get it here:
li.sten.to/MichaelFranks-DoctorSoulReworks

MICHAEL FRANKS - The DoctorSoul reworks
(12 Inch, limited, light blue)
Release Date: 27.9.

TRACKLIST:
Side A: Chain Reaction (DoctorSoul’s “You Can't Fake It” - Extended Intro Re–Therapy)
Side B1: When Sly Calls (DoctorSoul “Don't Touch That Phone” - Extended Re–Therapy)
Side B2: When Sly Calls (DoctorSoul “Don't Touch That Phone” - Radio Re-Therapy)

Start of a new series of official reworks of The Warmer Music catalogue, a very special collaboration of Too Slow To Disco with the major label, that we worked on for a long time.
We are more than thrilled to start our Warner Music collaboration with official DoctorSoul reworks for one of the most prolific musicians of the Californian Westcoast/Jazz/AOR/Yacht scene, the one and only:

MICHAEL FRANKS, who personally approved the new versions.
Over the languorous course of 33 years and 16 albums, Michael Franks has mesmerized an international legion of fans with his one-of-a-kind artistry. Seamlessly weaving lyrics of stunning sensuality, wit, reflection and literary eloquence over music that tastefully utilizes top shelf shadings of jazz, soul, pop, chamber and music from around the globe. His music was covered by countless international stars, like The Carpenters, Shirley Bassey, Ringo Star, Natalie Cole, a.m.m. . His music lives on and is loved by so many modern Balearic/Soft Disco musicians/producers from today.

Parisian producer DOCTORSOUL is a longtime TSTD collaborateur. These reworks for Michael Franks have been floating around the internet for some time, we are so proud to finally give them an official release!
The D.J. / Remix & Music producer / Sound Designer has collaborated with many artists and bands from diverse genres even in Jazz, bringing production remixes for the likes of legendary Tania Maria, Jeff Cascaro, Mandoo & Interview to name just a few!

TOO SLOW TO DISCO Links:
linktr.ee/tooslowtodisco

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get it here

MICHAEL FRANKS - When Sly Calls (DoctorSoul Don't Touch That Phone - Extended Re - Therapy)

No Use (Eric Hilton - Trust A Thief Remix)

For her fifth studio album, Hollie Cook is returning to Mr Bongo almost fifteen years since the Brighton label released her debut album. Entitled Shy Girl, it’s a sun-drenched exploration of love in all its guises and marks her most authentic body of work to date. The second single from the release is the title track and provides the perfect opener for the album. It’s a buoyant and elastic slice of lovers rock that bubbles with a charisma and positivity that Cook radiates.  

Written and recorded in a moment of spontaneous intuition at Relic Room Studios in NYC, with the finishing touches written in Echo Park, LA, ‘Shy Girl’ is a snapshot into the vision and meaning behind the album as a whole. “I’m not a natural show-off,” Cook explains. “The Shy Girl theme is me. It’s just about being my most vulnerable self and being as true to the music that I love as possible.” 

Across three glorious minutes, shimmering guitars sit atop a groove-heavy, dubby bassline, and organ bubbles, as Hollie effortlessly serenades in her soft-hued tones. A song speaking of letting one’s guard down and opening up to love, it’s a signature example of the ‘tropical pop’ sound that Hollie has made her own.


Shy Girl

With two critically acclaimed compilations already under his belt, DJ / collector miche returns to Mr Bongo with the third instalment of his With Love series. Testament to his ever-expanding taste, Volume 3 isn’t just a subs bench call-up from the past compilations, it’s an evolution and progression casting the net deeper and wider than before.

Keeping true to the series, but with some fresh surprises along the way, this carefully curated compilation is a celebration of soulful, independently released music from across the globe, and the amazing (often unsung) musicians and vocalists that made these sublime records.

Across the third volume, miche explores a jazzier side of his tastes. “The deeper I went, the more I found myself gravitating towards jazzier music - not leaving soul behind, but following that same feeling into new territory”, he explains. Tracks like the gliding jazz funk found on Late Nite Music Band’s ‘Sundance’, or the glorious jazz-soul number ‘In Flight’ by Spectrym are shining examples of this.

That defining soulful thread of previous volumes is still in full effect throughout this latest edition. “There’s a healthy dose of impossible-to-find soul gems that have that unmistakable, heartwarming feel. Tracks like John Simmons' 'Ain't Nothing Like The Love', which I've adored ever since Zaf Love Vinyl played it, sit perfectly alongside records like Le Cop and New Way”, states miche.

