Progressive Minimal Techno

TR060 ---------------///////////////////

Dj Usif - Black Hole

Track01: Dj Usif - Black Hole [Original Mix]
Track02: Dj Usif - Black Hole [Radio Edit]

Genre:
PROGRESSIVE HOUSE, MELODIC TECHNO

Black Hole

Beatport

TR060. Dj Usif - Black hole

USIF - ANTS NEXT GEN 2025

Duncan F - ANTS NEXT GEN 2025

Kardano - ANTS NEXT GEN 2025

1. 0:00-04:3     Sippin Novak
2. 04:30-09:06 Sayea, Raffa Guido
3. 09:06-13:03  Sueltate Randonne, Dean Walker & SAINTF
4. 13:03-15:56  All Night HUGEL, Divolly &Markward
5. 15:56-20:30 Hotter (Extended Mix) Shermanology & Green Velvet
6. 20:30-25:08 Go Deeper IDRID, Una Rams
7. 25:08-28:30 Evil Eye (Edit) The Deepshakerz, Simon Kidzoo
8. 28:30-33:40 Sideways Gordo, Drake 
9. 33:40-36:27 Ay Papi Dean Walker, Maahez
10. 36:27-41:10 Champion Rampa, Sparrow & Barbossa
11. 41:10-43:51 Taking Over Me  Vanvever, Djerem, The Blondine
12. 43:51-46:31 Fire Fire  Shimza, AR/CO & Kasango
13. 46:31-49:20 Que Rico (Extended) Vanever
14. 49:10-52:26 Your Body (Radio Edit) Aaron Sevilla,Mijangos, Tom Novy
15. 52:26-57:21: Like Dat (Ape Drums Remix) MAAURA & Davidave
16. 57:21-01:01:39 Rhythm Is a Dancer (Radio Edit) Kidzoo

Summer Party 2025

"Mina Nomhlaba"

[Chorus]
Mina nomhlaba ngicela umusa.
Umhlaba nami sicela ukukhanya.
Mina nomhlaba sicela inkululeko.
Mina nomhlaba sicela ukuthula.
Mina nomhlaba sicela ukuthula.

[Verse]
Yebo, yebo. 
Imizimba enyakazayo, 
izinyawo ezidansayo, 
i-Ultramel ne-ultra-sleek loafer
Lokho kungumbuso weZikhothane.

[Chorus]
Mina nomhlaba ngicela umusa.
Umhlaba nami sicela ukukhanya.
Mina nomhlaba sicela inkululeko.
Mina nomhlaba sicela ukuthula.
Mina nomhlaba sicela ukuthula.
Mina nomhlaba sicela ukuthula.

-------------------------------

"The World and I"

[Chorus]
I and the world ask for mercy.
The world and I ask for light.
I and the world ask for freedom.
I and the world ask for peace.
I and the world ask for peace.

[Verse]
Yes, yes.
Moving bodies,
Dancing feet,
Ultramel and ultra-sleek loafers
That is the kingdom of Zikhothane.

[Chorus]
I and the world ask for mercy.
The world and I ask for light.
I and the world ask for freedom.
I and the world ask for peace.
I and the world ask for peace.
I and the world ask for peace.

Lead vocal ... Zinhle Dlamini
Vocal ... Sipho Dlamini
Trumpet ... Volker Meier
All saxophones ... Duggi Meier
All keyboards ... Birgit Lauer
Additional percussion ... Simone Lauer
Everything else ... Petra Joy, Lesedi, Jah Bozo

"Respect, love and admiration to Mum and Dad for their contributions to this track."
- Lesedi D

Produced and curated by Lesedi Dlamini, Petra Joy Fischer & Jah Bozo

Banthu Beliciniso • Geschwätz GmbH - "Mina Nomhlaba" (Mix 1 in 4)

This track is an experiment in musical perception. Apart from the opening and the last seconds of the Outro, the entire track is EXACTLY THE SAME as the original mix (https://soundcloud.com/geschwaetz-gmbh/bb-gg-mina-nomhlaba). However, the purpose of the first 38 seconds is to "train you" to hear the track in 3 beats per bar, rather than 4. After which you will probably not be able to shift your perception to hearing it in 4 beats per bar without the excertion of an excessive deal of attention and willpower. Unless, of course, you start the track randomly after the 38 second mark, in which case your perception of it being in either 3 or 4 could go either way, entirely depending on how you read the musical cues and signposts at that random point at which you started. Once you are hearing it in 4 again, it's difficult to shift your perception to 3 (and visa versa) without restarting the track from the beginning and "re-training" your ear/mind/internal pulse. Isn't it a funny ol' world...?

