Written by - Pete 
Vocals - Guitar - Bass - Pete 
Drums - Paul

Paul's Stuff

Gone

words and music K. Gennery
For Lauren.

one step at a time moves you a little closer
to the white winning line not so far for you to go now

were willing you on to break the tape
smash the record experience the roar of the crowd
enjoy the occasion embrace the adulation

whether a babies crawl or a giants stride
 doesnt matter which you take
when the destinations happiness
make sure you get there in the end

i could feel it as we talked see it in those beautiful blue eyes
you have so much to give all to live for
no more suffering raise your own family
go travel the world
this dedication is a celebration of life
this dedication is a celebration of life

One step at a time

one step at a time

Closing

Used to originally call this one Anamorphosis
Track off of my upcoming metal instrumental album, "III"
Heliacal Enigma was written, arranged and recorded by Louis Taverna
All rights reserved © 2024

Anamorphosis

Heliacal Enigma

The Land of Frowns

I told the man he'd have to go
You are not welcome here you know
You do not speak as others do
Our people are afraid of you

So would you help a man when he's really down
and lost within this land of frowns

Land of Frowns

So I wrapped myself in things I'd found
and laid myself out on the ground
and the devil comes in many ways
he came to me that day

Far away I was a young man

Oh, my home, I had to go

I'm a stranger in this foreign town
Stranger in this land of frowns
Oh, land of frowns

So I told the man he'd have to go
You are not welcome here you know

Land of frowns......

The Land Of Frowns

She's Not Here (with Vocals)

Funk meets the Middle Ages

E Tumaini, orgulhoso de ser pai, tomou a filha nos braços, e deu-lhe um nome, e a abençoou:

Vê, os homens passam, falham as vontades.
Vê as mãos cansadas, porque nunca alcançam.
Mas tenho esperança que um deus bondoso te encha de alegria,
te dê o seu consolo, luz e fantasia.
E neste chão, onde o maligno vem espalhar maldade,
vais ver crescer o joio, vais sentir saudade.
Mas tenho esperança que um deus bondoso te abra um caminho,
te traga o seu amor, para nunca estares sozinha,
para seres feliz...

And Tumaini, proud to be a father, took his daughter in his arms, gave her a name, and blessed her:

See, men pass by, the wills fail.
See the tired hands, because they never achieve.
But I hope that a kind God will fill you with joy,
give you his consolation, light and fantasy.
And on this ground, where the evil one comes to spread evil,
you will see the weeds grow, you will feel the longing.
But I hope that a kind God will clear a path for you,
bring you his love, so that you'll never be alone,
so that you'll be happy...

Tenho Esperança

A 20 minute medley of some of the better bits & pieces from 20 of my solo recordings, all from about 20 years ago (between 2000-2004)

A pretty wide variety of styles - jazz, funk, ambient, classical, world, worldbeat, experimental, alternative, industrial, reggae, electronica, latin, pop, game show music, more. Some unorthodox explorations here... have at it.

0:00 - I, Spy
0:55 - Variations
2:10 - Belle Curves Blues
3:24 - Saxofunk (a)
4:14 - Game Show (b1 - interlude)
4:55 - Game Show (b2 - main theme)
5:35 - Lives of our Days
6:04 - Aulde Europe
6:38 - Multi2dinal
7:56 - Sitar & Santur
9:06 - Last Days of November
11:10 - Industrial Mustard
11:57 - House In Da Jungle
12:45 - Casio Adani
13:26 - Funky Junk
14:49 - Jazzy Ditty
15:44 - Tiger Raga
16:53 - Latin Loop 2
17:59 - Latin Kinda Thang
19:29 - Pennywise (c)
20:50 - Harp of My Dreams (reprise)

(image is a mosaic of mostly self portraits using a scanner)

Mark's Album

Mark Music Medley (part 1: 2000-2004)

Fantasea Con El Recuerdo

When, everything screams

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many years.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

one step at a time

Mr Cagey