ah voila, c'est celle ci qui m'a fait connaitre rubin steiner ! ! ! ;-=

Merdoche warm-up

Burial/Four Tet - Moth

In an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band’s alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.

Recorded in Rio de Janeiro, Marca Passo is the first full-length release since the passing of founding drummer Ivan "Mamão" Conti in 2023, following the earlier loss of keyboardist José Roberto Bertrami in 2012. Alex Malheiros, the sole remaining original member, sees his stewardship of the band’s musical legacy as his spiritual duty. He is joined by the equally devoted Kiko Continentino (Milton Nascimento, Djavan) on keyboards, who has been with the group since 2016, and new recruit Renato Massa (Marcos Valle, Ed Motta) on drums.

Yet since their earliest recorded music, Azymuth have always been far greater than the sum of their parts. The "three-man orchestra’s" unmistakable sound is rooted in Brazil's MPB studio scene of the 1970s and early 1980s—a time when artists blended traditional Brazilian rhythms with global jazz, rock, and emerging psychedelic and progressive elements. Marca Passo continues this legacy, seamlessly fusing Brazilian musical traditions with global influences while showcasing the exceptional musicianship that powers Azymuth's distinctive, multi-dimensional sound.

The album is produced by studio mastermind Daniel Maunick, responsible for Azymuth’s two previous studio albums, Fênix in 2016 and Aurora in 2011. Daniel’s credits also include albums by Marcos Valle, Sabrina Malheiros and Terry Callier. Azymuth also invited Daniel’s father, British jazz-funk royalty Jean Paul “Bluey” Maunick, of Incognito, to play guitar on a new version of Azymuth’s eighties classic “Last Summer In Rio”, in tribute to the song’s composer, José Roberto Bertrami. Equally, “Samba Pro Mamao” is a new composition dedicated to Azymuth’s beloved original drummer, Ivan “Mamão” Conti.

Marca Passo releases on limited edition blue, red & black vinyl LP editions, CD and digitally on the 6th June 2025, via Far Out Recordings, supported by European and North American tours.

Azymuth - Belenzinho

n an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band’s alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.

Recorded in Rio de Janeiro, Marca Passo is the first full-length release since the passing of founding drummer Ivan "Mamão" Conti in 2023, following the earlier loss of keyboardist José Roberto Bertrami in 2012. Alex Malheiros, the sole remaining original member, sees his stewardship of the band’s musical legacy as his spiritual duty. He is joined by the equally devoted Kiko Continentino (Milton Nascimento, Djavan) on keyboards, who has been with the group since 2016, and new recruit Renato Massa (Marcos Valle, Ed Motta) on drums.

Yet since their earliest recorded music, Azymuth have always been far greater than the sum of their parts. The "three-man orchestra’s" unmistakable sound is rooted in Brazil's MPB studio scene of the 1970s and early 1980s—a time when artists blended traditional Brazilian rhythms with global jazz, rock, and emerging psychedelic and progressive elements. Marca Passo continues this legacy, seamlessly fusing Brazilian musical traditions with global influences while showcasing the exceptional musicianship that powers Azymuth's distinctive, multi-dimensional sound.

The album is produced by studio mastermind Daniel Maunick, responsible for Azymuth’s two previous studio albums, Fênix in 2016 and Aurora in 2011. Daniel’s credits also include albums by Marcos Valle, Sabrina Malheiros and Terry Callier. Azymuth also invited Daniel’s father, British jazz-funk royalty Jean Paul “Bluey” Maunick, of Incognito, to play guitar on a new version of Azymuth’s eighties classic “Last Summer In Rio”, in tribute to the song’s composer, José Roberto Bertrami. Equally, “Samba Pro Mamao” is a new composition dedicated to Azymuth’s beloved original drummer, Ivan “Mamão” Conti.

Marca Passo releases on limited edition blue, red & black vinyl LP editions, CD and digitally on the 6th June 2025, via Far Out Recordings, supported by European and North American tours.

