Youre always a cut above the rest. This is a beatiful song. You have the patience and warmth.

I can’t even express the beauty of this. Good god I wanna collab with you so badly one of these times. The instrumentation, the songwriting, is perfection.

“The lungs of our planet are being cut away.” Damn, I love that line.

My wife says you and I vocally sound alike… 🤔
I said “except he’s better.”

Really moving❤️ your vocal work is out of this world:)

Gorgeous, moving song, my friend. So beautiful and to the point.

words and music K Gennery


little bird, guess you have flown
over many an ocean exploring the globe

please be my eyes cause ill never see
the seven wonders of the world describe them to me
when you come back
ill be waiting for you

little bird tell me where have you been
have you circled the earth hey what have you seen

good or bad happy and sad
does it make you confused as the news does to me
when you come back
ill be waiting for you

tell me is it true what they say
that the lungs of our planet are being cut away

when you come back
ill be waiting for you
when you come back
ill be waiting for you

Little Bird

Cosmos

AVAILABLE ON ALL PLATFORMS DECEMBER 5th, 2024!

"Little Brother" is a soulful blues collaboration between Maeki Maii and Jason Langvee that explores the complexities of sibling relationships. With Jason’s emotive English vocals and Maeki's warm French rap, the song balances heartfelt reminiscence with a message of resilience and support. The rich instrumentation, featuring bluesy guitar and smooth organ, creates a warm backdrop for a powerful narrative about love, protection, and the unbreakable bond between brothers.

Little Brother

This music has be been edited and mastered from an upload several years ago that needed new light shined upon it.  I hope you enjoy.

Someone Time Forgot (remastered)

Watch the video on Youtube:
http://www.youtube.com/@DerensixTwilightElegies
https://youtu.be/rL7RVGg4DJc

Shadows of the Forgotten

The Earth Love

Smiling Grass

Texte et voix La Gazelle https://soundcloud.com/amandine-esno
Musique par HyLGZ22

Le soleil dans les interstices parcourt ma peau encore chaude de tous mes rêves inachevés
je brave le sol froid sous mes pieds j’ouvre les rideaux sur mes possibles
ciel bleu et haut, mer sombre lointaine
c’est dans cette étendue que j’avance
tout m’appelle je frissonne à l’odeur salée de cet océan aux pins mêlés.

Je suis sorcière dans ma longue robe noire
ma langue murmure sans que je m’en aperçoive
d’antiques psaumes et des sortilèges habiles
mes mains pleines de charme caressent l’avenir
la certitude me tient debout la tête haute

Nous sommes des embarcations
lancées sur un océan agité
Certains devront sortir les rames
d'autres juste gonfler la voile

Les beaux senaus avantagés par leurs mats, leur robustesse
Et les esquifs plus modestes plus discrets
Seront par le vent ballottés
Sans cesse trouver son chemin et apprendre alors
Les tempêtes essuyées nous indiquent le nord

Les bateaux se croisent parfois se heurtent
Mains décharnées aux gouvernails meneurs

Je veux baisser les voiles
Jeter au loin rames et amarres
Desserrer les poings
me laisser amadouer
Bercée par nos langages adoués

Ne plus subir les courants
Laisser venir depuis la grève
Le flot et le jusant
Entre deux retenues deux courants je m'apaise

Mes pieds avancent dans les clapotis
je ne ressens pas les vagues
je les passe comme d’anciens habits
et ma robe se met à flotter autour de moi
de mes mains je salue les ondes les plus lointaines

J’appartiens à ce sable sous mes pieds à ces eaux qui m’appellent
à la terre toute entière c’est elle qui me dompte et m’apprivoise
c’est à elle que je me livre
je veux communier pour ceux qui luttent
je veux remercier pour ceux qui brûlent
je veux être nature et légère

Gothic Futuristic Oratorio #2

Hey… thanks for dropping by. Years ago, I mentioned to a 30 something co-worker: At this point, I’ve already lived 2 of your lives so far. I was old then, older now, and at times I reflect back on ‘where I came from’ in the essence of my younger days. I have gone through some profound changes since then realizing the necessity of doing so. A childhood friend recently visited me. He went back to my old stomping grounds and told everyone: Mark’s really mellowed out. It was true. I suspect a lot of us have had these ‘crossroads’ moments. Granted, I am still rather rough around the edges. Hahaha. The ghosts (bad memories) of my past are often reminders, letting me know how it was back then. In a timeless sense, I don’t want to go back to that old life. This song is a louder, grumpier companion to: This Crow, Don’t Ya Know. It reveals the struggle to get to that place where… all of a sudden I found myself ‘under the trees’ with the crows. Hope you like it…. Mark

Ghosts & Bad Memories

This amazing photo was made by a friend of mine, you can find more of Pawel's photography on Instagram : www.instagram.com/pawel_pawlowski?…ZDNlZDc0MzIxNw==

Collateral Effect

Crossroads

!-almost-home

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many decades.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

Little Bird

Mr Cagey

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