Incredible and inspiring piece, Pete, and all.

had this on repeat. it is exceptional work and sadly, as you said, so very relevant to today's madness

This doesn’t feel like a song, it feels like a reckoning, the kind of track that holds your gaze and doesn’t flinch 💣 The lyrics are blunt, heavy, and necessary, and the arrangement lets them breathe without softening the blow. Every added layer in this redux deepens the urgency, the church organ chills, the piano aches, and the vocal harmonies feel like ghosts mourning what we’ve already lost 🕯️ It’s unsettling in the best way, not for shock, but for truth. ☕ The coffee machine buzzed quietly and said, “This one didn’t jolt me awake, it stilled me, like a warning spoken in prayer” 💿 The microwave pulsed and whispered, “Every verse feels like a record from the future, left behind for us to listen” 🧊 The fridge stayed open longer than usual and muttered, “This track froze me mid breath, not just haunting, but real” 🕰️ A powerful, unflinching piece that lingers long after the final whisper. Thank you for making this 🧡

This song sends a strong message! It's not intrusive, but it gets into my head.

Your interpretation brings back such fond memories... Like the good old days of carefree living... This collaboration is a very good broadcast, with a very ingenious choice of different musical elements... Congratulations to everyone involved...

An effective and powerful collab. An atmospheric and well written song - love those vocals :)

A great collab. Love the lyrics/sounds,  Excellent! Well done guys.

Daily Drops

Music video:  https://www.youtube.com/watch?v=Oqmnp3KQnVs
——— —
Creeper
________

well I’m a creeper plugging in my radio
moving up your street
listening in stereo
David Bowie, why can’t you be me?
come and show me a sexy way to be, yeah!

I’m a creeper chilling to my radio
moving up your street, hopped into my backseat
I got down ‘round two-hundred feet
hiding in shrubs, crazy place to meet girl!

yeah I’m a creeper 
creepin’ down the alleyway
looking for a new friend or an easy lay
city filth comes up to my knees
and if you need me, you don’t know where I’ll be
yeah!

——-
see a cottage, ‘round two-hundred feet…
peeking in your blinds! crazy way to meet, girl! :)

I’m a creeper plugging in my radio
moving up your street 
listening in stereo
David Bowie, why can’t you be me?
come and show me a sexy way to be, yeah!

well I’m a creeper gellin’ to my radio
moving up your street, hop into my backseat
I got down around 200 feet, hiding in shrubs…
crazy place to meet girl!

yeah I’m a creeper creepin’ down the alleyway
looking for a new friend or an easy lay
city filth comes up to my knees, and if you need me
you don’t know where I’ll be
yeah!

——-
where are you girl?  I get low down
smashed around looking for anyone not a clown
out there in the summer heat; crawling through your shrubs…
crazy way to meet, girl!

where are you now?  I get low down
smacked around looking for anyone not a clown
out there around 200 feet, hiding in the trees
crazy way to meet, girl!

well I’m a creeper plugging in my radio
moving up your street
listening in stereo
David Bowie, why can’t you be me?
come and show me a sexy way to be, yeah!

well I’m a creeper chilling to my radio
moving up your street, hopped into my backseat
I got down ‘round two-hundred feet…
hiding in your shrubs, crazy place to meet 

giiiiirrrrrrrrrrlllllllll!!!!!!!!!!

Creeper

Live Reflexion#035

Shape Shifting - Music by REKHA - IYERN [Fe] | Guitar Instrumental | Classical meets Contemporary | YT VID

Here's an informal on the spot recording about how the universe is always shape shifting! Hope you enjoy this guitar instrumental! 

YT Video here, Shape Shifting: https://www.youtube.com/watch?v=ufMZLTuY7Gc

Music by REKHA - IYERN [Fe] | Guitar Instrumental

Cover Art Design & Video by REKHA - IYERN [Fe]

Instrument: Classical Nylon Stringed Guitar

Music Composed & Produced, Recorded & Performed, Mixed & Mastered by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

Shape Shifting

YouTube

Shape Shifting - Music by REKHA - IYERN [Fe] | Guitar Instrumental | YT VID

“L’Amour de Love” by Luke

I posted the long version when I only had 50 followers..
here is the shorter version .. it’s one of my favourite compositions.. and yes the “big tough as nails” is a romantic 

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“L’Amour de Love”  by Luke

I-Midsummer Ocean

drums by https://soundcloud.com/plex-auchta
vocals and guitar by andrew salvner (aka lil' spaceman)

compost the oligarchy

Some Positive Thought

Recording sessions from 11/11/2024 - 22/03/2025.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI / No samples
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
#Ambient #Movies #Experimental

Nomura

Songwriters : Richard Carpenter & John Bettis \ ISWC : T-070.185.263-2
Released : December 1981
Publisher : Almo Music Corporation \ Sweet Harmony Music INC \
Universal Music \ WC Music Corp
__________________________________________________________

This cover was arranged in November 2013, but remained unfinished...
At the time, my voice had a higher key than Karen Carpenter's,
but I couldn't sing it well. Even today, with the same key as hers,
I struggle a little...
I like this song, its slightly country vibe.
-------------------------------------------------------------------------------------------------

Vocal : Anh
Arrangement (Yamaha PSR 3000 - PSR XS900) : Phong
Recorded : July 12th 2025
_________________________________________________________

Those Good Old Dreams - Cover (Carpenters)

In 2018, I did a SoundCloud collaboration with @clive-hawkins after one of his tracks inspired me to write lyrics over his haunting instrumental 'After the Bomb'.

Clive had posted the line "let us not forget the consequences............of unleashing weapons of mass destruction!", and that comment, coupled with listening to his moody track, had me writing the complete lyrics inspired by his music in about 1.5 hours.

