A live recording of Huda’s most recent instrumental experimentation ‘Dawayer دواير’, during her appearance on the third season of Nogoum Fm’s show ‘A3det Mazika قعدة مزيكا’ with the celebrated musician Youssra El Hawary.

In this improvisational project, Huda is examining the concept of live looping with her oud, to create textures that draw closely from the rich Arabic melodic repertoire.

Huda Asfour ضوء النهار

نزور الجزائر لنتعرّف إلى معطوب لونّاس، أو "المتمرّد" كما لقّب نفسه في سيرته الذاتية، وهي مدخل لأحداث حافلة قاوم فيها بموسيقاه تحت ما عُرف بالعشريّة السوداء.

نص أميرة إيمولودان، تحرير وتقديم رنا داود، تصميم الصوت تيسير قبّاني، نشر وتواصل جنى قزّاز ومرام النبالي. دم تك من إنتاج صوت.

ثيمة البودكاست: أبناء يوسف، أغنية ما نسينا، من ألبوم شيخ العالم 
Podcast Score: Sons of Yusuf, Ma Nesaina Track, Shaykh The World Album
https://sonsofyusuf.com

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المتمرّد الأمازيغي

char'aa - معلومه بنت المليح

براعم السافوليا، مقدمة متأخرة نييييييييييييك.mp3

Out NOW on LP, Digital, CD and Tape! Purchase from our Bandcamp http://wonderwheelrecordings.bandcamp.com/album/silt

Wonderwheel Recordings is proud to present the debut album, Silt, from Sudanese singer Alsarah and her band the Nubatones. Called “The New Star Of Nubian Pop” by The Guardian, the album was produced solely by Alsarah who describes the sound of Silt as “East African Retro Pop” - it’s music that harkens back to the hazy sounds of 1960s and 70s Nubian music with it’s Eastern instrumentation, soaring vocal melodies, and pentatonic arrangements. 

The album has it’s musical roots in the Nubian “Songs of Return” that began to spring up after mass displacement and resettlement of hundreds of thousands in a region of lower Nubia that went under water after Egypt built Aswan High Dam to control the flooding of the Nile in 1970. The focus of these songs, both thematically and lyrically is about a return to home and the beauty of home and embodies a certain kind of saudade – a nostalgic longing for a place that no longer exists. The album encompasses Alsarah and her band’s musical curiosities in the concept of migration and Silt is their take on this mixed with the musical fusion happening in 1970s Khartoum, along with Arabic and North African influences appearing in the mix. 

Alsarah, is a Sudanese born singer, songwriter and ethnomusicologist. Born in the capital city of Khartoum, where she spent the first 8 years of her life, she relocated to Taez, Yemen with her family to escape the ever stifling regime in her native country. She abruptly moved to the US in 1994, when a brief civil war broke out in Yemen. Now residing in Brooklyn, NY, she is a self-proclaimed practitioner of East-African retro-pop. Working on various projects, she most recently has been working with The Nile Project and was featured on their debut release, Aswan (named 1 of the Top 5 “Must Hear” international albums by NPR). She has also collaborated with French producer Débruit on the album Aljwal, released this past November via Soundway Records UK. 

The Nubatones started out as dinner conversation between Alsarah and percussionist Rami El Aasser in his living room, digging thru archives of old music from North Africa, and reading about migration patterns in modern day Nubia, Soon the conversation opened into a musical one and spread to include master Oud player and Luthier Haig Manoukian and bass player Mawuena Kodjovi. With a collective love for pentatonic music and a common understanding of what it means to be an immigrant, the group went on to perform both nationally and internationally at prestigious venues such as The Kennedy Center, The Apollo Music Cafe, Celebrate Brooklyn at Prospect Park, The World Music festival in Chicago, and the Festival du Mond Arab in Montreal just to name a few. 



Silt

Rennat

Wameedd © is a dynamic and symbiotic creational process between Kamilya Jubran and Werner Hasler. In the unique opportunity of their meeting, Kamilya and Werner started an experiment with no definition, nor an intended destination. They both have different roots yet their “central current” worlds meet. At every meeting, Kamilya and Werner experiment and go to a different orbit as they get inspired with the questions that mobilize their imagination.  Every outcome becomes consistent with strong and new meanings yet at the same time associated with the simplicity of sound .It is an open communication with less cultural “preconceptions” .This is a smooth outcome of Kamilya’s voice quality and its limitless utility, Arabic words, Arabic phonemic rhythms and Kamilya’s compositions. It is also an outcome of the   roots of Werner’s “vocal instrument“, his own melodies and his unique lead in electronic music. They both come in on common grounds with a common vision of the world and a shared knowledge of how to communicate with it. The outcome at every meeting is fragile, uncertain, yet at the same time expressive and definitive. Kamilya and Werner continue questioning and moving in unwalked territories towards a horizon they have not experienced before. This creation may result in a unique alchemy in a harmonious universe and may become a distinctive language of art which is hard to name.

