Os Canibais

discovery paty

jose

Playlist made thanks Soundiiz ! http://soundiiz.com

playlist

strange & not so covers

NOWOW MAGAZINE - Playlist Tropicalia

ROCK

Natural Juice Ashanti Mix- Short Edit

Esse é mais um Remix by Dj Bruno Granado..um dos pioneiros no Remix Sertanejo no Brasil. As rádios que quiser o Remix sem VH é só entrar em contato que enviamos, e-mail para contato: contato@djbruno.com.br
Quem gostar do Remix por favor ajude-nos e  compartilhem, obrigado a todos...

Victor e Leo- Na Linha do Tempo Remix By Dj Bruno Granado(VH)

Bad Manners - Cant Take My Eyes Off You

O Telefone Tocou Nuvamente (Jorge Ben Jor Cover) by Billy Jr. Jones

Para você que gostou desse e de outros remix, e quer ficar por dentro dos novos lançamento em primeira mão? Fácil, basta adicionar no Facebook: www.facebook.com/andre.pagnoncelli.33 e ficar por dentro dos novos remixes, e também pelo Facebook você pode fazer pedidos de MP3 de remixes anteriores.

Victor e Leo - O Tempo Não Apaga (Andrë Edit Remix) (2014)

A new double A side 7" from Julia Holter set for release on August 19 (North America) / July 28th 2014 (Rest of the world).

A Don't Make Me Over (Written by Burt Bacharach / Hal David; originally performed by Dionne Warwick) LISTEN: http://bit.ly/dontmakemeoversc
AA Hello Stranger (Barbara Lewis) LISTEN: http://bit.ly/hellostrangersc

Pre-order and receive an instant download of both tracks
7": http://smarturl.it/dontmakemeover7in
iTunes: http://smarturl.it/dontmakemeover7mp3

http://juliashammasholter.com/
https://www.facebook.com/pages/Julia-Holter/153196178042232
https://twitter.com/JULIA_HOLTER

Don't Make Me Over

Julia Holter - Don't Make Me Over

Calcinha preta - como fui me apaixonar (halo)229

This boy thought his dad must love him so much, because whatever the boy asked for, his dad said yes. One day the boy asked if he could go out at night and ride his bike with no lights and his dad said yes. The boy hoped that his friends would be out
but they were all kept indoors because of danger. He wondered,
“why doesn’t my dad try to keep me indoors?” And “Why does he let me have sweets that rot my teeth?” And
“Why does he do all my maths homework for me when I’m one of the stupidest in the class?” The boy thought that maybe
his dad had swallowed a potion that meant he could only say yes. For a experiment, the boy asked if he could go and play on the
motorway near his house and of course the dad said yes
and the boy got all run over and
died. 

Freddie's Story from God Bless the Child by the Royal Court Theatre

This is my new track called Oceans, don't hesitate to share it, you are the best ! <3

Free DL

Oceans

"Blow Up" (Kid Francescoli) remixed by Konvex & the Shadow, Melokolektiv
"Kid Francescoli with Julia Remixes"(Oct 2015 - Yotanka - Alter-K)
FREE DOWNLOAD : http://oua.be/241o

Konvex & the Shadow : https://soundcloud.com/konvex
Melokolektiv : https://soundcloud.com/melokolektiv

"Blow Up", taken from the album "With Julia"
Order LP Vinyl or CD Digipack : oua.be/1tjd
Digital/itunes : www.itunes.com/kidfrancescoli

More information :
Kid Francescoli : http://www.kidfrancescoli.com
Yotanka : http://www.yotanka.net
Alter-K : http://alter-k.com
if you want to use this track please contact info@alter-k.com

Blow Up - Kid Francescoli (Konvex & the Shadow,Melokolektiv remix)KID FRANCESCOLI WITH JULIA REMIXES

Victor e Leo Part. Victor  Vai me Perdoando

Support Luna's music: www.patreon.com/lunalee?ty=h
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Green Onions Gayageum ver. by Luna

Shocking You

Radar Love

Waterloo Sunset

Barb Jungr - The Joker

Astrud Gilberto — Crickets Sing For Anamaria (Surt Edit)

Spring incoming.

