Reggae

Abcd

hangin

June

Ganjah

andralamusia 21

slow

Shaggy - Out Of Many, One Music (2013)

Produced by: Sly & Robbie

Shaggy - Money & Friends

All of Me

All Of Me

Buy Sex, Love & Reggae

Gyptian - One More Time ft. Melanie Fiona

"HI-FIVE" from the forthcoming release 'Burn Your Fire For No Witness', out Feb. 18 2014, on CD/ LP/ Digital on Jagjaguwar. 

Pre-Order Burn Your Fire For No Witness at: 
iTunes: http://smarturl.it/angelolsen_itunes 
Amazon: http://smarturl.it/angelolsen_amazon
Jagjaguwar mailorder: http://smarturl.it/angelolsen
Indie / your local record store: http://smarturl.it/angelolsen_indies

Burn Your Fire For No Witness

Hi-Five

Angel Olsen - HI-FIVE

I love fat freddys drop and i love this song! so i couldnt help but remix after listening to it today.

Its a bit of a simple remix but i hope you enjoy.

Fat Freddy's Drop - Ernie (Rawree Remix)

Had a good time with this one, hope ya'll like it!

Follow Ariana & The Rose: https://soundcloud.com/arianaandtherose

<3



Buy on iTunes

Ariana & The Rose - In Your Bed (Oliver Nelson Remix)

TIRZAH - NO ROMANCE 

Taken from the No Romance EP, out now via Greco-Roman.

Get the No Romance EP here: http://smarturl.it/NoRomanceiTunes

Get the I'm Not Dancing EP here: http://smarturl.it/ImNotDancingiTunes
Get the Vinyl here: http://bit.ly/1eoORNK

Follow: 
https://www.facebook.com/Greco.Roman 
https://twitter.com/GrecoRomanMusic 
http://instagram.com/grecoromansoundsystem

www.greco-roman.co.uk


Tirzah - No Romance

http://smarturl.it/TTitsalbumtime

Bryan Ferry sings and plays Suzuki Omnichord and ES4 piano
Oliver Thompson plays guitar
Cherisse Ofuso-Osei plays drums
Hanne Hukkelberg sings too

TODD TERJE - Johnny And Mary (feat Bryan Ferry)

Crooked Colours - In Your Bones 
Available through Sweat It Out Music.
https://itunes.apple.com/au/album/in-your-bones-ep-single/id867294906

Facebook | https://www.facebook.com/CrookedColours
Twitter | https://twitter.com/crooked_colours
Instagram | @crookedcolours
Youtube | https://www.youtube.com/crookedcolours
Soundcloud | https://soundcloud.com/crookedcolours

In Your Bones

Brand new instrumental 'Bohannon Dub'. Hails from the lab of DJ Fitchie who, unbeknown to the bros, hit record while they were jamming in the lead up to a recording session. The title is inspired by Daniel Best's Berlin soulclub 'Bohannon' that he named in honour of American disco stomp musician, bandleader and producer, Hamilton Bohannon. Check the video 'Jetlag Does Venice, Bohannon Dub' on <www.fatfreddysdrop.tv>





Blackbird

Bohannon

Jarmin In The Dark (Single)

Follow Young Monks

Young Monks - Jarmin In The Dark

Goldenbeirut - New sounds from Lebanon (streetdate 30.08.2011)
 These 12 songs on this compilation look at the Arab World through a new pair of glasses: Beirut’s underground. The CD focuses on a young generation that is tired of war, fed up with politics, sick of religious madness, and angry about Euro-American exoticism. It is keeping itself alive with electro beats, raw aggressive hip hop or in-your-face indie rock. Together these musicians show a new picture of this war- shaken city and region and show a different Beirut.
“The Israelis just bombed our city,” one musician joked in 2006, ”because Beirut was suddenly cooler and hipper than Tel Aviv”. With lots of irony and black humour, Beirutis often try to neglect the fact that the city still is full of problems, conflicts and contradictions. The Beirut alternative music circuit does not get the same media attention the commercial pan-Arabic satellite-TV Pop-Industry does, but is closely linked to the civil society networks that are of great importance in 

Mashrou' Leila - Raksit Layla

August 26

Twitter: @PostMalone
Instagram: @PostMalone
Facebook: PostMaloneOfficial
Youtube: PostMalone

PostMalone.com

Lonely... feat. Jaden Smith & Teo (Prod. by FKi & Post Malone)