عمل إبداعي مشترك ومتداخل هو ثمرة لقاء خاص بين كميليا جبران وفيرنر هاسلر . اللقاء بين الإثنين, على إختلاف منابعهما الفنيّة، قد ولد تجربة فريدة لا يمكن تأطيرها وحشرها في تعريفات ضيقة.رغم  جذورهما المختلفة فإن تجربتهما معاً تُفضي بهما إلى عالم واحد وتشحن تساؤلا تهما  الفنيّة بحثاً عن سلالم ترتقي بهما إلى مخيلة منفتحة على فضاء أرحب ، بغية إفراز معانٍ جديدة تقوم بدورها في توسيع الفضاءات الفنيّّة . وهذه المعاني التي تبدو للوهلة الأولى عصية بعض الشيء، إلا أنها تتصف ببساطة الأصوات والأنغام التي‮ ‬تخلق‮ ‬بدورها حواراً مفتوحاً على مصراعيه بعيداً عن الإفتراضات الثقافية المسبقة.
هذا العمل الفني يحاول إستخلاص صوت كميليا جبران وإمكانياتة المفتوحة على فضاءات المنطوقات العربية,من كلمات وأصوات وإيقاعات، وذلك عبر صياغة لحنيّه خاصة تجمع بينهما وبين منابع  فيرنر الصوتية والنغمية المتدفقة من أجهزته الإلكترونية.  اللقاء بين فيرنر وكميليا يأتي على أرضيّة مشتركة ومن خلال رؤيّة متقاربة للعالم  في أسلوب ينشد الوصول إلى هذا المختلف والمؤتلف في آن معاً. رغم أن النتيجة بعد كل محاولة بينهما قد تبدو للوهلة الأولى هشة وغير واثقة، إلا أنها تأتي مَُعبّره متسمة بالثقة بالنفس.
إنهما يبحران معاًً بتساؤلاتهما نحو مناطق غير مطروقة وصوب أفقٍ لم يطآه من قبل .
 من شأن هذا اللقاء بينهما أن يوّلد كيمياء فريدة لعالم  متناسق ومتناغم رغم تنويعاته وإختلاف منابعه.إنها محاولة لخلق لغة فنيّة متّميزة  يَصعب تسميتها.

Wameedd

Aina Tantahi

Download Album حمّل

Kamilya Jubran & Werner Hasler - Aina Tantahi كميليا جبران وفرنر هاسلر - أين تنتهي

x elsat7 live concert

3amoud Elnour

Live Performance in Aswan, Egypt January 2013
Written by Alsarah, featuring The Nile Project Orchestra.
Buy it here - http://www.cdbaby.com/cd/thenileproject


Salaam Nubia ft. the Nile Project

In January 2013, the Nile Project brought together 18 musicians from Uganda, Ethiopia, South Sudan, Sudan, and Egypt to experiment with a collaborative creative process that would last 10 days. Each musician brought 2 songs. In the morning, they taught one another their respective musical languages. in the afternoon, they played musical chairs in duos, trios, and quartets. On the 5th day, they played their songs for one another. The puzzle was all there. But it was time to organize the pieces into one seamless tapestry to perform in Aswan and in Cairo 4 days later. This recording showcases the result of this rich encounter.

Lyrics:

- عربي

شوفتوا الحبايب قالوا السلام
قالوا السلام .. ردوا السلام

أصل وحضارة .. طيبة وايمان
قولوا السلام .. ردوا السلام

شوفتوا الحبايب قالوا السلام

أهل النيل اتلموا .. أهل النيل اتلموا


من ضل النخيل لفوق السحاب
برمي السلام .. ردوا السلام

أهل النيل اتلموا .. أهل النيل اتلموا

يا يما قولي السلام x4

أصل وحضارة شامل ايمان

قولوا السلام .. ردوا السلام

أصل وحضارة كامل تمام

قولوا السلام .. ردوا السلام

أهل النيل اتلموا .. أهل النيل اتلموا x4

-English

Salaam Nubia (Alsarah)

Who besides you could've gathered the people
We rise to the heights,  come down to the gravel
Come closer to me beloved, come closer to me
Bring your people's goodness,
enrich me
Come closer to me beloved, come closer to me
Break down your barriers,
rise to me
Who besides you could've gathered the people
We rise to the heights, come down to the gravel


02 Salaam Nubia

The Song of Harue Momoyama
(camellia of the spring sunlight) 
Song.shamisen.compose/Harue Momoyama
Ud playing/Hamza El Din
1986 Recording at Tokyo

char'aa - معلومه بنت المليح

ms.Sara ibrahim