Featured here: remix86.com/al-jarreau-boogie-down-stereocool-boogie-boogie-remix
and here: musique-chic.blogspot.fr/2012/03/al-jarreau-boogie-down-stereocool-remix.html
and here: neonholiday.com/stereocool-capsule-hey-champ-arcade-fire-soulwax
and here: blog.thebunnyhut.com/post/19814222613/boogie-boogie
and here: frenchbeats.fr/2012/04/16/enterprise-stages-ep
and here: chineurdesons.wordpress.com/2012/12/05/al-jarreau-boogie-down-stereocool-boogie-boogie-remix

Free Download

Al Jarreau - Boogie Down (Stereocool 'Boogie Boogie' Remix)

Avaliação da música Faço Chover by Calcinha Preta.

Calcinha Preta - Faço Chover

Out now on Mr Bongo

http://www.mrbongo.com/products/os-canibais

An incredibly original album of 'Brazilian Nuggets' from the Mocambo/Rozenblit catalogue.

Os Canibais had a meteoric rise to fame starting in 1964 in Rio de Janeiro. The group was originally made up of Aramis (guitar/vocals), Serginho and Max (vocals) and later they brought in Denise Baker (vocals) and Horacio (piano). Originally the group was to be called 'The Drunks' but after careful consideration they chose the much catchier Os Canibais (The Cannibals). They decided on this non-English name to differentiate from the Jovem Guarda TV era: The Fevers, The Jordans, The Clevers and so on…
 
Jonas Silva, A&R at Mocambo, signed them and their first single sold over 100,000 copies and made it into the Top 10. They broke new ground by becoming the first Brazilian pop-rock group to perform with a live orchestra in 1966 on TV in Rio, when the system of playbacks was still in its early days.  They made one more LP under the pseudonym of ?Bango? on Musidisc label, where their psychedelic style was compared to Os Mutantes.
 
The LP features fully reproduced original photographs and artwork, pressed on heavyweight vinyl.  Also available on CD.

Os Canibais - O Prego (Love Me, Kiss Me)

Out now on Mr Bongo
 
http://www.mrbongo.com/products/os-canibais

An incredibly original album of 'Brazilian Nuggets' from the Mocambo/Rozenblit catalogue.

Os Canibais had a meteoric rise to fame starting in 1964 in Rio de Janeiro. The group was originally made up of Aramis (guitar/vocals), Serginho and Max (vocals) and later they brought in Denise Baker (vocals) and Horacio (piano). Originally the group was to be called 'The Drunks' but after careful consideration they chose the much catchier Os Canibais (The Cannibals). They decided on this non-English name to differentiate from the Jovem Guarda TV era: The Fevers, The Jordans, The Clevers and so on…
 
Jonas Silva, A&R at Mocambo, signed them and their first single sold over 100,000 copies and made it into the Top 10. They broke new ground by becoming the first Brazilian pop-rock group to perform with a live orchestra in 1966 on TV in Rio, when the system of playbacks was still in its early days.  They made one more LP under the pseudonym of ?Bango? on Musidisc label, where their psychedelic style was compared to Os Mutantes.
 
The LP features fully reproduced original photographs and artwork, pressed on heavyweight vinyl.  Also available on CD.

Os Canibais - Felizes Juntinhos (Happy Together)

Os Canibais - Um Milagre Aconteceu (Magic Potion)

Out now on Mr Bongo

http://www.mrbongo.com/products/os-canibais 


An incredibly original album of 'Brazilian Nuggets' from the Mocambo/Rozenblit catalogue.

Os Canibais had a meteoric rise to fame starting in 1964 in Rio de Janeiro. The group was originally made up of Aramis (guitar/vocals), Serginho and Max (vocals) and later they brought in Denise Baker (vocals) and Horacio (piano). Originally the group was to be called 'The Drunks' but after careful consideration they chose the much catchier Os Canibais (The Cannibals). They decided on this non-English name to differentiate from the Jovem Guarda TV era: The Fevers, The Jordans, The Clevers and so on…
 
Jonas Silva, A&R at Mocambo, signed them and their first single sold over 100,000 copies and made it into the Top 10. They broke new ground by becoming the first Brazilian pop-rock group to perform with a live orchestra in 1966 on TV in Rio, when the system of playbacks was still in its early days.  They made one more LP under the pseudonym of ?Bango? on Musidisc label, where their psychedelic style was compared to Os Mutantes.
 