The addition of some top-tier Turkish music showcases another side to his ever-broadening taste. Nükhet Ruacan's 'Gölge' is something unique, a floaty Brazilian-inspired gem recorded in Turkey and not what you’d typically expect from Turkish records of this era.  

It also wouldn’t feel right to leave out a stop in Brazil, with miche looking to the work of Carlos Bivar whose track 'Amargo Amar' carries that undeniable groove of samba-funk from Rio.

Spreading the With Love message far and wide the series has led to miche DJing across the globe, “from batucada sessions in Timisoara, to all-night sets in a club in Beijing, and even an eight-hour Root Down With Love stage takeover at We Out Here festival, joined by Danilo Plessow, Jeremy Underground, and of course, my mentor and buddy Rainer Trüby.”

Volume 3 then, carries that message even further. It’s an eclectic but intentional collection, built for the music lover who wants to discover something new. Working just as well as a soundtrack to cook dinner to, as it does keeping a packed dancefloor moving into the small hours. 


The Medlows - Love (Part 1)

Nükhet Ruacan - Gölge

Ruby Rushton return with cinematic new single “Walk to Regio's”, the lead single from the London UK jazz quartet’s highly anticipated 'Legacy!' album on 22a Records.

As a bandleader, flautist, saxophonist, producer, DJ and label boss, Tenderlonious has earned his polymath stripes. On "Walk to Regio's", Ed takes inspiration from multi-talented legend Isaac Hayes, in particular his ‘Shaft’ soundtrack. 

“I’ve always been obsessed with film music and it’s played a key role in my approach to composition. Issac Hayes’s ‘Shaft’ soundtrack is one of my favourites and has had a big influence on my music over the years. “Walk to Regio’s” is my salute to Issac Hayes and is a nod to one of the coolest films ever made!”

Ruby Rushton trade the hustle and bustle of 1970s Harlem for the restless, ever-shifting energy of contemporary South London. A hypnotic piano motif sets the tone, locking into a deep groove laced with crisp horns and percussive layers. The rhythm section stays tight and purposeful, giving space for quick bursts of improvisation - each solo a snapshot of raw, soulful musicianship. It all circles back to that familiar refrain, closing with a flourish that feels both grounded and soaring.

'Legacy!' marks the fifth full length outing from the Ed ‘Tenderlonious’ Cawthorne led group who helped pave the way for the recent wave of jazz that has ignited the capital and enchanted the world. 

“Walk to Regio's” is released across all digital platforms on 31st July and you can pre-order ‘Legacy!’ on LP / CD / download on this day as well.

Pre-Save

Exclusive Premiere: Ruby Rushton "Walk to Regio's" (22a Records)

Paying homage to Brazilian funk & boogie, Captain Planet’s “O Xangô” reimagines a samba rock classic from Trio Mocotó, famed for backing Jorge Ben. Stripping away most of the original, he injects heavy bass, disco drums, stabs, and wild synths, creating a euphoric modern boogie banger. The lyrics call to Yoruba deities, with the chorus invoking Xangô—symbol of power, justice, thunder, and lightning.

O Xangô

Having worked together on his 2024 album Colours & Light, Project Gemini aka Paul Osborne joins forces once again with Wendy Martinez, French singer and composer, and also part of renowned psych-girl group Gloria on a new collaborative EP. Landing on Mr Bongo, ‘Time Stands Still / Le temps s'arrête’ is a sonic exploration that shows a shared love of the progressive music emanating out of France in the ‘60s and ‘70s and the celebrated film soundtrack composers of the time. A more melodic and romantic excursion than Paul’s previous recordings, this EP marries his richly textured, cinematic psych rock with Martinez’s captivating vocal presence. 

A body of work born during the period Paul was finishing up his last LP Colours & Light, he penned an album’s worth of instrumental library-style music and had the idea of having Wendy add vocals and lyrics to a selection of them. The instrumental record got scrapped, but thankfully ‘Time Stands Still’ grew out of it.  

Paul was a fan of Wendy’s work as both a solo artist and in the band Gloria, and her inclusion on the Project Gemini tracks ‘Entre chien et loup’ & ‘Extra Nuit’ showed a clear synergy to their musical approaches and sounds. For ‘Time Stands Still’ he sent over instrumental tracks one by one, with Wendy taking time to find melodies and French poetry she was happy with and returning her ideas from her home just outside of Lyon.

