I'm delving a little deeper and finding gems. Super songcraft and great performance, this really moved me Kevin. So good to get to stumble on such a beautiful song

Not surprised to hear that this about Nic, she has that effect on me too.

Wow, that distorted guitar is like a shot in the veins and the following falsetto is sublime

another great one - what a shot to the ear.

So many amazing songs in your back catalogue - the breadth of your creativity is jaw dropping - this song is particularly sublime. Thank you for all you've shared on the Cloud!

So beautifully melancholic but also so uplifting at the same time...

your music is always so incredible, the accompaniment is glorious, and your vocals are majestic, just perfectly realized music!!

This just showed up, and glad it did. Classic KG sound -- it's like a warm vinyl spinning.

You had me in the palm of your hand the whole way. Ambitous yet intimate. Quietly stirring. And your voice... damn. Thanks to whoever re-posted.

Stunningly beautiful song, Kevin... Absolutely gorgeous songwriting and performance. Always greatly admire your magnificent art - thank you for sharing it with us!

Endless Rainfall: 30 Boundless songs from the SoundCloud community

The author at work in his private study aided by the isolator.

Body

The second track I have done with The Gatsbys and it’s always a pleasure to be asked to collaborate.
Dirk sent me the instrumental and like before I was blown away by his guitar work & melody.
I contributed the lyrics and vocal melodies to this.
It was an honour that he used Nothing left to defend on his latest album Cancel the winter.
So to be asked again was always going to be a yes. 
The  Gatsbys always create that live indie band sound on final recordings  especially with Bens percussion work. 
I hope you enjoy the track as I enjoyed singing on it.
We give you The Gatsbys with Gaz Brownie….



V1
He would never catch you when you fall 
Like humptey dumptey on the nursery tale wall 
I’m that 3am person who you can always call
I’ve got your back and I do what you ask 

Bridge
Suck it up……. buttercup 
Let’s Drop a gear……. let’s disappear 
This was built on sand  like sand slips through your hands
So Suck it up……. Oh my buttercup 


V2 
I will always show up when your down on your luck 
We’re all born to  places and seldom thunderstruck 
Somewhere along the way we all lose ourselves 
We must  come back stronger to say our Fairwells 

Chorus 
Whitheat happiness 
Will take away this   heavyness
White heat happiness 
It’s a long drive to confess your happiness 


V3
Let’s move away from what we only know 
To a place where we enjoy the feeling of the afterglow 
Where every single  eye only see the now
To Rebuild again & be happy Somehow 


Bridge 
Suck it up……. buttercup 
Let’s Drop a gear……. let’s disappear 
This was built on sand  like sand slips through your hands
So Suck it up……. Oh my buttercup 


V4 
I just wanna be your whiteheat happiness
And be that warrior who takes away the sadness 
Friends with benefits can’t last forever 
So look no further for your buried treasure 

Bridge 
Suck it up……. buttercup 
Let’s drop a gear……. let’s disappear 
This was built on sand  like sand slips through your hands
So Suck it up……. buttercup 


V5 
Drive in my head im six months down line 
Time as been the healer and now you are mine
I am yours and there is another new bloodline
To be arriving in 9 months from treasure to a goldmines

Chorus 
White heat happiness 
Will take away this heavyness
White heat happiness 
It’s a long drive to confess….
Your happiness

Whiteheat Happiness - The Gatsbys with Gaz Brownie

This song reminds me of the haunted house at Disneyland where the candelabras float up and down the hallways. Here is a video made for the song. 

https://www.youtube.com/watch?v=WUJgj6MZGy4


We can’t help but run away
When cornered against our will
Flagrant fouls of innocence
Always try to ride the fence
Waiting out the calls
While you are left in haunted halls

 They battered us down
They winched us away

Hold you down for 
Counted out forever more 

 You can count on me for
that will be the time when we will 
show the world what we’ve found  
 that will be the time when we will 
show the world what we’ve found

