Just to see you

A little rock song about a fighter pilot - on one last flight.
Written by: TG March/April 2022
Cover art: World War II Research from the US Center for Naval Analysis
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Featuring: The Gatsbys
A HUGE thank you to Dirk Taubenheim for agreeing to work on this song. 

Mix 1: May 16, 2022
Thanks to Rene and Jeff for feedback on the first mix. Always appreciate that. 

Mix 2: May 26, 2022
Thanks again to Eddie Ciletti for the mix tips!

Technical Details
Recorded at Princeton Studio

Tim's Guitars
Rhythm1: Gibson ES 335
Lead1: Les Paul Standard

Dirk’s guitars
Rhythm and lead: Epiphone EJ 200
Rhythm: Rickenbacker 360
Bass: Rocktile (Rickenbacker copy)

Mics: 
Neumann TLM 67 main vocals
Rode M3 background vocals and acoustic guitars
Drums: arranged by TG
Software: Pro Tools
Vocals: TG
Backing vocals: DT

Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape. 
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Just to see you

Lyrics
Verse 1
One last flight
I think I’ll check my vital signs
Before I strap in for the ride
And in my mind
You’re the fear I cannot hide
When I’m flying across the sky

Refrain 1
Just to see you, Again
Just to see you, Again

Verse 2
Enemy lines
I think I’ll drop my last goodbye
and find my way back to you
I can’t un-see 
All the things you made me be
I’m coming home back to you

Refrain 2
Just to see you, Again
Just to see you, Again

Outro
One last flight
One last flight
And I’ll see you, AGAIN
Just to see you, Again
Just to see you, Again
One last flight, Again
Just to see you, AGAIN
Just to see you, AGAIN

Just to see you (ft. The Gatsbys)

For the defenders of Ukraine.

Written, recorded and produced by K Gennery.
All instruments played by K Gennery except the wonderful main piano's and beautiful BV's by Alise Kirtley. 
Image not my own.

Thank you Alise for being so generous with your time and talent and coming to work in my very basic home studio, with ancient gear and an ancient bloke. You helped to make the record exactly what I had imagined. It truely needed a gifted pianists touch and not my rough and heavy mitt's.
Twas a delight spending time with you. 

Heres the actual open mic performance.
https://youtu.be/CLDW8ZK1J-g

And Alise performing a cheeky little number at the very same open mic.
https://youtu.be/7PvJ6utVoC8

A few links to my fave songs from Alise and her band, The Bearing.
https://youtu.be/ixaPvRT08Is
https://youtu.be/ZE168NXoXJU
https://youtu.be/p3sm6Buu1ec
https://youtu.be/Sr7zzooy-kc?si=EGzPLxoCGzhuu6mp

The story:
I wrote this song on my acoustic guitar and started to record it that way, but just wasn't getting the vibe as I did when played live. I tried various ways to get it down with the guitar including an electric...nope, nothing happening.
So I  then thought maybe it wants to be a piano song but my wooden, plonkey key skills were not up to the task. About this time I was thinking possibly the song was not that good. Maybe I was feeling the emotion from the lyrics and not the melody. So I decided to play it at the next open mic, along with two other new songs and I asked the audience to pick which to record next. They all said this one.  On the way to sit back down Alise, who I knew was an amazing piano player, said, "Thats a beautiful song". So, I tried my luck and replied, "I'm just not getting it down with the guitar, what the song needs is a classically trained pianist, anyone spring to mind?" Alise smiled and said, "I would love to be involved". I was tickled pink.






Lyrics:
So many of us fall, cause we all heard the call,
to bleed blue and yellow.

For this is our own home, dust will cover our bones, forever,
we'll never concede.

If I can't be found, lightening marks the ground,
 if I can't be found, lightening marks the ground,
where I once stood.

Keep or children safe, teach them of our bravery.
Death in defiance, we'll never be compliant to invasion,
cause this is our nation.

If I can't be found, lightening marks the ground,
 if I can't be found, lightening marks the ground,
where I once stood.

Where I Once Stood

A feel-good tune driven by rhythms that are vibrant and lyrics and harmonies that paint a message of hope for us to fill in the ellipsis of life, the "dot-dot-dot" that is our moments of anticipatory optimism and choice.  Life Can Be... so... (choose life's descriptors for yourself, don't let others define you).

Available for free D/L at https://www.terrywigmore.com/wigmore-allen-gibbons
Track 4 of the album Done So Many - 10 years of Wigmore Allen Gibbons

* note- the last note is a Keith plinking of the 24th fret high E 

Life Can Be 

Life can be… Life can be so… 
The further back that we look, the further forward we see 
A huge yearning for good, we got the capacity 
The fine line that we tread between silk and the twine 
A springboard into wine… 

Life can be…(a bit of a trial) 
Life can be… 
Life can be…(a bit of a trial) 
Life can be… 

We’re visitors to this time and space We’re only passing through… 
Inspire…least you expire 
Lion or gazelle you gotta keep your eyes open 
Call up the prophet and see what he thinks: 

Life can be…(a bit of a trial) 
Life can be…(beaten by your smile) 
Life can be…(a bit of a trial) 
Life can be…(beaten by your smile) 
Life can be so...so...so....so-oh.... ( beaten by your smile) 
Life can be…(a bit of a trial) 
Life can be…(beaten by your smile) 

Life Can Be... 
So...
Beautiful 

Wigmore: music, chorus vocals, lyrics, production 
Allen: guitars, bass, lead and backing vocals, additional lyrics,

Life Can Be...

Linia życia / lifeline

RAHU RULER SHIP 4 AQUARIUS | Music by REKHA IYERN [Fe] - Guitar Fly Mix | Music - Virtual & Live Hardware Synths, Drum Programming & Live Electric Guitars | Electro Space ROCK

Music Composed & Produced, Recorded & Performed, Mixed & Mastered by REKHA - IYERN [Fe] RECORDS in CANADA

Cover Art - Photo & Graphics by REKHA - IYERN [Fe]

RAHU RULER SHIP 4 AQUARIUS By REKHA IYERN [Fe] - Guitar Fly Mix M1

Trailokya

RAHU RULER SHIP 4 AQUARIUS - GUITAR FLY MIX

RAHU RULER SHIP 4 AQUARIUS | Music by REKHA IYERN [Fe] - Guitar Fly Mix | Electro Space ROCK

Higher In Padstow

This is a ghost story...

I’m waiting, just outside the garden wall
I’m standing where our vows were made
Still waiting, underneath the moonless sky
As the final light of summer fades

now one by one, the streetlights glow
And this becomes a magic place
But if you don’t come home, I’ll turn to stone
Like the statues by the garden gate

Heaven, is a place I cannot reach,  
So I walk this garden faithfully
My heaven, will be the day we’ll finally be
Where the flowers grow up wild and free

And as they bloom their perfume grows
It lingers in the humid air
If I could, I’d give all I owned
If in this moment we could share

I won’t give up, I won’t give in
I’m always waiting here for you
To see your smile, to touch your skin
As seasons come and go I’m here for you
 
One day we will rise up, above this twilight garden
When at last we’re together again 
Discovering new horizons

The Twilight Garden

I do believe that this makes the 7th collaborative effort with the amazing GrevusAnjl (@grevusanjl). Justin and I have always worked together at a slow, methodical pace, allowing for things to fall into place in their own way. It's always with great pleasure that I announce a new piece of music with my good friend.

Angel And Puppet | GrevusAnjl & Belial Pelegrim

It Takes a Long Time

Ashes

Dreams of a Life

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many years.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

Where I Once Stood

Mr Cagey