This is amazing, my heart burst at the very first tones... thank you for making such beauty...

Time flies and its important to seize the day. My second son has a tattoo .It says  CARPE DIEM!

Tempus Fugit.WAV remix 2023

Main parts --- nylon and steel string acoustic with some electric guitar overdubs later. A kind of study, with some almost experimental electric guitar ornaments. Recovered the acoustic guitar files, fixed them up, and glued it together! A bit of unevenness in the quality means best on earphones I think.

Step into the Light

There is good and evil in each of us. We see this every day, looking inside ourselves, into our heart, into our soul, into our inner mirrors. Sometimes we see good there, but sometimes evil.  I want to dedicate this track to all the good people who gave their lives in this eternal war. In a sense, this track is a requiem for the passing World, as I knew it.

Inner Mirrors

For the defenders of Ukraine.

Written, recorded and produced by K Gennery.
All instruments played by K Gennery except the wonderful main piano's and beautiful BV's by Alise Kirtley. 
Image not my own.

Thank you Alise for being so generous with your time and talent and coming to work in my very basic home studio, with ancient gear and an ancient bloke. You helped to make the record exactly what I had imagined. It truely needed a gifted pianists touch and not my rough and heavy mitt's.
Twas a delight spending time with you. 

Heres the actual open mic performance.
https://youtu.be/CLDW8ZK1J-g

And Alise performing a cheeky little number at the very same open mic.
https://youtu.be/7PvJ6utVoC8

A few links to my fave songs from Alise and her band, The Bearing.
https://youtu.be/ixaPvRT08Is
https://youtu.be/ZE168NXoXJU
https://youtu.be/p3sm6Buu1ec


The story:
I wrote this song on my acoustic guitar and started to record it that way, but just wasn't getting the vibe as I did when played live. I tried various ways to get it down with the guitar including an electric...nope, nothing happening.
So I  then thought maybe it wants to be a piano song but my wooden, plonkey key skills were not up to the task. About this time I was thinking possibly the song was not that good. Maybe I was feeling the emotion from the lyrics and not the melody. So I decided to play it at the next open mic, along with two other new songs and I asked the audience to pick which to record next. They all said this one.  On the way to sit back down Alise, who I knew was an amazing piano player, said, "Thats a beautiful song". So, I tried my luck and replied, "I'm just not getting it down with the guitar, what the song needs is a classically trained pianist, anyone spring to mind?" Alise smiled and said, "I would love to be involved". I was tickled pink.






Lyrics:
So many of us fall, cause we all heard the call,
to bleed blue and yellow.

For this is our own home, dust will cover our bones, forever,
we'll never concede.

If I can't be found, lightening marks the ground,
 if I can't be found, lightening marks the ground,
where I once stood.

Keep or children safe, teach them of our bravery.
Death in defiance, we'll never be compliant to invasion,
cause this is our nation.

If I can't be found, lightening marks the ground,
 if I can't be found, lightening marks the ground,
where I once stood.

Where I Once Stood

I’m honoured to take part in a fifth collaboration with the amazing Torbjørn and Jimmy. A development of a Torbjørn demo, this one is a straightforward, no nonsense rocker, play it loud.

Credits:-

Torbjørn:- Musical composition, Hammond Organ, Organ, String Synth, Bass, Drums, Percussion. https://soundcloud.com/tobbenv

Jimmy:- Lyrics, Vocal composition, Vocals. https://soundcloud.com/j-rivas

Dairv:- Guitars, Production, Mix, Mastering, Cover Art.

Mean Streets (Torbjørn Vagle  - Jimmy Rivas - Dairv Dubbleyew)

I'm very pleased to get to work with Karl's music yet again as we have collaborated on many projects together. When I first heard 'Haust' (Icelandic for Autumn), I was haunted by the richness of the bowed sound and the grinding industrial textures that spoke to me about the extreme environment in Iceland (https://soundcloud.com/sesar/haust). I asked Karl if I could contribute and a few weeks later I'm proud to present our 8th collaboration.

Music, instrumentation, arrangement and production - https://soundcloud.com/sesar
Lyrics/Vocals - me
Image - Douglas Corrance

What was grey becomes black, 
That sinking feeling, 
As darkness falls, 
Dark falls.  

Dawn's late, later still, 
That sinking feeling, 
As darkness falls, 
Dark falls.  

Grey to black as darkness falls.

Darkness Falls by Sesar & Mark J Bennett

This song is for anyone who has been in a relationship with a narcissistic or toxic person. As anyone who has been in a relationship with a narcissist knows, it is incredibly painful. Years can be wasted staying stuck in the relationship triangle of frustration, self-pity or believing you can fix them. When you finally realize that the only way to move forward is to completely cut them out of your life forever you are on the first steps to freedom. Expressing the anger you feel from all the abuse and time wasted is the first step to healing. Hope this song can help you to feel it’s okay to be angry. 

Share this song with someone who needs to hear this.

Mad As Hell

Might need to turn it up a little:)
**remixed 12/23 to fix boomy guitar and adjust eq on multiple tracks:)***
All rights reserved 12/5/2022
Artwork by Robin F. Williams 

I know… if I look away
I’m better off to see…
Time in a different way
And how it should be…
The minutes move so slowly
And sow their seeds…
Morning takes away the darkness
Eventually…

And if…I don’t miss the chance
To take it all in inside
Before walls come crumbling down
And we run and hide…
The hours show so little mercy 
Don’t you see
That we’re given what we need
Eventually…

The hours show so little mercy 
Don’t you see
That we’re given what we need
Eventually…

Eventually

shizoku

The Illusions Of Light And Silence

Solar Noon

Safari Club

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio. (Image of the cheeky little unit under my name)


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound


Podcast:  interview and 3 song performance
www.secretsymphonies.com/2006650/11710158

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
Epiphone EJ 200 acoustic guitar
Martin performance acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

Where I Once Stood

Mr Cagey

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