Azymuth - Arabutã

Azymuth - O Mergulhador

Presenting the third single ‘Ron Song’ taken from Melbourne/Naarm multi-instrumentalist Don Glori’s forthcoming third album, Paper Can’t Wrap Fire. An ode to Brazil’s musical heritage, it’s Don’s nod to icons and influences including João Donato and Seu George. Samba-flecked, yet with a distinctive Don Glori groove, it’s doused in buttery Rhodes, hazy vocal harmonies and acoustic guitar riffs. Combine that with a serving of long majestic horn lines and the instantly recognisable cuíca and it’s a one-way ticket to Rio’s sunshine-soaked shores. 
 
Speaking about the track, Don mentions, “The thing I love about ‘Ron Song’ is all the ear candy. The Rhodes was routed through the preamp of an original suitcase Rhodes to give it the proper stereo trem it needed. The guitar just breaking through the ribbon mic contrasts against the very digital chorus on the bass. The bass is pushed out to the sides, using every dial tone sample at once. Texturally it feels like an ear massage. 
 
Alcides Neto laid down cuíca throughout the track and fans of Azymuth/Brazilian music in general will appreciate the partido alto underneath the trumpet solo. It’s as if the cuíca and Rhodes are having a conversation in the outro.”


Don Glori - Ron Song

Out now on Cassette/CD: https://dreamchimney.bandcamp.com/album/sunlight-hits 
Official Video: https://www.youtube.com/watch?v=MA1YKqPLdJ0

Dream Chimney is super stoked to announce the upcoming release of the new Sorcerer album “Sunlight Hits”. An imaginary soundtrack to Sorcerer's island daydream video game. "Sunlight Hits" features galactic synth tones and golden glow-n-the-dark guitar that swirl and glide over chilled tropical rhythms. Sorcerer combines melodies and chords that rhythmically pull the listener into a fantasy mind state, designed to inspire both dancing and profound dreaming, all while radiating a warm atmosphere and the natural celebratory spirit of Dan Judd's California coastal roots. 

Written & Produced: Daniel Judd
Design: Nathaniel Russell   http://nathanielrussell.com/
Mastering: Anthony Puglisi @ Sentrall Sound   https://www.sentrallsound.com/

Sorcerer - Alien Shore

https://brintex-collective.bandcamp.com/track/3454-thoughts

Brintex Collective - '3454 (thoughts) feat. Ranie Ribeiro)'

Mr Bongo proudly presents Ritmo Italiano ‘Unspoken Sounds of Italian Tamburo’ a captivating compilation of percussive-driven, Italian gems curated by Sardinian multi-instrumentalist, percussionist and producer, Gabriele Poso. A journey into the heart of Italian musical history, it celebrates Italy’s rich rhythmic traditions, showcasing a selection of genre-traversing, Italian treasures from the ‘60s to the early ‘90s. Honouring the timeless rhythms of Italian percussion masters, alongside a brand-new exclusive composition by Gabriele, ‘Ritmo Italiano’ shines a light on the universal, primal language of the drum. 

A connection sparked from an early age; percussion has always deeply resonated with Gabriele. It led to years of studying percussion traditions across Cuba, Puerto Rico, and Brazil, crafting his own songwriting skills in the process. An acclaimed producer and compiler, his releases on Yoruba Records, BBE and Soundway Records have garnered global support. Yet a growing need to rediscover the essence of his country’s cultural heritage laid the foundations for this new compilation.

In Gabriele’s own words, “Italy has always been a crossroads of civilizations, with influences from the Mediterranean, North Africa, the Middle East, and Europe converging over centuries. Ports like Naples, Genoa, and Venice played a crucial role as gateways for musical exchange, a melting pot of sounds and cultures brought by sailors, merchants and travellers. These influences blended with Italy’s own folk and religious traditions, creating Italy’s unique and emotionally resonant rhythms.”

Across the 12 absorbing tracks, there’s jazz influences, Italian library music aesthetics and experimental beats mixing with Afro-Cuban and Mediterranean rhythms. It’s a broad selection anchored by the drums. The synth-heavy, ‘80s jazz funk flavours of Gegè Munari's ‘Police Man’, sit side-by-side with the samba-infused ‘Napulitano D' 'O Brasil’ by Don Marino Barreto Jr. Tribal, earthly energy radiates from Naco’s ‘Volando Con Milton’, with Tullio De Piscopo serving up cosmic disco brilliance, and blistering jazz funk mastery coming courtesy of Agostino Marangolo. Taking the name of the compilation, a new original track by Gabriele, ‘Ritmo Italiano’, blends traditional rhythms with contemporary energy, Afro-Latin influences with Italian jazz essence. Recorded live in one take, it captures a raw, unfiltered vibe. 