Drawing inspiration from French soundtrack composers such as François de Roubaix, Francis Lai and Michel Colombier, as well as French female artists including Léonie and Laurence Vanay, these productions are a contemporary love letter to this sound, not a homage. Mixing psych, folk, chanson, and French new wave, it’s music that pulls you in deeper, with groove, grit and passion at its core. 

'Je n'ai plus peur' kicks things off with a sultry energy. It’s a psych-funk production drenched in attitude, swagger, and edge, which nods to the left-field side of Serge Gainsbourg’s music. Elsewhere, 'Âme contre âme' feels like the opener from a forgotten new-wave film, managing to be at both beautiful yet sinister and longing. 'The Crawler' could be incidental music from the same film, with Wendy using her voice as an instrument layering the backing track as Paul's bass takes centre stage. The ghostly spoken word of 'Ce qui est intact' echoes a funky version of what the Théâtre du Chêne Noir d'Avignon may have recorded.

A transportive journey ‘Time Stands Still’ is nostalgic yet new in the same smoke-filled breath. Fuzzed-up guitars and driving basslines meld with folk-leaning organs and mellotron vibrations to give that eerie, otherworldly edge. All of which are seasoned by the sensuous, layered vocal tones of Wendy Martinez, alongside crisp drums from Tony Coote and considered percussive touches by Paul Elliot.


Project Gemini & Wendy Martinez - Crawler

The next single taken from Hollie Cook’s forthcoming fifth album, Shy Girl, is a heavenly and distinctive reggae cover of Skip Mahoney & The Casuals, ‘We Share Love’. Further embodying Hollie's dedication to staying true to herself and remaining authentic to her craft, it has the air of a timeless production yet with a contemporary edge. 

Providing the perfect send-off and closing track to Shy Girl, ‘We Share Love’ is a celestial cover of Skip Mahoney & The Casuals 1974 classic. It sees Hollie and the General Roots band flip the soul-infused original into a hazy, sun-soaked roots beauty. Hollie’s dreamy tones are supplemented by a bouncing bassline, tender organs, and lush vocal harmonies from the brilliant Jalen Ngonda. Bathed in emotion and grounded in love and longing, this reggae reinterpretation is an exquisite ethereal ending to the album.


We Share Love

FURNS - WAITING FOR ME (ALBUM OUT NOW)

Almost fifteen years since the release of her self-titled debut LP on Mr Bongo, reggae’s orator of love Hollie Cook is returning to the label for Shy Girl, her fifth studio album and her most authentic yet. Woven with tight grooves, beautiful vocals and catchy melodies, Shy Girl hears singer and songwriter Hollie Cook revel in her contemporary lovers rock sound, more confident and open to vulnerability than ever before.
 
A sun-drenched exploration of love in all its guises, Shy Girl tells stories of the magical and the melancholy, the heart-lifting and heart-breaking, across 12 luscious, analogue reggae compositions - the culmination of a soft-hued and instantly recognisable “tropical pop” sound that Cook has made her own.
 
Put together across three years and four cities – from LA and NYC, to Vejer de la Frontera in Spain and Cook’s hometown London – Shy Girl was written with long-time collaborators, The General Roots Band, and features a contribution from legendary dub MC Horseman, who lends his voice to the album’s first single ‘Night Night’.
 
The album opens with the title track ‘Shy Girl’, a buoyant and elastic slice of lovers rock that was written in a moment of spontaneous intuition, and bubbles with a charisma and positivity that Cook radiates. “I’m not a natural show-off,” Cook explains. “The Shy Girl theme is me. It’s just about being my most vulnerable self and being as true to the music that Iove as possible.” It is this honesty which shines throughout, from the chugging deep dub of ‘Frontline’, complete with raking electric guitar lines, to the bittersweet roots ballad ‘We Share Love’, which closes out the album.

It's clear to see that Cook’s songwriting draws on a lifetime of musical influences and inspirations. From her father, Sex Pistols drummer Paul Cook’s record collection and touring with post-punk icon Ari Up’s The Slits, to her love for strong female-led pop music and the bassweight of London’s sound system culture. Enamoured with the music of Janet Kay and Phyllis Dillon, Shy Girl represents a homecoming and a coming-of-age for Hollie Cook, distilling and refining a shimmering reggae sound that will capture your heart, as it first captured hers. 


Hollie Cook - Rockaway

Record label. Record shop. Film label. Since 1989.