 Beat Mixed by - (Dub Side Dan) Song - Mixed and mastered by S.H.B.

Building Up

The Effect. 


ladies and gentlemen, I hope we entertain you.



Mr. Songs Like Dual Cards

each song: Deals Damage 

critical stages: beware 

                   LiterateMinds 
                   -EST-2024-
** The REAL Bars No Hooks**
💥💥💥💥💥💥💥💥💥💥💥💥💥
Stay Up! On Guard! But still be a good    Human being! ❤️🔥👌💯
💥💥💥💥💥💥💥💥💥💥💥💥💥
RAGE+LOVE 💯✔️ YIN/YANG
- Bars No Hooks
Founder & C.E.O.
➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖

Bars No Hooks is a Canadian rapper known for his R-rated lyrics, energetic flow and lyrical prowess.  SoundCloud is where he shares his music and engages with fans. His style is reminiscent of the 90s to late 2000s hip-hop, blending old-school vibes with contemporary sound

Bars No Hooks, whose real name is not widely known, has been making waves in the Canadian hip-hop scene. His music often features intricate wordplay and storytelling, setting him apart from many of his contemporaries. He has released singles gaining traction.

His lyrics often touch on personal experiences, social issues, and the challenges of the music industry. Fans appreciate his authenticity and the raw emotion he brings to his tracks.


      
S.N.C
2012 🌹♥️

I make art and beat hmu if you want to work on something 

Email: uprisingtee@gmail.com￼

Linktree https://linktr.ee/upriaijg

I'm a recovered addict, I'm a felon, was homeless!🏡 lost everything!😱 been thru hell and back!👹 but now I'm sober,👍 got my kids back,🥹 and everyday I'm on here promoting my page and making music!🔥🔥🔥🔥so this is Me (ipJonny)  like! comment, follow! more music is coming!!  

links below for tiktok, YouTube, Facebook, instagram, Spotify and every other major music platform! 
                

I'm 𝑫𝑼𝑩 𝑺𝑰𝑫𝑬 𝑫𝑨𝑵 you can check my music out on all these sites. https://open.spotify.com/artist/5wedZannnrrMCesdrVprLE?si=KbV3UUYlQg-DfOq6pwiaeA&utm_source=copy-link. .Im an underground rap artists from Cleveland Ohio you can check out my music on Spotify Apple iTunes. Listen to DUB SIDE DAN (Greatest hits)⭐ Mix 🔥, a playlist by Dub Side Dan on #SoundCloud
https://on.soundcloud.com/wQJWn

Music producer from the UK.

Main genres are Future Bass, Deep/Slap/Bass House and Future Pop.

Looking for people who want a remix or to collab!

Youtube https://www.youtube.com/channel/UC8CHrerONe4M7D3guYbXNWA



Instagram mrtothemax9

gmail jww8245@gmail.com 

website mrsmusic.godaddysites.com

Twitter https://twitter.com/JoshuaW07748866

https://linktr.ee/MRtothemax

Singer/songwriter 
Meticulous

https://www.facebook.com/profile.php?id=100075747641908&mibextid=LQQJ4d

https://www.tiktok.com/@ananymus_kelly?_t=8qpF5rzmT0Y&_r=1

https://x.com/ananymus_kelly?s=21&t=B20CGZ6eMPM0iYEvmBb9HA

https://www.instagram.com/ananymus_kelly/profilecard/?igsh=MTBhcnY1aXVhajV0cQ==

https://open.spotify.com/artist/7FvMMKBiT1VazVFR9xXMrs?si=-Co79-TjT4O99fUtf2m8Dg

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”