The LP features fully reproduced original photographs and artwork, pressed on heavyweight vinyl.  Also available on CD.

Os Canibais - Garota Teimosa (Time Won't Let Me)

Os Canibais - Ao Meu Amor

Os Canibais - A Praça

Out now on Mr Bongo 

http://www.mrbongo.com/products/os-canibais

An incredibly original album of 'Brazilian Nuggets' from the Mocambo/Rozenblit catalogue.

Os Canibais had a meteoric rise to fame starting in 1964 in Rio de Janeiro. The group was originally made up of Aramis (guitar/vocals), Serginho and Max (vocals) and later they brought in Denise Baker (vocals) and Horacio (piano). Originally the group was to be called 'The Drunks' but after careful consideration they chose the much catchier Os Canibais (The Cannibals). They decided on this non-English name to differentiate from the Jovem Guarda TV era: The Fevers, The Jordans, The Clevers and so on…
 
Jonas Silva, A&R at Mocambo, signed them and their first single sold over 100,000 copies and made it into the Top 10. They broke new ground by becoming the first Brazilian pop-rock group to perform with a live orchestra in 1966 on TV in Rio, when the system of playbacks was still in its early days.  They made one more LP under the pseudonym of ?Bango? on Musidisc label, where their psychedelic style was compared to Os Mutantes.
 
The LP features fully reproduced original photographs and artwork, pressed on heavyweight vinyl.  Also available on CD.

Os Canibais - Descubram Onde Meu Bem Está (Wonder Where My Baby Is Tonight)

Os Canibais - Se Você Quer (See Me Back)

Os Canibais - Nosso Romance

Bee Gees - Stayin Alive

Rogerio Duprat - Tropical Green

Excerpts from the album 'THE ULTIMATE BEE GEES'.
BUY THE DELUXE DOUBLE CD & DVD SET from Amazon <a href="http://amzn.to/1brkEjR">USA</a>, <a href="http://amzn.to/13m2yuv">Canada</a>, <a href="http://amzn.to/1aT2W9B">UK</a>, <a href="http://amzn.to/1auhjNU">France</a>, <a href="http://amzn.to/12yro7t">Germany</a>, <a href="http://amzn.to/12XkhoT">Italy</a>, <a href="http://amzn.to/12NLidu">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
BUY THE DOUBLE CD from Amazon <a href="http://amzn.to/1brikth">USA</a>, <a href="http://amzn.to/13m1yqh">Canada</a>, <a href="http://amzn.to/11ZpOAr">UK</a>, <a href="http://amzn.to/194C3hv">France</a>, <a href="http://amzn.to/13zPNZf">Germany</a>, <a href="http://amzn.to/13Qm59C">Italy</a>, <a href="http://amzn.to/12JOv2f">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
DOWNLOAD THE ALBUM from <a href="http://bit.ly/11ZocXv">iTunes</a>, or Amazon <a href="http://amzn.to/15oILcH">USA</a>, <a href="http://amzn.to/17ngCEb">UK</a>, <a href="http://amzn.to/15K92lE">France</a>, <a href="http://amzn.to/18pBX4E">Italy</a>,<a href="http://amzn.to/18mu506">Germany</a>, <a href="http://amzn.to/12XiWOL">Spain</a>, <a href="http://amzn.to/13zLJrN">Japan</a>.
LISTEN ONLINE on <a href="http://www.deezer.com/en/album/422914">Deezer</a>, <a href="http://grooveshark.com/#!/album/The+Ultimate+Bee+Gees/4657434">Grooveshark</a>, <a href="http://www.last.fm/music/Bee+Gees/The+Ultimate+Bee+Gees">Last.FM</a>, <a href="https://myspace.com/beegees/music/album/the-ultimate-bee-gees-14023661">MySpace</a>, <a href="http://www.rdio.com/artist/Bee_Gees/album/The_Ultimate_Bee_Gees/">Rdio</a>, <a href="http://www.rhapsody.com/artist/bee-gees/album/the-ultimate-bee-gees">Rhapsody</a>, <a href="http://slacker.com/r/lLHTB">Slacker</a>, <a href="http://open.spotify.com/album/3JXTUy5Ccdpe79HUgUiMF9">Spotify</a>.


