Working for a label has many advantages, but also disadvantages.
As a DJ, it's a kind of promotion and marketing,
which, even after 30 years, somehow still keeps you
in the now flooded market.

It is a constant battle to keep the label economically stable in this shrinking market, like tilting at windmills.
No sooner has a solution been found to one problem than the next one is on the table

But the best thing about this work is:
You can fulfil a dream for young artists.
The dream of publishing their music, accompanying them over the years and helping them to 
slowly grow with their music and maybe even find a place in our music circus.

There was nothing better than handing an artist their first record or CD  and seeing the joy in his eyes. 
Today, unfortunately, it's just a colourful picture (cover) or a place on a digital compilation, 
but the joy has perhaps remained the same.

I have never met most of the artists I have helped to build up over the last few decades in person,
They either live in another country or have given up the fight in this merciless music industry.
But I am always happy when I see one or the other name at some party in this world

But when you meet an artist at a party after years or decades of working together,
it's a completely different feeling.
Especially when you see the joy in his eyes when he plays his music in front of an audience 
and the whole thing works. 
You realise that your work is now done and you can continue to accompany him on his journey.
But now he has to fight the battle in our music circus on his own.

A few months ago, I had the opportunity to spend a lovely weekend with Orisma and Serenity Flux 
and play a party with them.
You can listen to the result here.
Have fun with it!
B.

DjBim - SerenityFlux (Live)- Orisma (Live) - And Then There Were Three

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DjBim - SerenityFlux (Live)- Orisma (Live) - And Then There Were Three

Drukverdeler & DJ Bim