Haunted Halls

Cast of characters:

Mistermark-- @user-432503709 -- Mark – backup organs (Wurlitzer and B3), VST steel drums, vocals, lyrics, composition, production, mix     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano voice and lead organ
Llanpsych-- @llanpsych -- Tez – Epiphone Les Paul electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Telecaster electric guitar and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass

This song began with Mark, who fleshed out the entire thing, from the rhythm section, to the organ that you hear in there, to the lyrics and vocals, before he laid it on the rest of us. We all got a chuckle from the tongue in cheek humor of the lyrics, and were excited to work on a song about an anachronistic adventure of a soulful caveman. 
  Ken was first up with his version of the the beat, finding the soul in the rhythm. Josh was next up, of course, using his "normie" bass for the his version of the line. Once the rhythm section was in place, it was JJ's turn to shine, adding his slick, soulful e. piano to the mix. 
  Now that they had a solid foundation on which to play, Stephen and Tez added their guitar magic to the mix. Stephen with the rhythm and the fills, and Tez with the ripping solo at the end. Mark also added the festive VST steel drums that you hear throughout at this point, too. Now that the music was laid down, he perfected his awesome vocals to complete it.
  It was in the can at that point, and just needed Mark to throw a pro sounding mix on it. Then, Stephen mastered it in his always expert way to finish it off.
  Mark wanted to record an old skool classic Soul song (a la Al Green), which he did, all on his own. But then, once he unleashed it onto the EC gang for their interpretation, they ran with it in a whole new, almost tropical direction, and it was decided to release 2 versions of the song, both of which you can find on Mark's page. Stephen does double duty on guitar for both versions. 
  This was a real team effort, even though it's really Mark's baby. The Eclectic Collective has many different methods of creating music. This one was a great exercise in trying to bring about Mark's vision. We hope you enjoy listening to it as much as we enjoyed creating it.
Original lyrics by mistermark:

Walking through this concrete jungle
I’m just trying to stay out of the way 
just me and ol’ Rex, my furry companion 
we been fielding funky looks all day
then somebody saw me kicking rocks with my bare toes
he said buddy have you lost your way?
then I sat right down and I started to cry
and this is what I had to say…

I’m a caveman, I can’t catch a break
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say 

Sittin’ in my man cave watching the clock crawl
there's nothing good on my tv 
my big grubby hands can’t flip thru the channels
i cant even hold a cup of tea
I was chatting on the phone making plans with a lady
a little bit of company
but my date split QUICK when I opened the door
man I wonder what’s wrong with me

I’m a caveman, I can’t catch a break now
the ladies say I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

The big city’s fine but something’s on my mind
I feel a little incomplete
I miss my old club, for rustling up some grub
and the touch of grass below my feet
I’ve been around longer than all your creation, 
like the rocks and trees and streams
I wanna get back home, where forever I’ll roam
even if it’s only in my dreams

I’m a caveman
I can’t catch a break 
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

I’m a caveman, 
must be come kinda mistake
everybody says I’m so passé 
well I’m a - a caveman
It’s too much to take
but I’m gunna get back some day

Caveman (Eclectic Collective)

We have Seen The Light

Banana #2

Rainfall

ENDLESS TIME
Written, Performed & Produced
by Andrew Borderick Copyright 2024 AB Music
YouTube Link
https://youtu.be/oR0dpoMQafI?si=DvNXSIOR5O_b81q0

V1
THIS IS YOUR LIFE, IT'S IN YOUR HAND
DON'T JUMP THE START, IT ALL ENDS FAST
V2
TO LOOK YOUR AGE, IS OUT OF STYLE
TO GO BACK IN TIME, THERE MUST BE DENIAL
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
V3
YOU CAN CHANGE YOUR LIFE, BUT NOT YOUR HANDS
THE END OF THE WORLD HAS ALREADY PAST
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
(Break)
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
(End)

