 1989.

Крок / Krok

Mr Bongo

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