“Each track tells a story, connecting the past with the present, and highlighting the deep-rooted traditions that shape Italy’s rhythms. The collection also offers a glimpse into the diversity of Italian music with a variety of styles from the organic, earthy beats to the more experimental and modern takes on traditional rhythms. It’s a reflection of how these rhythms have not only shaped Italian culture but also influenced global music.”


Gegè Munari Percussion Modern – Police Man

Indonesian Classic Selection by Thee Marloes

A mixtape full of rhythm, nostalgia, and funk. 100% Indonesian jams!

Follow Thee Marloes:
https://open.spotify.com/artist/0rTTgwJUHLQWqQV9sNvcbE?si=nSUAwq5pQj-A9PydGXRTLQ&nd=1
https://www.instagram.com/theemarloes/
https://www.facebook.com/people/Thee-Marloes/100087105542153/
https://www.youtube.com/channel/UChsO4mj1wOKTL4PI0-dZKIg
https://www.tiktok.com/@theemarloes?_t=8jdMTkTZGAw&_r=1

BCR Radio Episode 045 - Thee Marloes - Nada Indonesia

Brazilian 7" singles (compactos) are often the source of hidden treasures. Those special obscure nuggets that tend to be overlooked and flicked past in shops and flea markets. Carlos Bivar's 'Amargo Amar' is one such find, nestled as a B2 on the end of a four-track 7" EP on Esquema Records from 1978. This seldom-seen slice of Brazilian sunshine is the second single taken from miche’s third With Love compilation on Mr Bongo.

The ZBETO EP is one of only two 7” singles that we are aware of, released by the pianist, singer, and songwriter Carlos Bivar. 'Amargo Amar' starts with the swagger of a ‘70s Blaxploitation soundtrack, transitioning into a loose Brazilian MPB-funk. Floaty keys, uplifting horns, and backing vocals elevate the energy, as Carlos' lyrics ride the groove. This song is a sheer delight and an example of the talented output of independent Brazilian musicians, as equally great and bold as their major label contemporaries.


Amargo Amar

Having just released his latest solo album Paper Can’t Wrap Fire to critical acclaim, Don Glori treats listeners to a special new version of album track ‘Song for Ants’. A more stripped-back, ethereal take on the original, this alternate version was born out of being on tour and the limitations it brought with it.

Whereas the original is a spiritual journey of energetic intricacy, full and fierce, Don’s new version dials things back into dreamscape territory. The pace slows, the phrases have more space to breathe, as the synergy between keys, bass, drums and horn erupts into a cosmic-fuelled saxophone whirlwind. 

In Don’s own words “This version of ‘Song for Ants’ was born from being on the road and not being able to have two horns in the touring lineup. I love the melody of ‘Song for Ants’ and wanted to include it in my live set, so I wrote this new version around the melody. It has a bit of a rock edge to it, so I leant into that. It was definitely inspired by acts that can sit in that jazz crossover space like The Necks, BADBADNOTGOOD, GODTET, Kamasi, and Nala Sinephro - all artists that I think are terrific at taking you on a journey.

The first time we played it out was last year in Norway, followed by London Jazz Festival and then I took it around Australia on my last tour back home. Seeing the reaction that it was pulling out of the crowd (as well as myself), I knew I had to quickly get in the studio and lay it down. I remember it was the 10th of January, and we had an impromptu show at Kindred Bandroom that evening, plus a festival set at Loch Hart festival the next afternoon (three hours away on the Great Ocean Road), with rehearsal scheduled for the morning of the 10th. So, I decided to can the rehearsal and go for the studio instead. It was the right decision, we got a great take of this track as well as a few new songs for the next record.”


Rubin Steiner - Your Life Is Like A Tony Conrad Concert

Mr Bongo

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