ABOUT THE BEE GEES
Formed: 1958 in Brisbane, Queensland, Australia
Years Active: '60s, '70s, '80s, '90s, '00s

No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. Beginning in the mid- to late '60s as a Beatlesque ensemble, they quickly developed as songwriters and singers to create a style of their own that carried them from psychedelia to progressive pop. Then, after hitting a popular trough, they reinvented themselves as perhaps the most successful white soul act of all time. What remained a constant throughout their history is their extraordinary singing, rooted in three voices that were appealing individually and melded together perfectly.

The group was also music's most successful brother act. Barry Gibb, born on September 1, 1946, in Manchester, England, and his fraternal twin brothers Robin Gibb and Maurice Gibb, born on December 22, 1949, on the Isle of Man, were three of five children. The three of them gravitated toward music, encouraged by their father, who saw his sons at first as a diminutive version of the Mills Brothers. The three Gibb brothers made their earliest performances at local movie theaters in Manchester in 1955, singing between shows. The family moved to Australia in 1958, resettling in Brisbane. Now known as the Brothers Gibb — with Barry writing songs — they attracted the attention of a local DJ, and eventually got their own local television show. It was around this time that they took on the name the Bee Gees (for Brothers Gibb). The trio was astoundingly popular in the press and on television, but actual hit records eluded them.

By late 1966, they'd decided to return to England — which, thanks to the Beatles, was now the center of the world for rock and popular music. The group had sent demo recordings ahead of them, and "Spicks & Specks" — which became their first Australian hit while they were in mid-ocean — had attracted the interest of manager Robert Stigwood. The trio was signed by Stigwood upon their arrival, and began shaping their sound in the environment of Swinging London. Barry and Robin Gibb alternated the lead vocal spot, harmonizing together and with Maurice. Barry played rhythm guitar, while Maurice played bass, piano, organ, and Mellotron, among other instruments. Their first English recording, "New York Mining Disaster 1941," an original by the group with a haunting melody and a strangely surreal, almost psychedelic ambience, was released in mid-1967 and made the Top 20 in England and America. They had successful follow-ups with "Holiday" and "To Love Somebody," the latter actually written for Otis Redding to record, and "Massachusetts," which topped the U.K. charts.

After Bee Gees' 1st, the Gibb brothers took over producing their own records. It was easy, amid the sheer beauty of their recordings, to overlook the range of influences that went into their sound, which came from a multitude of sources, including American country music and soul music. At this point in their history, they were most comfortable deconstructing elements in the singing and harmonies of black American music and rebuilding them in their style.

In 1969, the trio split up in a dispute involving the Odessa album. A lushly orchestrated double LP, it was their most ambitious recording to date, but they were unable to agree on which song would be the single, and Robin walked out. Barry and Maurice held on to the Bee Gees name for one LP, Cucumber Castle, while Robin released Robin's Reign. Without a group to promote it, the Odessa album never sold the way it might have, even with a hit, "First of May." Cucumber Castle generated several successful singles in England and Germany, including the gorgeous, African-influenced "I.O.I.O.," while Robin had a hit with "Saved by the Bell."

In 1970, almost two years older and a good deal wiser, they decided to get back together. They related to each other better and had also evolved musically, now creating a progressive pop/rock sound similar to the Moody Blues. They came back on a high note with two dazzling songs: the soulful "Lonely Days," the group's first number one hit in America; and the achingly lyrical "Morning of My Life," which proved so popular with fans that the group was still doing it in concert decades later.

Their success began to ebb, however, after another huge international hit with "How Can You Mend a Broken Heart" in 1971. The single "Run to Me" made the Top 20 in 1972, but the album To Whom It May Concern was forgotten almost instantly after a brief chart run. Their fortunes continued in reverse during 1973 withLife in a Tin Can and the single "Saw a New Morning" — despite a move to America and a heavy promotional push, the song never made the Top 40 and the album stalled out.