Do you hear these 2 tracks as 2 completely rhythmically different pieces? 

Or are we all just completely mad? 

Please let us know in the comments as these kind of things keep us up at night... B-) 

Personally, I see these 2 tracks as an analog to the human condition and our ongoing sociatal and political dilemma: individuals' perception of anything (among these: The Facts) is largely driven by how they are fundamentally "pre-set" in their understanding of reality/facts/the world/norms/ideologies. Once you are pre-set, even though there's clearly more than one way to view something, it is no small task to break out of that pre-set bias. 

I could imagine that in a room full of listeners, arguments could break out about who's perception is "correct", and more or less "woke", and whose perception dominates and holds sway over the rest of the group; while those in the opposite camps think the others mad, unserious, liars and subversives, then bloody-mindedly, derisively accuse them of suffering from Rhythm Derangement Syndrome; while a 3rd group knows that both aspects are legitament and worth considering, while wondering what's wrong with all of the others in that they must insist at being at odds with one another. 

People are so weird...

The lyrics and translation are in the description box of the original track in 4: https://soundcloud.com/geschwaetz-gmbh/bb-gg-mina-nomhlaba 

Thanks for your attention.

Now forget all of this.

Lead vocal ... Zinhle Dlamini
Vocal ... Sipho Dlamini
Trumpet ... Volker Meier
All saxophones ... Duggi Meier
All keyboards ... Birgit Lauer
Additional percussion ... Simone Lauer
Everything else ... Petra Joy, Lesedi, Jah Bozo

"Respect, love and admiration to Mum and Dad for their contributions to this track."
- Lesedi D

Produced and curated by Lesedi Dlamini, Petra Joy Fischer & Jah Bozo

Banthu Beliciniso • Geschwätz GmbH - "Mina Nomhlaba (Mix 2 in a rickerty 3)"

"This song, like much of township life in South Africa, is about fashion, culture, music and dance. Our culture is a vibrant mix of diverse traditions, with music, dance, and especially fashion playing a crucial role in the expression of identity and heritage. South African fashion culture blends traditional, contemporary, and streetwear styles, being heavily influenced by the country's diverse cultural heritage. It's a space where traditional attire like shweshwe fabric and Ndebele prints coexist with modern interpretations (MaXhosa by Laduma, Thebe Magugu, Urban Zulu), streetwear trends (Wanda Lephoto, TSHEPO, Broke Wear) and foreign brands (Adidas, Patagonia, LaCoste, Nudie Jeans). This unique blend reflects the country's history, identity, and the interactions between different cultures." 
- Lesedi

Since being introduced to the Amapiano style by their South African collaborator, Lesedi Dlamini, Peter, Petra Joy and Jah Bozo have completely fallen in love with this new genre and have been collectively producing a bunch of tracks for your personal auditory amusement enhancement. We hope you enjoy our voyage through this (at least for some of us European contributors) relatively unexplored territory. But re-invention is the spice of life, so Let's GO!

Lots of love from the crew!

"Imfashini, Isiko, Umculo Nomdanso"

Imfashini, isiko, umculo nomdanso
Imfashini, isiko, umculo nomdanso
Imfashini, isiko, umculo nomdanso

Kuhlanganiswe lwemfashini,
Kuhlanganiswe uthando lwesiko,
Kuhlanganiswe uthando lomculo nomdanso
Ngokuphelele isitayela laso

Imfashini, isiko, umculo nomdanso
Imfashini, isiko, umculo nomdanso
Imfashini, isiko, umculo nomdanso
Imfashini, isiko, umculo nomdanso

Kuhlanganiswe uthando lomculo nomdanso
Ngokuphelele isitayela laso
Imfashini, isiko, umculo nomdanso
Ngokuphelele isitayela laso
Kuhlanganiswe uthando lomculo nomdanso

