CONTACT for remixes, booking: 
mrboomtrax@gmail.com

BOOKINGS:
susytrindade.live@gmail.com
+ 55 51 981 352 760


Signed to Sick Slaughterhouse, Wall Recordings (a division of Spinnin' Records), Dim Mak Records, Big Fish Recordings, Tiger Records, Bazooka Records, etc.

Over a decade in the making becoming one of the enduring local djs in Los Angeles, Nathan Phillips AKA DJ N8 is undoubtedly a musical poet when he's gracing the decks, filling the dance floors from massives to clubs all over Southern California and across the nation.

Influenced at a young age, Nathan Phillips was drawn to the L.A. electronic scene by fellow affiliates and long time friends. After hearing electronic music, it opened a new mind set for Nathan; from this moment on he expanded his creativity and passion through the music. 

Now, as his career is evolving; he is working hard in the studio and has been releasing different genres of original work and remixing for major producers on a variety of labels. Nathan is responsible for forming collaborations and crews, such as the infamous Da Elephunks, Showdown and Funk Potion Ent.  

With hundreds of bookings throughout the years; he still rocks the crowds, young and old, from generation to generation, and from small events to massive festivals bringing you all the funk to make you break and shake all night long. The sets have more intensity and more diversity pleasing every open ear on the dance floor in our beloved electronic music scene. 


Far Too Loud is all about hi-tech, dancefloor-destroying music that makes people throw their hands in the air and go crazy. Think high-energy, aggressive funk with big basslines and crazy edits and you’ll know the sound. 

Formed by Oli Cash and Dom Smart back in 2005, their sound quickly won fans and only two years later picked up 'Best Single' at the Breakspoll Awards.  Later that year the FTL anthem 'Play It Loud', which saw a move from breakbeat to dirty electro-house, received a massive response and remains a crowd-pleaser to this day. 2009 saw the duo split with Dom forming techno moniker Neurodriver and Oli continuing with FTL, producing a string of electro chart-smashers including 'Bring Back Boogie' and 'Megaloud'.

The bass-fueled releases of 2012’s ‘Firestorm’ EP and the follow-up 'Faster Than Light' EP received high praise from all over the bass music scene, bursting with the now familiar big production and energy. Cementing FTL’s place in the bass music scene, these paved the way for more recent releases on heavyweight labels including OWSLA, Never Say Die, Disciple, and Monstercat, and remixes for bass-lords Zomboy, Snails and Pegboard Nerds.

Well experienced in delivering unique sets packed with energy, whether it’s 200 people in a sweaty underground club or 20,000 at an outdoor festival, you can be sure it’s going to go off when FTL is in control!

Demon Groove was started on 31 of December 209 by Darren Dunne due to a serious pain in his arse strumming his lonely guitar and writing songs about girls or more to the point songs about girls he couldn't get. Several boxes of tissues later he...(for the tears you dirty dogs) decided he wanted to do some of that hard shit he had always listened to! So he got Reason and was instantly addicted. He put down the tissues and started spending days on end making beats.  His first half decent track was Mad Wax. It was posted on Youtube on feb 5th 2011 and two weeks later, without a following it had over 12,000 hits (seriously no joke, how dafuk did that happen!) it has over 70,000 views now. 

In September 2011 he signed his first ep to Frederik Olufsen's label Royal Fetish Recordings. And since then a load of other multi genre face mashers have left the bedroom and landed in the laps of some cool labels. 

The future entails paying for facebook/soundcloud/twitter followers and growing his fanbase of bots to trick labels and promoters into thinking he is hot shit. Playing live prerecorded mixes and throwing sausages at the audience so they think he is a fucking crazy dude with the cynical objective that they tell all their friends the next day they were at a demon groove concert and the crazy fuck was firing sausages at us you have to go see him. Spamming the fuck out of every music blog's posts about how great their post is and they are the best blog until they are so flattered they blog about him. Liking every single tweet from Skrillex and Rob Swire. Commenting on all the top dj and producers posts so they will remember him with the goal of becoming bff's and thus raising his profile. And basically any other cheap trick that does not entail connecting his music with music fans he can think of between now and then...NOT!

Submit Demos:
www.peakhourartists.com

Peak Hour Music
PLTNM Music
Hotslice Records
Deephour Music

OFFICIALLY RANKED AS ONE OF BEATPORT'S TOP 10 SELLING ELECTRO/BIG ROOM LABELS OF 2016  http://bestof.beatport.com

Established in late 2006, Peak Hour Music has become one of the largest and highest selling dance labels on Beatport, Spotify, Itunes and all other digital platforms. A home, and starting point for such artists like Deadmau5, Dimitri Vegas & Like Mike, Porter Robinson, Lazy Rich, Deorro, Exodus, Wolfgang Gartner, Bassjackers, Blasterjaxx, TJR,  and countless others. PHM continues to bring high quality  top charting releases, and has helped to develop some of the largest names in EDM today. You can hear PHM releases, as well as our sub label's releases on Sirius/XM BPM and Electric Area, BBC Radio 1 and countless others.

@djchuckie & @hardwell "Move it 2 the Drum" @djexodusnyc & @luca-t-1 Remix is OUT NOW on @dirtydutchmusic
Get it here ▶ http://bit.ly/MI2TDRMX 

Exodus and Joey Antonelli - Rewind:
▶ Darklight.lnk.to/Rewind

Xavi and Exodus - She Got No Money:
▶ Darklight.lnk.to/SheGotNoMoney


Label Director & Head A&R for:
Peak Hour Music
Dirty Dutch Music
HOTSLICE Records
Deephour Music

Management: Bill@Peakhourartists.com

“Exodus boasts a very impressive discography, already full of strong chart-topping hits and big #1-sellers, with heavy supporters that read like a diverse whos-who of the most relevant dance music Artists today.” 


Exodus burst onto the New York city scene from humble beginnings playing small nightclubs. With his signature high energy DJ sets and frequent radio mix show guest appearances, he quickly caught the attention of major talent buyers and promoters from the New York City area. Within his first year Exodus found himself playing alongside house music icons such as Danny Tenaglia, Roger Sanchez, and Erick Morillo whilst quickly landing residencies at some of New York City’s largest night clubs. Moving forward, Exodus broadened his horizon by producing records as well as establishing great label connections with labels such as Sony Music which lead to several licensed in store cd releases.

Kicking off 2018 with a bang, Exodus unleashed a massive remix for NERVO & Wolfpack’s “Like Air ” which was released on Armada Music. Recent releases include remixing Platinium recording artists B.o.B,  Snoop Dogg, an original release on Fedde Le Grand‘s label Darklight Recordings (Armada), and remixing Billboard Dance #1 hit “X With U” from Tom Budin &  Luciana. 

Among Exodus’ biggest accomplishments to date are his groundbreaking originals such as “We Are Your Friends”, “Ready 4 This”, “Hands High” “Keep It Low” and  “Smash” as well as official remixes for Tiesto & BT "Love Comes Again", Deorro “Rock The Party”, Starkillers, Alex Kenji & Nadia Ali “Pressure”, Manufactured Superstars “Like Satellites”,  Danny Avila “Poseidon”, and Cedric Gervais “Molly”.  All of these releases have gained global support from A-list artists and syndication on SiriusXM, BBC Radio1, and many more.

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