DJ Esco - 100it Racks Feat Drake, 2 Chainz, Future [Prod By DJ Esco & Southside]

Vura ft Sjava & Saudi

Def Jam Presents: Direct Deposit

Big Amount (feat. Drake)

another lil rant created with help from the man J Dilla ♡
enjoy xxx


instrumental: J Dilla - Life

we used to(freestyle)

Olli Harding: Guitar
Jack Stanley: Vocals, guitar
Dylan Trick: Vocals, guitar, synth
Isaac Thompson: Bass guitar
Clay Dooker: Drums

Mixed by Dylan Trick with a little help from his friends

Album art drawn by Ashlee Germyn. (Idea borrowed from SETH GLOBEPAINTER)

This album is made out of love for all the people that surround us. The people we have grown up with, made music with, surfed with, laughed, and cried with. We hope this album makes you think of home and all the experiences we have shared together. 
Thankyou for being who you are and keep being just that because we all need ya.

I'm Sold

Night Catcher

Lyrics:

A who them a program
Who them a young girl have them eye pon
A who them a program
Who informer sit down and a spy pon
A who dem a program
Who Mr. Babylon have them eye pon
Who dem a Program
Who informer sit down and a spy pon

Is a brand new prince pon the scene
Jah a move with me two foot prints that I mean
See him when u see him, general fi the team
This ya reign ya coming draw fi you gabardine
Them a look and a watch like live stream
And mi skunk purple like  Ribena mean
Them a dream like arlene
Bout king them  boy deh a queen like Carlene
No bother tell me say me cant
5 6 7 8 drop in a me path
Eeeeey warrior in a me heart
Philosophic in a mind
A deliver you art

We naa watch no face make it do what it do
From the first time when nomads a puupookopuu
Cause dem nuh want see  u in the coupe a go thru
Dem will call Babylon and state trooper fi you
Den then come with them warrant
Kick off door a run in a you  apartment wooii
But the fire ago scawling  oh when dem falling
Caa say we never warn them wooii
Eeeeey....But dem power couldn't real
Try all dem want and dem couldn't crack the seal
Eeeeey...Who nun hear dem ago feel
A Selassie a mi shield
So them couldn't stop the meal

Watch the sprinter
Man a run marathon
Madda Dan one a don riddim wah me drop it pon
Rapapaam dem nuh badda Dan Papa San
Beet root carrot haffi  pack Ina the caravan
Travel plan,  see u moving with a paragon
Confident no confuse it with no arrogance
Rasta man no confuse this with no Barack and Farrakhan
Shashamane a weh we have da land
Eeeeey fi mi words dem naa go mute
I see what they do and that really never suit me
Eeeey dem nuh  even know the root
Africa fi Africans I deliver u the truth


Who Dem A Program

@twofeetmusic
fb.com/twofeetmusic
twitter.com/twofeetmusic

Spotify/ iTunes/ Apple

Twisted

09 - Bunny Wailer - Another Dance

CHROMATICS / KILL FOR LOVE (Single)

Asmara All Stars - Eritrea’s Got Soul (OH 016)

Streetdates: JP 08.10.2010 / UK 11.10.2010 / Europe 15.10.2010 / USA 26.10.2010

The Album is one of the first manifestations of the diversity of Eritrean music styles since the country seemed to vanish from the world’s radar in the early 70s

The Album highlights the role of Eritrean musicians in the creation of the now famous Ethio-Jazz

Released by: OUT HERE REC 
Release/catalogue number: OH016 
Release date: Oct 11, 2010 

Asmara All Stars - Adunia

FREE MP3

Rihanna - You Da One (Jr Blender Reggae Remix)

A reggae cover of "Set Fire to the Rain" - collaboration between Stick Figure and Josh Heinrichs.  Music by Stick Figure. Vocals by Josh Heinrichs

http://www.stickfigure.com
https://www.facebook.com/stickfiguremusic
http://www.twitter.com/StickFigureDub
http://www.soundcloud.com/stickfigure
https://www.instagram.com/stickfiguremusic

Set Fire to Rain (Josh Heinrichs) - Produced by Stick Figure

Bassekou Kouyate & Ngoni ba return with a new single, new album and live dates

Mali's ngoni ace returns. After his celebrated debut album Segu Blue and the Grammy nominated follow up I speak fula, hundreds of concerts all over the globe, an appearance headlining the AfroCubism project and, just a few months ago, stunning appearances at the latest Africa Express events performing with Sir Paul McCartney, Damon Albarn and many others, Bassekou Kouyate is back with his new album.

