how doom hold heat and preach nonviolence

it got deleted from youtube protect this gem please

ALL CAPS WHEN YOU SPELL THE MAN NAME DOOM

wav please😭 I wanna buy this track😭

Gianni Brezzo - the Cologne-based jazz affiliated project led by producer, multi-instrumentalist and musical maestro Marvin Horsch - inaugurates his 2022 with the stunning single "Il Sole". The track is a perfect sonic voyage that encapsulates the growth of Gianni's sound. Subtle, yet lush layers of synths, horns, strings, keys and a strong, beat-driven percussion all ebb and flow together, bringing to mind the finest Library Themes of Piero Umiliani, Sven Wunder, Janko Nilovic and others.

https://giannibrezzo.lnk.to/IlSole

Accompanying the track is a gorgeous video put together by Jakarta label mainstay Robert Winter and the DIE OTTOS crew which rides a visual wave around Marvin's relationship to Italian culture. Footage is derived from Marvin's now-annual visit to see his grandmother.

Following on the heels of Gianni's 2020 EP "The Awakening," the single "Il Sole" is the first single from his upcoming full-length LP - an absolute knockout - so keep your eyes and ears peeled! Announcing Friday, March 4th.

Il Sole

The Mysterious Flying Orchestra:Shadows

"Paradox" is the second single from the forthcoming album "Abstract Intuition"

These tracks were recorded in a single session at the end of 2022 and received minimal overdubs of percussion. Even the delays and effects were mostly recorded live between tape machines, delays and a harmonizer.
Improvisations with a certain human rawness.

Twm Dylan - Upright Bass
Ben Hadwen - Sax & Flute 
Raimund Wong - Cassette loops, Yamaha MT400 & processing
Nick Woodmanasey Drums, Percussion, mixing & production

Paradox

No one has lived a life quite like Marcos Valle. He became an overnight international sensation, fled a military dictatorship, dodged the Vietnam war draft, had his music sung by Homer Simpson, made enemies with Marlon Brando, and became an unsuspecting fitness guru for multiple generations. But to truly understand the great Brazilian composer, arranger, singer and multi instrumentalist, one must listen to his music.

Between the release of his first album in 1962 and today, Marcos Valle has released twenty-two studio albums traversing definitive bossa nova, classic samba, iconic disco pop, psychedelic rock, nineties dance and orchestral music. He has also had his songs recorded by some of the all time greats, including Frank Sinatra, Sarah Vaughn, Sergio Mendes, Elis Regina, and (last but not least), Emma Button of the Spice Girls. He has also had his music sampled by Jay-Z, Kanye West, Pusha T and many more. With his twenty-third studio album Túnel Acustico, Valle set out to bring it all together.

“I believe my music is many things. It goes in different directions. I have many different ways of writing music, sometimes it’s melodies and harmony, sometimes the groove is the focus. But all the music I have made over my sixty year career is unified. It is all natural and it is all sincere. And this is what I wanted to bring to my new album.”

A prominent feature of Valle’s career has been his dual residence between Brazil and the USA. Originally moving over in the mid-sixties on the back of bossa nova’s international proliferation, Valle toured with Sergio Mendes and became hugely in demand as a composer and arranger. But the Vietnam War loomed and the threat of being drafted saw him return to Brazil. He spent the following years in Rio writing music for TV and film, as well as four cult favourite albums in collaboration with some of Brazil’s most groundbreaking musicians including Milton Nascimento, Azymuth, Som Imaginario and O Terco.

By 1975, Brazil's military dictatorship was at its most oppressive, making living and working increasingly difficult. Valle moved back to the US where he would reside in LA, writing songs for, and collaborating with the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, amongst others.

Túnel Acústico features two songs originally conceived during Valle’s time on the West Coast: “Feels So Good”, a stirring two-step soul triumph written in 1979 with soul icon Leon Ware, and the sublime AOR disco track “Life Is What It Is”, composed around the same time, with percussionist Laudir De Oliveira from the group Chicago.

On Túnel Acústico, Valle's core band features two members of the renowned Brazilian jazz-funk group Azymuth: Alex Malheiros on bass and Renato Massa on drums. The rhythm section is completed by percussionist Ian Moreira, with additional contributions from guitarist Paulinho Guitarra and trumpeter Jesse Sadoc.

The contemporarily composed music on Túnel Acústico features an impressive lineup of guest lyricists, including renowned Brazilian artists: Joyce Moreno, Céu, and Moreno Veloso, as well as Valle's brother Paulo Sergio Valle.

The album closes with "Thank You Burt (For Bacharach)", a tribute to the legendary composer who passed away in 2023.

Marcos Valle & Leon Ware - Feels So Good

Brazil 45, number 21: http://www.mrbongo.com/products/azymuth-a-manha-osmar-milito-e-quarteto-forma-america-latina

Azimuth - Manha

Key track from their all-time classic self-titled 1975 LP on Som Livre. Lush percussion laden, rhodes driven jazz-fusion groover.

The legendary trio are one of the most well-known and most loved Brazilian exports, still regularly touring, including dates worldwide.

Most prolific during their time signed to Milestone, where they released 10 LP’s between 1979 and 1988.

Osmar Milito e Quarteto Forma - America Latina

‘America Latina’ is taken from the soundtrack to the Rede Globo soap opera "Selva De Pedra”, released on Som Livre in 1972. A cheerful, upbeat MPB song with a killer chorus drop.

Milito began his career in 1964 artists as Nara Leão, Maria Bethania, Vinicius de Morais, Gilberto Gil, Jorge Ben and Elis Regina amongst others. He worked in the USA with Chico Buarque and Sergio Mendes for several years in the 70’s, also appearing alongside artists including Liza Minelli, Mark Murphy, Spanky Wilson and Sammy Davis Jr.

As sampled on Madvillain ft. M.E.D 'Raid', and featured in the Floating Points  and Fourtet Plastic People mix!

Osmar Milito e Quarteto Forma - America Latina

3o Afternoons In Stereo

Jack Wilkins - Red Clay

We are excited to premiere Go See by Joe Armon-Jones. Joe delivers a playful, improvisatory approach, showcasing everything he has learned on his musical journey so far. Full of ad-libs and stunning solos, the piece is almost hypnotic in its musicality. 

As well as being a founding member of the Ezra Collective he has performed with a wide range of artists from Pharoahe Monch, to ATA KAK, and is a regular fixture in the bands of Nubya Garcia, Idiom, China Moses and Binker Golding Quartet. 

 More info here: http://bit.ly/2EjKGbq

We Out Here

Premiere: Joe Armon-Jones - Go See

Taken from the debut Kamaal Williams LP 'The Return'
Buy / stream here: www.smarturl.it/kw-thereturn

The Return 

Kamaal Williams - High Roller

Lúil Ó Fadó out now..

hotrecordsociete.bandcamp.com

soprano sax & clarinet by Daniel Bitrán https://soundcloud.com/daniel-bitran

https://soundcloud.com/mejiwahn

Lúil Ó Fadó

Buy Cassette

Sesebo w/ Daniel Bitrán • Mejiwahn

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

from the 34-track instrumental hip-hop album Alone Together. 
Download the MP3 here:
http://stonesthrow.com/news/2012/10/karriem-riggins-together-lp

Karriem & Questlove DJ the Alone Together record release party at Brooklyn Bowl, Thrs October 25 | 61 Wythe Ave, Brooklyn NY 
http://brooklynbowl.com/event/154079

Download MP3

Karriem Riggins - Summer Maddness S.A.

Record label. Record shop. Film label. Since 1989.

Osmar Milito e Quarteto Forma - America Latina

Mr Bongo

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