The trio was falling into a deep creative and commercial hole. Rescue came from a suggestion by Eric Clapton, that they try recording at Criteria Studios in Miami, Florida, where he had just cut an album. The Bee Gees took his advice and came back with Mr. Natural (1974), produced by Arif Mardin. This record was a departure with its heavily Americanized R&B sound, and the following year they plunged headfirst into the new sound with Main Course — the emphasis was now on dance rhythms, high harmonies, and a funk beat. And spearheading the new sound was Barry Gibb, who, for the first time, sang falsetto and discovered that he could delight audiences in that register. "Jive Talkin'," the first single off the album, became their second American number one single, and was followed up with "Nights on Broadway" and then the album Children of the World, which yielded the hits "You Should Be Dancing" and "Love So Right." Then, in 1977, their featured numbers on the soundtrack to the Robert Stigwood-produced Saturday Night Fever, "Stayin' Alive," "How Deep Is Your Love," and "Night Fever," each topped the charts, even as the soundtrack album stayed in the top spot for 24 weeks. In the process, the disco era in America was born — Saturday Night Fever, as an album and a film, supercharged the phenomenon and broadened its audience by tens of millions, with the Bee Gees at the forefront of the music.

It was a profound moment although, ironically, there wasn't that much difference in their sound. Amid the dance numbers, the Bee Gees still did a healthy portion of romantic ballads that each offered memorable hooks. They'd simply decided, at Arif Mardin's urging, to forget the fact that they were white Englishmen and plunged into soul music, emulating, in their own terms, the funkier Philadelphia soul sounds that all three brothers knew and loved. In one fell swoop, the group had managed to meld every influence they'd ever embraced, from the Mills Brothers and the Beatles to early-'70s soul, into something of their own that was virtually irresistible. Spirits Having Flown was their crowning commercial triumph, topping 30 million in sales and yielding three more number one singles.

By the end of the '70s, however, the disco era was waning from a combination of the bad economy, political chaos domestically and internationally (leading to the election of Ronald Reagan), and a general burnout of the participants from too many drugs and profligate sex (which would precipitate an epidemic of sexually transmitted diseases and herald the outbreak of AIDS in the United States). There had already been an ad hoc reaction against the group's dominance of the airwaves, with mass burnings of Bee Gees posters and albums organized by DJs. The group itself helped contribute to the end of the party with their participation (at Stigwood's insistence) in the film Sgt. Pepper's Lonely Hearts Club Band, "inspired" (if that's the word) by the Beatles' album. The movie was a commercial and critical disaster, and an embarrassment to all concerned.

In America, the Bee Gees were virtually invisible for most of the '80s. Instead, Barry Gibb pursued work as a producer for other artists, creating hits for Barbra Streisand and Diana Ross. By 1987 and the E.S.P. album, their sales had rebounded everywhere but the United States, yielding a number one single (outside of the U.S.) in "You Win Again." Their 1989 album One got a good reception around the world and generated a Top Ten U.S. single. And in the '90s, Polygram Records released the four-CD anthology Tales from the Brothers Gibb, which sold well around the world. The trio's 1997 induction into the Rock & Roll Hall of Fame led to a resurgence of interest, which heralded the release of the live album One Night Only (1998), cut at their first American concert in almost a decade.

The Bee Gees remained active until the death of Maurice in January 2003, from cardiac arrest during surgery. Following his death, Robin and Barry decided to cease performing as the Bee Gees. Their recorded legacy, however, subsequently became more visible than it had been in decades with the move of their catalog to Warner/Reprise. The latter company began the long-awaited upgraded CD reissue of the Bee Gees' post-1966 library, including the first-ever release of outtakes and rehearsal versions of songs. Robin was diagnosed with and underwent treatment for cancer in 2011. He died in London in May 2012 due to complications from cancer and intestinal surgery; he was 62 years old. Given the previous deaths of Andy (who had several number one hits and who died of an inflammatory heart virus in 1988) and Maurice Gibb, Robin was the third Gibb brother and second member of the Bee Gees to pass away.


Music ℗ & © 2009 Barry Gibb, Robin Gibb and The Estate of Robin Gibb under exclusive license to Warner Strategic Marketing Inc. a Warner Music Group Company.


Buy CD at Amazon USA

Bee Gees - More Than A Woman (excerpt)

Record label. Record shop. Film label. Since 1989.