Jama ko means 'a big gathering of people'.  It is the first song to be released from the forthcoming album of the same title. It is a call for unity, peace and tolerance in a time of crisis: no matter who you are, let us come together and enjoy life, and celebrate the true spirit of Mali.

“Jama ko, c’est pour tout le monde”, says Bassekou Kouyate, the celebrated ngoni player, explaining the title of his third album, “There are over 90% Muslims in Mali, but our form of Islam here has nothing to do with a radical form of Sharia: that is not our culture. We have been singing praise songs for the Prophet for hundreds of years. If the Islamists stop people music making they will rip the heart out of Mali.”

The recording of Jama ko took place in March 2012 in Mali's capital Bamako. It was recorded with an entirely new line-up including Bassekou's two sons Madou and Moustafa Kouyate, ngoni ace Abou Sissoko and a number of other young talented musicians from Bamako. It became political by accident. In the afternoon of the first day in the studio the military overthrew the president Amadou Toumani Toure (ATT).  It was a shock for Bassekou as the former president was a great supporter of his music. Somewhere between power cuts, fuel shortages and the uncertainty of daily curfews the recording went on. Meanwhile the situation in the north of Mali was getting worse and worse by the day. In the studio a musical answer started taking shape: Instead of keeping quiet Bassekou plugged in his wah wah pedal, cranked up his amp and let loose: Ne me fatigue pas: don't wear me out. You can hear the heartbeat of Malian music pulsing in this music.

Kasse Mady Diabate is featured on the Latin-flavoured Sinaly singing about Sinaly Diarra, a Bamana king famous for resisting forced Islamisation in the 19th century. Kele Magni is a duet between Amy Sacko and Khaira Arby from Timbuktu, calling for peace in Mali. Zoumana Tereta praises the cotton farmers of Mali in Mali Koori with a voice that takes you back into the time of the great Bambara warriors. Jama ko also features an incredible duet between Bassekou and Taj Mahal (vocals / electric guitar) and ends with the touching song Moustafa by Bassekou’s son Moustafa dedicated to his parents thanking them for all they have done for him.

Howard Bilerman (Arcade Fire, Hotel 2 Tango) recorded the album in Mali and ended up mixing and co-producing most of it back home in Montreal. Andrew Barr (Barr Brothers) and Max Weissenfeldt (Poets of Rhythm) added drums. Mocky Salole (Feist, Jamie Lidell) contributed to the production and played organ and drums.

Jama ko digital single out now 19 November 2012
Jama ko album out in the UK on 28 January 2013
Live in the UK: 26 January 2013 - Barbican, London + 27 January - Glasgow Royal Concert Hall as part of Celtic Connections (Sahara Soul triple bill with Tamikrest and Sidi Touré)


Watch preview video:
http://youtu.be/lfU4rxQL4Dw


Jama Ko
SoundCloud: http://soundcloud.com/outhererecords/bassekou-kouyate-ngoni-ba-jama
YouTube: http://youtu.be/lfU4rxQL4Dw

Bassekou Kouyate online:
Facebook: http://www.facebook.com/bassekoukouyate
Twitter: @Bassekou http://twitter.com/Bassekou
MySpace: http://www.myspace.com/bassekoukouyate

Out Here Records online:
http://www.outhere.de
http://www.outhere.de/jamako

Bassekou Kouyate & Ngoni Ba - Jama ko (Single - Song for Peace)

Bruno Mars - Locked Out Of Heaven (Major Lazer Remix)

25 Nights For Nujabes.

A beat a night for 25 nights in dedication to Seba Jun.

Night 1. A simple lullaby.

Enjoy.

Night 1

Taken from RKX019 “New Mastersounds Re:Mixed”

The New Mastersounds - Your Love Is Mine feat. Corinne Bailey Rae (Nostalgia 77 rmx)

Rokia Traoré – Beautiful Africa (releasedate: D/A: April 9th)

“I really like rock,” says Rokia Traoré about her new album Beautiful Africa, “and it was because of rock that I wanted to play music, but I didn’t want to make rock and roll in the Western tradition … I wanted something that’s rock and roll but still Malian and still me.”

When she was growing up, an older brother used to play her Dire Straits and Pink Floyd. “It wasn’t all I listened to—I discovered jazz and blues with my dad, and Malian and other African music, and French chanson, but it was rock music that made me want to learn guitar.”

