Wild background sounds, and a controlled manic vocal in the foreground. The vocal is a lyric/speech about the difficult business of being mad..

I finally bought a new classical guitar :)

The tightrope walker

Sinusoid

collaboration with Noxpox,Vox Jaya.Check out noxpox (page 12) on #SoundCloud
https://on.soundcloud.com/hQNUK

Punkys Drop Out-Noxpox

“This is about appreciating the beauty of our world - a Pop/Rock anthem as a reminder to live in each moment and to enjoy life with those you love” 

“WORLD IS A REASON”

Fireworks against the moonlight
A bonfire at midnight
Sing with friends to our favourite songs 
Dancing like a wolf again and I don’t care
I’m ecstatic here
Letting the stars join us there and you said “you better kiss me here” 

The world is a reason to live
The world is a reason 

Does it get better than this? 
How did I forget this bliss? 
Open my eyes this world has a perfect face 
So much time to shape  
I’m in the moment, all in right now here with you
Where else would I want to be?
What else would I ever want to do? 

© Heart House Records 2024

Written, performed, recorded, produced and mixed by Heart House Records
Mastered by DOLBY

WORLD IS A REASON

"Repetición y diferencia" (encargo ArtHaus)

(Eva García Fernández -2022-)
para flauta, clarinete bajo, saxo alto, piano, guitarra eléctrica, violín, cello, vibráfono y batería.

Concierto – La unión hace la fuerza – ArtHaus (17 de diciembre 2023)


Ensamble ArtHaus
Flauta: Amalia Pérez
Clarinete bajo: Federico Landaburu
Piano: Marcelo Balat
Guitarra Eléctrica: Pablo Boltshauser
Violín: Grace Medina
Cello: Clement Silly
Vibráfono y batería: Bruno Lo Bianco
Dirección: Pablo Druker

Repetición y diferencia es una obra que surge a partir de cuestionamientos en torno al ser y la identidad, tanto en el ámbito personal como en el estético o artístico. La identidad no es fija, sino dinámica, se construye a través de la experiencia de la diferencia y la repetición, es esta experiencia la que nos permite relacionamos con el tiempo, con la historia y con el otro. En esta línea, es una obra que dialoga con Gilles Deleuze, Bernhard Lang y obras anteriores de la compositora. La obra es, en sí misma, un acto de repetición y diferencia.

En la obra, esta dialéctica constante entre diferencia y repetición, se expresa en diversos niveles. Por un lado hay repeticiones de determinadas configuraciones, que si bien aparentan ser “exactas”, son repeticiones “puro disfraz”, ya que a la hora de sonar y transcurrir en el tiempo, producen diferencias infinitesimales, estas diferencias se producen en el interior de la repetición.  Por otro lado, hay elementos sonoros que se repiten a lo largo de la obra, diferenciados por su relación en el contexto temporal y material, creando una repetición diferida que reactualiza el presente. De igual manera, hay algunos momentos de articulación formal en donde se escuchan diferencias cualitativas, es decir, en donde los elementos se reconfiguran y se subvierten las estructuras repetitivas preexistentes.

Repetición y diferencia

Repetición y diferencia - para ensamble - (2022)

Told you

motion without spirit

The original :
https://soundcloud.com/sonic_kitchen/keep-luck-alive

Sonic Kitchen KEEP LUCK ALIVE noxpox Take Two Rmx

A Sip 1.1

LOOPDIGGERS SUNDAY ROULETTE N°147

Much like the pain experienced when you finally give into that desperately needed sleep, or the extreme nausea when you force feed your self to allay the end of the world, cigarettes hurt me as they help me. They bring about the chemical knowledge that my unfettered schizophrenia will soon ebb, giving way to a somewhat more reasonable self. But, do I deserve such a reprieve? Can my lungs hack the pain? Have I traded any of my soul against it? I usually battle for a good while before giving in, snatching at the pack, invariable breaking the first one, or lighting the filter. But, now with slightly blurred vision, I can resume the regularly scheduled mental battery I subject myself to. I’ve always believed that when it got too bad, I would end the game, but with this level of hallucination, I wonder, would I scare my self out of it, and just lay, arched in pain, and scream until I stroke? Sometimes I long to be one of those clumsy, brutish, twelve-pack boys - self confident to a flaw, beating thier way through life with nary a care. Men completely unaware that just within reach is another world, one of over education, over analyzation, deep contemplation and well, debilitating panic. But a meathead I’m not. No, when I abuse the people around me it's cleverly disguised in a cloud of self righteous indignation, as if those other than myself are just too stupid to see why I’m right. Such attacks are engineered on the fly, with veteran accuracy, impenetrable logic, and lies manufactured with a certainty that only a mad man could conjure - because mad, I’ve come to realize, is what I am. stark, raving, mad. But, with what elegance I display my facade. A gleaming image of a genius, kept back by the injustices of the world, the idiocy of my comrades and the sole knowledge of the perfect way. Control freak? Ego maniac? Perhaps, but with out a doubt, I’m always right. Yes, one more cigarette and I’ll be on top of the world again, razor sharp senses dulled to a slight grin, and eventually, if I make it there, a few beers might knock me out. But first I’ll have to crawl around on my hands and knees looking for the burning toast smell, and what is that fucking sound, anyway?

UNGLUED CONFESSIONS (LOOPDIGGERS SUNDAY ROULETTE N°147)

Jumping Korn

LoopDiggers - Weekly and specialty challenges.
TSPC - Freeform flips. Almost no rules.
Reach out to join either group.
Want to remix, rework, sing on, rap over or otherwise mutate my tunes? Let me know.

UNGLUED CONFESSIONS (LOOPDIGGERS SUNDAY ROULETTE N°147)

mreguest

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