Rayko feat. Elena Hikari - Flying where you are LP

Power class

Rayko feat. Elena Hikari - Miss U [K-Effect Master]

So Easy feat. Elena Hikari  [K-Effect Master]

Suddenly feat. Elena Hikari (Cosmic Diamond Guitar Mix) [K-Effect Master]

After the Cave (Rayko Cosmic Rebirth 2021 Mix)

Flying where you are feat. Elena Hikari [K-Effect Master]

Back to Nature

Retrospective Collection

Harlequin - The Beauty And The Beast (Eric Prydz Re-edit)

Full Body Workout (Vol. 9)

Lovework (DJ T. Remix)

Available to stream & buy: https://KompaktRecords.lnk.to/PentagramSD

It’s been over 10 years since the release of Gui Boratto’s breakthrough full length debut 'Chromophobia'. As to what its title suggests, he shook up the techno game with a contrast of lushly coloured minimal grooves and melody, whilst many will recall that the album included the highlight single “Beautiful Life” which became a dance floor anthem for that era. Four albums in and countless EPs and remixes under his belt, the Brazilian producer's unique savoir-faire in carving out a functional album out of diversely routed singles and features is back at it on his fifth studio LP, 'Pentagram'. Here Gui Boratto lays down a nuanced 12-track narrative that reinvigorates his signature sound into a refreshingly different perspective that feels all too familiar – including the return of “Beautiful Life” vocalist (and Gui Boratto’s wife) Luciana Villanova on the single "Overload".

Through his signature kaleidoscopic approach, Boratto delivers an album built as a far-reaching hub-and-spoke system, broadly inclusive as can be. From the opening cut, 'The Walker' - hot on the trail of Tears For Fears 'Elemental' (one of Boratto’s "favourite 80's bands") - to the hi-NRG euphoria of 'Forgotten' and its pounding tech alter ego 'Forgive Me'. "I was going into 2 different directions", Boratto says; "the typical “indie- electronic-rock” Boratto kind of production like “It’s Majik” or “Like You” and a much more techno approach." He goes on, "I decided to split them into two twin sister songs. When I play live I always put these two songs together."

The Brazilian Producer further embraces the pop-friendly essence of his past work on tracks like 'The Phoenix', featuring vocalist Nathan Berger, and 'Overload', both melding acidulous synthlines with laser-precise breaks, vox hooks and drops calibrated for extended radio and club use, although sieved through his distinctive rainbow-hued musical prism. For the symbolists out there, the album's pared-down closer '618' duration accidentally happens to equate the proportions of the said pentagram. "Coincidence?" Boratto questions, and capsulises, "not so ufanista and supporter of Brazilian neo-concretism, but I guess the brazilian sculptor Lygia Clark also inspired me a lot. Not the meaning of her sculptures, but the shape of the hinge of most of her work. I’ve wanted to transmit the scientific pentagram’s point of view. It’s not a religious kind of thing."

Whereas 'Spur' (a field-tested 808 and 909-heavy "purist track", "very, very old school" Boratto insists) and 'Alcazar' are sheer smooth-edged four-to- the-floor epics, the album also shares its lot of startling moments, such as with the John Barry'esque 'Scene 2' (with a hint of Amon Tobin, 'Easy Muffin' style, throw in) and its refined string-laden buildup, 100% fitted for a 007 opening credit sequence; or with 'Hallucination' (feat B.T.) and the further James Holden-ish title-track 'Pentagram' (think 'The Idiots Are Winning'); "one of those exercises I did when I got my Buchla modular synth" Boratto analyses, "I think I’ve used more then 30 different snares, with different delays and reverbs. The whole song is alive". And so is 'Pentagram' in its entirety: alive and definitely just as manifold and hopeful as its architectonics are the stuff of science and dreams all at once.

Gui Boratto - Overload Feat Luciana Villanova

https://getphysicalmusic.lnk.to/GPM573

Man Power and SIS remix M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman 

Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now classic original. 

Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats before unleashing loose, clattering breakbeats after a striking, extended breakdown. 

SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect groove. 

Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky, chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever. 

M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are also released on Get Physical 12”. 

@m-a-n-d-y
@booka-shade
@manpower-1
@djsis
@ robag_fm

O Superman

O Superman (Remaster)

M.A.N.D.Y. Vs Booka Shade Feat. Laurie Anderson - O Superman (Original Remaster) Snippet

DJ/Remix bookings: 
rayko.boogie@gmail.com
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Based in the beautiful and vibrant city of Madrid, Spanish DJ and Producer Extraordinaire - Rayko has been a leading light in the clubbing scene around Europe and beyond, since he founded his magnificent Rare Wiri label in 2008 where he has released some of the coolest names out there during all these years like Daniele Baldelli, Man Parrish, Gazeebo, Ilija Rudman, Ichisan, Spirit Catcher, Mushrooms Project, or Eric Duncan among many others

His very unique sound and personality, and incredible work ethic, coupled with  unstoppable creative genius have given Rayko the momentum and consistency to stack up a number of great achievements in his genres, although being such a humble and down to earth guy, he will tell you that he just loves what he does and is perpetually inspired to keep on doing it! 

Deeply rooted in the golden era of the ‘70s and ‘80s, Rayko’s influences are masterfully interpreted and transformed into modern day dancefloor bombs with great vision. His love affair with the evolution of synthesizers and vintage drum machines has gone on to heavily fuel his sound today, in addition to sonic desires of 80s Rock evident in his catalogue, that displays such exquisite musical versatility. 

Rayko is very proud to have featured on over fifty great vinyl releases, spread across labels such as Eskimo, Is it Balearic?, Whisky Disco, Lumberjacks in Hell, and Editorial, including two studio albums on Nang Recordings, in addition to over two hundred digital releases. Many of these titles have been repeatedly featured in Top 10 sales charts, with some releases making it to the coveted number one position on platforms like Juno Download, Beatport, and Traxsource. His talents as a remixer have been in constant high demand, with invitations from coveted Artists like Psychemagik, Sirs, In Flagranti, Roberto Rodriguez, or Dj Rocca, to name a few, calling upon his exceptional skills.

In his capacity as DJ, Rayko is much loved wherever he goes. He has toured extensively, having played in some of the best clubs and festivals all over the world,  from London, Berlin, San Diego, Ibiza, Paris, Milan, San Francisco, Tulum, Barcelona, Manchester, Los Angeles, Medellin, Cairo, Miami, Istanbul, Moscow, Tokyo, Mexico City, Liverpool, Oslo, Rio de Janeiro, Bali, to Lebanon and beyond, he continues to show love to his huge following, who are collectively responsible for  his incredible global streaming numbers of over six million plays on Spotify, Soundcloud and YouTube.

As his fantastic catalogue continues to expand through the years, Rayko has become one of the most loved names in modern Disco.