There are three guitarists on the album, John Parish, Stefano Pilia and Traoré herself, but though the record is constructed around rock riffs and sturdy bass work, it still has a distinctively West African feel, thanks to the genius of Mamah Diabaté on the n’goni, the ancient, harsh-edged African lute. It’s an instrument that Traoré has used in compositions throughout her career, and she argues, “I’ve used n’goni in classical music projects, and it goes with blues, or jazz, or rock and roll. It’s a great instrument!”

Traoré’s changes of musical direction usually start with “a sound that I imagine…a sound inside my head.” She didn’t want to imitate what other people had done “because I need to do what I imagine—that’s the reason I’m making music.” But she needed someone to help her create the sound that she imagined, and eventually decided on John Parish, the writer, guitarist, and producer who has worked with Tracy Chapman, Eels, and PJ Harvey. During the recordings “he just asked me to listen to things and make my choice.” The collaboration worked. “This is what I wanted to make. it’s even more than I imagined.”

The past year has been a quite extraordinarily productive period for Traoré. The Barbican invited her to wirte three wildly different new sets of music: the acoustic Damou (Dream), the often bluesy Donguili (Sing), and the rock- influenced Donke (Dance), in which she set out to show “three different aspects of Malian culture and my own personality.” She has toured Britain lately on the Africa Express train, collaborating with Damon Albarn as well as Paul McCartney and John Paul Jones, who joined her backing band for the London finale. And she has continued acting as well, with British and European performances in Toni Morrison and Peter Sellars’ much-praised theatrical/musical re-working of the Shakespearian story of Desdemona, for which she wrote the music.

The songs on Beautiful Africa are in the West African language of Bambara, as well as French and occasional bursts of English, and the often personal lyrics are concerned with Traoré’s thoughts on her own life, and on her tragically battered homeland. The album’s title track, built around the sturdiest rock riff on the album, is very much a love song to “battered, wounded Africa,” and reflects Traoré’s despair and fury at what has happened to her country. “The flood of my tears is in full spate, ardent is my pain,” she sings, while arguing that, “Conflict is no solution…Lord, give us wisdom, give us foresight.” Other songs on the album include the thoughtful ballad “Sarama,” a praise song to Malian women, partly sung in English, and the personal “Mélancolie,” a surprisingly upbeat song about loneliness and sadness that has already become a radio hit in France. Traoré says that she was lonely as a child, partly because her father was a diplomat and constantly on the move. Another, more upbeat song, “Sikey,” is also autobiographical, looking back at the criticism she received when she first set out to become a professional musician, after all, she was not a griot, from a family of traditional musicians, but the daughter of a diplomat. And although she had no musical training, she gave up her studies in Brussels to return to Mali to create a new form of music, in which her songs would be backed by her acoustic guitar, along with n’goni and the xylophone-like balaba balafon, two instruments not normally played together in Africa.

Traoré, Parish and Stefano Pilia play guitars on the album, with Nicolai Munch- Hansen on bass, percussion from Sebastian Rochford (Polar Bear), ‘human beatbox’ effects from Jason Singh, and n’goni playing and backing vocals by fellow Malian musicians Fatim Kouyaté and Bintou Soumounou, both members of the Foundation Passerelle that Traoré established in Bamako, the Malian capital, to help her fellow Malians prepare for careers in music and sustain the growth of Mali’s rich musical culture.

It is difficult to think of anyone else who can switch from ancient Malian culture to acting and then to African rock and roll. She will be touring Europe in May and June presenting her album Beautiful Africa during a run of summer festivals, including Glastonbury and Roskilde.

Rokia Traoré - Beautiful Africa

Fat Freddy's Drop - Hope (Hope For A Generation Version)

Fat Freddy's Drop - Cay's Crays

Bunny Wailer - Cool Runnings

BEATS AND COVER - MRDRBEATS@RO.RU
{
MY OTHER PROJECT:
$$$ #GHOSTMONEY $$$ VK.COM/GHOSTMONEYSHOP
•
NEW SAFE COOL MESSENGER & MORE
GHOSTMONEYNETWORK.TUMBLR.COM
•
BO$$ & BIMO PRODUCTION FOR WEED
 }

Fat Freddy's Drop - Cay's Crays

MŪЯDĒR B3VT$ | 殺人 ビート

MŪЯDĒR B3VT$ | 殺人ビート