----------------------------------------------

"Fashion, Culture, Music and Dance"

Fashion, culture, music and dance
Fashion, culture, music and dance
Fashion, culture, music and dance

Combined with fashion,
Combined with love for culture,
Combined with love for music and dance
Totally its own style

Fashion, culture, music and dance
Fashion, culture, music and dance
Fashion, culture, music and dance
Fashion, culture, music and dance

Combined with love for music and dance
Totally its own style
Fashion, culture, music and dance
Totally its own style
Combined with love for music and dance

Produced and curated by Lesedi Dlamini, Petra Joy Fischer, Peter Kuhn & Jah Bozo

Banthu Beliciniso • Geschwätz GmbH - "Imfashini, Isiko, Umculo Nomdanso"

"Unajua Unavyopiga" (You Know How You "Hit" [make an impact/impression])

[Chorus]
Unajua unavyopiga
Piga, piga
Unajua unavyotembea (tembea)
Tembea, tembea (tembea)

[Verse 1]
Ninafika kama nyota (oh ndio)
Watu wanashangaa (nani?)
Muziki unaosikia (ucheze)
Moyo wangu unapiga (twende)
Kuingia na mdundo (uh huh)
Nimefika kwa mtindo (ndio)
Muziki unatusogeza (ngoma)
Nionyeshe upendo, jamani!

[Chorus]
Unajua unavyopiga
Piga, piga
Unajua unavyotembea (tembea)
Tembea, tembea (tembea)

[Verse 2]
Karibu hakuna chumba (hapana hapana)
Kila mtu anatetemeka (twende)
Kutazama harakati (hisi mtetemo)
Ni wakati wa kupiga
Mwanamke anapuliza (oh ndio)
Sauti yake ina nguvu (wacha iangaze)
Kikundi chetu kinawaka moto (tuko moto)
Kila wakati wanaipiga, ni moto (hisi moto)

[Chorus]
Unajua unavyopiga
Piga, piga
Unajua unavyotembea (tembea)
Tembea, tembea

[Bridge]
Mashabiki wanasherehekea (wacha tusherehekee)
Hakuna wakati wa kukaa (twende)
Sisi ni nguvu pamoja (pamoja tunainuka)
Kila hatua ni kauli (tamko)

[Repeat Chorus X 3]
Unajua unavyopiga
Piga, piga
Unajua unavyotembea
Tembea, tembea

[Outro]
Unavyotembea
Wooowoooh...
Unavyopiga (tuko moto)

Unavyotembea
Wooowoooh...
Unavyopiga (hisi moto)

Unavyotembea
Wooowoooh...
Unajua unavyopiga (Ni wakati! Twende!)

Unajua unavyotembea
Wooowoooh... 
Unajua unavyopiga (hisi moto)

Produced and curated by Lesedi Dlamini, Petra Joy Fischer & Jah Bozo
Lyrics by Lesedi Dlamini & Jah Bozo
Mastering by Jah Bozo

Bantfu Beliciniso • Geschwätz GmbH - "Unajua Unavyopiga"

@gmafiarecords @gmafiarepost @gmafiaremix @gmafiamixes
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Free Download

Excentrique Rhythms - See You At The Disco (Original Mix) [G-MAFIA RECORDS]

With uplifting house as his heartbeat, USIF transforms
every show into a journey. His freestyle approach
means no two sets are ever the same – every mix, every
drop, and every groove is a surprise that sparks pure
energy.
On stage, USIF lives in the music. He’s not just behind
the decks – he’s with the crowd, feeling every beat and
feeding off the dance floor’s energy. His goal is simple:
to make people feel alive, to create those moments
where strangers become one moving, connected
rhythm.“Played at ADE for amw.fm
“Performed at copenhill rooftop session with 250
ticket sold.
5 mixes on ibizastardustradio
played 3 times in boracay philippines at mai thai
beach bar and 2brownboys
Played at Eden Ibiza, Pukka up Boat party and
NIghtclub LUX westend.
What makes your sets unique?
USIF brings the dance floor to life with uplifting house
and freestyle sets full of energy, rhythm, and
connection. His performances aren’t just about music
– they’re about creating moments the crowd will
never forget.

Progressive Minimal Techno

🎧Usif🎧