words and music K Gennery

For my darling wife who, at the best of times, does a difficult job within our National Health Service. Throw in the covid madness and that very same job becomes almost impossible.

Lyrics:
I don't know how you do the job you do,
the responsibility of seeing it through.
Pressure from all sides,
looking out for the welfare of buildings and lives.

If I were to spend one day in your shoes,
(shoebie doobies, ooh shoebie doobies)
by mid afternoon Im sure I would have blown my fuse.
(Bang, Bang, Pop, Pop, BOOM!)
There'll be blood and guts everywhere,
as I explode and take them all out.

Ooh, ooh, ooh, ooh,Take them all out.

There'll be blood and guts everywhere,
as I explode and take them all out.

This songs to say Im so very proud of you,
and to confirm the fact I never want to borrow your shoes.
Cause I don't wanna do any time,
reflecting on my crime, of taking them out.

Ooh, ooh, ooh, ooh,
Take them all out
(gotta get away, gotta get away)

Take them all out

take em all out

Nothing to Say at All

C&F  Fa$t B1ack Prod By   Chameleon

Cast of Characters:

Jeff Roberts-- @jeff_roberts – bass, seed idea
TexMex Shaman– @texmex-shaman –Stephen– guitar solo, rhythm guitar, arrangement , production, mix, and mastering
Mistermark – @user-432503709 – Mark – production, editing, synth bass in the break section
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synthesizer
Llanpsych-- @llanpsych -- Tez – guitar solo
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, lyrics and lead vocals in the bridge section 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – rhythm guitar, lap steel, vocals and lyrics for the verses, vocal harmony in the bridge
Composition – The Eclectic Collective

 This song began with a bass part that Jeff came up with and shared with Stephen, who had added some fiery guitar and foundational rhythm guitar to it. However, it languished on his digital shelf for many months as two parts, until he recently remembered that he had it. So, he decided to share it with the rest of the group. We were salivating, all of us, when we heard Jeff's bass line, so we began with Ken laying in the groovy drums and the tight, driving percussion, which propels the entire song. Once we had a beat, we decided to edit the part to include the break you hear about a minute into it. Mark took on that task, and deftly added the bass in that section, too. 
  I was up next, and decided to add a rhythm guitar inspired by Talking Heads. Once I had done that, I started hearing a simple, catchy melody in the main verse part, too, so I came up with some simple lyrics and recorded the vocals for that. At the same time this was happening, Ken also came up with some lyrics and a vocal melody for the breakdown part, which he added. After Ken had added his vocals, I added a harmony part on them. I also added the lap slide melody you hear in that section, as well. 
  JJ was next up to bat, laying in the breathtaking organ throughout. He also backdropped a canvas of synthesizer throughout and put in some electric piano too. Tez came along not long after and added the ripping guitar solo in the jam section. Once everyone had added their parts, it was up to Stephen to produce, mix, and master it. He arranged and added some length to it, then mixed it in his usual expert manner.
  This is the first song the Eclectic Collective has done with Jeff, though Stephen has worked with him in the past, and we were all fans of his music, and thus very excited for the chance to make music with him. Hopefully, this will be the first of many.
  We all hope you enjoy listening to this as much as we enjoyed making it. If you comment, please share, too. 

Original lyrics by Josh Clary:
The trees talk to each other
They send messages through the breeze
There's magic all around us
If we look for it, we can see
 
Original lyrics by K2 and the Three:
Hey, how you feeling about love and lust
Hey how you dealing with all the lies you trust
We're here to be clear
Not a walk in the dark

A simple woweluja
Simple halleluja

Wowlelujah (Eclectic Collective with Jeff Roberts)

Ik Laat Je Gaan

Ik hoor bij jou
Jij hoort bij mij
Dat spookt in mijn gedachten
Ik voel je hier
Heel dicht bij mij
Ik wil eeuwig op je wachten
Maar ik weet
Ik moet je laten gaan
Mijn wensen, mijn toekomstplannen
De liefde zal blijven voortbestaan
Dat kunnen wij toch niet verbannen

Ja ik weet
Ik moet je laten gaan
Mijn wensen, mijn toekomstplannen
De liefde zal blijven voortbestaan
Dat kunnen wij toch niet verbannen

Maar k denk aan jou
Denk jij aan mij?
Ik laat je gaan
Ik ben klaar met wachten
Jij bent niet hier
Ik ben niet bij jou
Het zijn maar mijn gedachten
Ja ik weet
Ik moet je laten gaan
Mijn wensen en mijn dromen
Mijn visies en mijn plannen
Het zal er vast wel nooit van komen

Maar ik hoor bij jou
Jij hoort bij mij
Dat spookt in mijn gedachten
Ik voel je hier
Heel dicht bij mij
Kijk mij nu maar jou smachten
Maar ik laat jou gaan

Composed & produced by Mirjam Keijnemans

Ik Laat Je Gaan

Quality Acoustic guitar borrowed off a freind, and vocals. 
About long days of work in the fields. 

Got to keep going.

How Very Plucky Of You

A new composition
Lyrics:

In the silence of the night, I've laid my heart bare,
Words like whispers drifting, tangled in the air.
I spoke of the shadows, the weight of a smile,
Trying to lift the darkness, if just for a while.

I’ve seen the faces, their eyes locked tight,
Chasing the phantoms of a flickering light.
Lost in the chatter, of voices all wrong,
Searching for truth in a deafening song.

But the last song is playing, and it’s bittersweet,
A melody fading, beneath restless feet.
Where do we wander when the lights start to fade?
In this masquerade, has hope ever stayed?

 Lost in the shuffle, as we dance in the dark,
Clinging to echoes, but where’s the spark?
This world is a canvas smeared with despair,
Maybe the colors were never quite there.

So, what will be left when we roll up the scroll?
A tale of a wanderer, lost in the control.
I question the fabric of this strange design,
Is it fate or just folly that draws us the line?
                                               
So, I sing one last time, in the still of the night,
As the curtain is falling, I hold on to the light.
We fight for a place where the heart can be free,
In this aching reflection, it's just you and me.
Mastered Track: Distrokid Mixea
Music and Lyrics by Len Bennati FM Folk 2025

The Last Song is Playing

A cozy acoustic mashup of two favorites — “Ache for You” by Ben Lee and “Beautiful Like Words” by Elijah Wyman.

Iphone Voice Memo 06: Ache For You/Beautiful Like Words (Ben Lee/Elijah Wyman Cover)

Start of the War

Buy by Apple Music

Transfiguraciones En Sol Mayor

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many years.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

take em all out

Mr Cagey