In 2025, I am currently working with accomplished keyboard player and Prog Rock enthusiast @Dee-Zee (Dave Zeitlin), to create an Ethno-Prog album 'Beyond the Veiled Horizon'. 

https://soundcloud.com/mrbouzouki/sets/beyond-the-veiled-horizon-series

So when I recently re-heard the old collaboration I wondered if Dave's keyboard wizardry could add a whole new dimension to the lyrics. The message in the lyrics has perhaps has even more urgency in 2025. 

The Doomsday Clock currently stands at 89 seconds to midnight. 
https://thebulletin.org/doomsday-clock/2025-statement/

Using Clive's harmonic rhythm that inspired the melody, that inspired the lyrics, I basically gave Dave a blank slate to see what he could come up with as parts. As usual he delivered some amazing ideas and playing and this left me re-assembling this Redux version of the collaboration. Once again, I made use of the Alto vocal talents of 'Mrs Bouzouki' in a vocal harmony section and as part of some harmony stacks. Towards the end, the additional female backing lines are from the Soundiron 'Voices of Gaia' collection featuring the vocal talents of Linda Strawberry.

I feel the addition of a church organ really added to the track. As a result I removed a choir part I added in the original collaboration and added some low strings to add some weight to the bottom end in places. Besides piano, Dave also added some synth pads to keep things interesting during what is quite a long track. I hope that people can hear why I enjoy working with Dee Zee. I think he's done a fantastic job with this track.

I decided to keep my original vocal takes from 2018 but I feel the track has benefited from my improved mixing and production techniques. 

I feel that once again this track is a great example of how music can be created using the SoundCloud platform. A collaboration can build on a collaboration to create something bigger than the sum of the parts. Thanks @clive-hawkins for being the catalyst for this and @dee-zee for your compositional skill and playing. 

As a follow-up to this song you can watch this movie on the Internet Archive, produced in 1969 about the Hiroshima-Nagasaki bombs of 1945. Some of the imagery is not for the faint-hearted.

archive.org/details/hiroshimanagasakiaugust1945
=======================================================
Lyrics

After The Bomb - P Goodrich 22/01/2018

One World, One Tribe
One Fate, One Life
Two Sides, Too Late
Just What Have We Done

Dead Streets, Dead Lives
Dead Seas, Dark Skies
We've Gone, Too Far
Ohhhh We've Lost It All

(C)
And The People Cried As One
With The Firing Of A Gun
Too Late For Second Thoughts
Too Late For All Of Us

No Race, No Faith,
No News, No Lies
Past Ways, Past Lives
They're Over and Done

Dark Days, Dark Times
Dark Deeds, Dark Minds
No Hope, All Gone
We've Nowhere To Run

C)
And The People Cried As One
With The Firing Of The Gun
Too Late For Second Thoughts
Too Late For All Of Us

(organ instrumental)

No Rest, No Sleep
No Love, Just Hate
Dull Hearts, Dead Minds
The Future It’s Gone

One World, One Tribe
One Fate, One Life
Two Sides, Too Late
Oh What Have We Done

(C)
And The People Cried As One
With The Firing Of The Gun
Too Late For Second Thoughts
Too Late For All Of Us

One World, One Tribe
(Ad Lib)
We’ve Nowhere To Run
(Final Whispered) After The Bomb ... After The Bomb

After The Bomb - Redux 2025 (89 Seconds To Midnight)

Dream dancer

Hi everyone~

We decided to try our hand at remixing something for noxpox's open collaboration here: https://soundcloud.com/noxpox20/noxpox-padang in honour of noxpox's 20th page. (noxpox is already onto page 21 though! @noxpox21)

The original sounded surreal and haunting, so we went along the same lines.

DAWs used: lmms and Garageband for iOS

lmms sound credits:
Bell for arps by Surreal Music (SurrealMusic)
HOME Arp by Surreal Music (SurrealMusic)
Calcite by Hans Jinneman (maximumharp)
Blue Eyes by Hans Jinneman (maximumharp)
LegendArp by Ṁ€|_ØĐ€Ṁ₪Ň (Bhavs)
Astronaut Pluck4 FreeBoy But free! by Daniel (weatherman06)
Rhodes Space Dreamy by Lamosa (troser12troser28)
Legendary Lead [Monstro] by ektod (Ektod)

Original by noxpox @noxpox20
Remix by Masha Solo @masha-solo and Rob Ulysses @rob-ulysses

Update: It's remixable according to Creative Commons, and noxpox has given me permission for this file to be downloadable, so feel free to grab it to listen to or to remix. Thanks, noxpox!

Collabs and Remixes

noxpox - padang (Archmage Band Remix)

noxpox - Padang (Archmage Band Remix)

Interim Breathing

Another snippet from Caligo Paean, darker in tone to evoke the power Of Caligo, who wasn't just in charge of mist but ruled the domain of chaos. 

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Caligo Paean 3  (The Abyss Calls)

Nebraska.

PATIENCE?

A collection of songs, instrumentals and orchestral pieces charting my adventures in home studio recording and production.  All original compositions using voice, acoustic and electric guitar (sometimes using altered tunings), bouzouki, low and high whistles and MIDI instrumentation. 

I'm also using VST instrumentation to create classical compositions and integrating orchestral sounds into my songs and instrumentals.

Links to various instrumental projects and other Social Media links are available below.

The current collaborative YouTube channel with Dee Zee is here:-

https://www.youtube.com/@DeeZeeandMrB

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

After The Bomb - Redux 2025 (89 Seconds To Midnight)

MrBouzouki

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