PREORDER Burn Bridges Burn Pies TODAY and get your name in the liner notes! http://www.ohbree.com/vinyl/bbbp

“Start off with something depressing and sinister, then juxtapose it with something silly as fuck.” According to frontman and songwriter Andrew Scott, this has been 8-piece indie-pop band OhBree’s mission statement since day one.

This May, OhBree will be releasing their third full length record, Burn Bridges, Burn Pies - An album that they feel has connected the worlds of their previous releases. The troupe's first album, We Miss You Edward, Come Home, was a bizarre pit-orchestra-influenced spiral of 17 songs that manifested in a lighthearted theatrical headtrip, while the second LP, Death By Broomstick, took a much darker spin on the band’s pop sensibilities. Soon after Death By Broomstick, OhBree release their extremely well received EP called Feed Me Poison that Consequence of Sound described as, “A four-song odyssey into a world of weirdo guitar riffs and off-kilter piano arrangements.”

“Burn Bridges Burn Pies is the record that brings our message together,” says Andrew. “The themes remain dark, but we bring back the Monty Python/Dr. Seussian absurdity of our first record.” The album kicks off with a supervillain facet on songs like “Spine” and “Tiny Tethers” - it finds haunting and heavy dread through “Square Boxes, Square Thoughts” and “Motivation for a Dying Man” - and taps into the group’s surreal form of silliness with the tunes “Skeleton Ave” and “Which Doctor, Witch Doctor?”

Burn Bridges, Burn Pies will be released digitally and on beautiful blue vinyl records featuring the art of Debbie Fong on May 19th 2018. OhBree is Andrew Scott (vocals/keys), Adam Laub (drums), Bob Iacono (trumpet), Tyler Mack (trombone/guitar), Lucas Kozinski (guitar), Kyle Press (saxophone), Michael Aherne (bass), Connor Przybyszewski (trombone).

We are a pop-culture tribe, all friends and family. Some of us have known each other and played together always, eventually expanding from videogames and action figures to instruments. Others have joined our ranks later on when given the opportunity. Almost all of us are from the southern suburbs of Stockholm, Sweden, which is evident to some extent in the way we do things and the songs and stories we write. For instance we're DIY to the point of obnoxiousness, and we've come to accept the dichotomy of inside/outside Gemeinschaft and Gesellschaft as our favorite subject.
In other words: We're punk as fuck.

We're also the creative core of Bandar-log W.A.F, our extended tribe and circle of continuous collaborators. As this group we've initiated "The Roaring Project", an attempt at a long-running, epic story told through various pop-culture media, with the band's songs as centerpieces to a vast and imaginative original storyline targeted at an audience longing for immersive high quality material. In other words: We're not a band.

The Roaring is what we wan't to do, a story we want to tell in forms we want to create. It is as much about us and our will to purvey it to you, as it is about the world and how we perceive it. The Roaring is a story that is as relentless and determined as it is bold and loud - and you will hear it.


Born in Stockholm, Martin Stahl grew up relocating at the pace of his parents professional careers. This lifestyle allowed him to develop his two greatest passions: his taste for travel and his love for his guitar that today still follows him everywhere. The Swede boasts an ability to combine the two and create sounds that resonate beyond borders.

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