2024

ENDLESS TIME

ENDLESS TIME - (see info for video link)

Loop World

FROM YOUR EYES  feat. Frank Zozky & Paploviante
Wishing all a Happy New Year 2025.💕🤠 💃🏼🥂
Backing Track Paploviante: 
https://soundcloud.com/paploviante-and-friends/gear-paploviante
Frank Zozky: provided vocals
https://www.looperman.com/acapellas/detail/23108/from-your-eyes-by-frankzozky-120bpm-house-acapella
https://soundcloud.com/frank-zozky
Lillithe: Arrangement, Remix and Production

From Your Eyes feat. Frank Zozky & Paploviante

Original music by : FPMORINSTUDIO/Francois Pierre Morin musician composer , Art photo By : Michael Noel on Pexels .

California 2025

Written and sung by George Harrison, "Something" seemed to be inspired by Harrison's wife, Pattie. When asked in 1969 by BBC presenter David Wigg if she inspired the song, Harrison dithered, saying, "Maybe Pattie, probably."

Later, he claimed he did not have anyone in mind when he wrote it. George was really into his studies of Krishna Consciousness when he wrote the song, and its original intent was as a devotion to Lord Krishna. In fact, the lyric was "something in the way HE moves," but George ended up changing it because he didn't want to be perceived as a "poof."

Harrison wrote this during a break while The Beatles were working on The White Album. It was not recorded in time for the album, so Harrison gave the song to Joe Cocker, but Cocker didn't release it until late in 1969 on his second album, Joe Cocker!, which came out about a month after The Beatles issued it on Abbey Road.
Harrison came up with the title and the first line after listening to a James Taylor song called "Something In The Way She Moves." Taylor was signed to Apple Records (The Beatles' label) at the time.

Harrison may or may not have known he was lifting the lyric, but Taylor certainly didn't mind. He told Guitar World in 2021: "I felt hugely flattered. I had played this song for George and Paul as my audition and I think it had just sort of stuck in his mind. But he didn't realize that. I think all music is reiteration. I think we just pick stuff up and use it again. I mean, there are just 12 notes."     Songfacts

Mastered Track: Distrokid Mixea

Something-George Harrison (Cover)

"Me & Gary Busey*"

Once again I've attempted a remix of a track by  the one and only  Pretzel Malone AKA Lil' Spaceman AKA Andrew Salvner @lil-spaceman. 
You can hear the original here: https://on.soundcloud.com/8YaECGx37viRdX598

*Nick Nolte was not harmed in any way, shape or form in the making of this remix. 

Andrew.Salvner : lyrics & vocals
Instrumental track : Mahan Mahan

Me & Gary Busey ~ Lil' Spaceman (Mahan💀Mahan Remix)

I make all the sounds u hear, I call this one Loretta, thanks for listenin like for like follow for follow lets get it! thank you!@ drop ur links an I follow ur other accounts also thanks.

Loretta

This Feeling Inside of Me

Someone Beside Me

words and music Kevin Gennery
image not my own
For Nic, fellow Cloudy, local buddy and an amazingly talented singer, songwriter, musician and producer. 

Such a glorious sound you make,
like feathers on my nerves so delicate,
creeping down my spine, back up once again.

Those dramatic turns unexpected twists,
if there's one thing that iv'e learnt,
it's impossible to resist,
I don't even know you, yet you make me feel like I do.

A shot in the vain of something pure, breath taking scapes,
beguiling then bewitching us all,
this is a call....to arms.

Imagery and visions set upon my mind,
it's all smoke and mirrors but leave a trail for me to find,
takes me to a place where I want to go time and time again.

Like a shot in the vain of something so pure,
breath taking scapes,
beguiling then bewitching us all,
this is a call....to arms.

mixes

call to arms

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many years.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

No reposts or follows here
And I don't check messages here

You only get a like from this page if you are on a playlist

call to arms

Mr Cagey

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