Sawf - Livelos Mix

On June 27, 2025, a long-dormant signal reactivates from Hamburg's hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.

Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn't invoked through distortion alone, but through method; in the album's breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).

Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro's danceability, acid house's corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.

In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants "things to fit together properly, but on another level, I really want them to make sense together." That principle animates R4: The album's form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.

From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it's clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.

BANDCAMP

Black Sites - FLIKK

@russs_x presents a new mix of "ROOMSERVICE!!!"
@virtualpublicnetwork

ROOM SERVICE! W/ Russ Yurisic - virtualpublic.net - 24/5/25

Available at nplexrecords.bandcamp.com/

Schwefelgelb show their diversity in an impressive manner. A vibrant record with a very positive aura, which makes you want to dance with a smile. Minimalistic and clearly arranged, showing each element’s full potential. Unfolding dance music’s power with no distraction. 
„Ay“ is all about its irresistible groove, which is smooth but yet punchy. A compelling opener which reminds Leftfield House. 
“Randseiter” is an intriguing Techno track balancing stomping EBM rhythm and playful syncopic melody patterns.
With “Sie Lacht” we turn to a cheerful and uplifting combination of subtle Jungle rhythms, prominent bass and quirky lead, undoubtedly referencing UK Bass music. 
If you’re out for some rumble you’ll find it in JANEIN’s remix of “Ay”. Despite its Industrial darkness it’s not too shy to implement melodic parts. A haunting mix of pumping kick and funky stab sequences.
There isn’t really a box for Danny Daze’s remix of “Sie Lacht”. This digital bonus track is full of creative surprises.
“Marginale” will be released 5th of September on n-PLEX, 140 g colored vinyl including download code.

Marginale

Schwefelgelb - Marginale (preview, NPLX007)

byyb.radio | 表演一波 | https://instagram.com/byyb.radio
► more radio sets or apply to be a guest: https://byyb.live
► visit us at 115 Changle Rd, Shanghai, China

DJ: Valuta | ig: @vallluta | https://soundcloud.com/vallluta 

Full video mix on Youtube: https://www.youtube.com/watch?v=None

✉️ byyb.radio@gmail.com 
🪴 https://byyb.live

💚 



Valuta @ byyb.radio | Jun.14 2025

@eclectiqued

eclectique техно-диджей из Москвы и резидент объединения KISLO. За последний год он отметился в подкастах Resonance (RESOMIX), KISLO DANCE, OKNO, а также отыграл на вечеринках в RNDM, DFF, КЛУБКЛУБ и питерском BLANK.

eclectique работает на стыке индустриального и гипнотичного техно, уделяя внимание атмосфере и постепенному развитию динамики. 

«Микс вдохновлен и навеен берлинской техно-сценой со свойственным ей минимализмом, гипнотичными ритмами и глубоким бэйслайном»

PRGRPHS 116: eclectique

Tracklistings & Division Virtuel Records VA Compilation. , Pt. 3

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Here we are - the third and final chapter of the joint compilation between Tracklistings and Division Virtuel Records is out now!

After two powerful volumes that sparked great feedback and brought together a vibrant community of electro lovers, this last part closes the circle with another sharp and eclectic selection of tracks.

This final volume is the culmination of a project that started months ago with a simple idea:  highlight a wide spectrum of contemporary electro. 

Once again, the selection features artists from various backgrounds, styles and energies, all signed by the same conviction and a love for electro.

Huge thanks to everyone who submitted tracks, shared the releases, or supported the project along the way.
We’re proud to wrap this compilation on a high note, and grateful to have shared this journey with all of you.

Now, enjoy Part 3! 

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Release Info :

The compilation will be available in digital only exclusively on Beatport from July 31, 2025 and from August 14, 2025 on all platforms.

Buy : 
► Bandcamp : https://divisionvirtuel.bandcamp.com/album/tracklistings-division-virtuel-records-va-compilation-part3
► Beatport : www.beatport.com/release/tracklistings-division-virtuel-records-va-compilation-pt-3/5194073

Tracklist :
1. Synthetix - Core Dump
2. AMP3R - Parsec
3. Blamhaus - Crafty
4. Atix - Mutant
5. TaikoElectro - Ultramod
6. TFHats - Siren
7. Mechanoreceptor - Temporal Recalibration
8. LEGACY - Sorry to the Neighbors
9. Konnektom - Drast Hall Parclipa'as

releases August 14, 2025

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A few words about the two entities behind this project:

Tracklistings has been offering mixes and exclusives around electronic music since 2008, without compromise, and has gradually specialized in underground electro. It has become a reference for fans of the genre.

Division Virtuel, based in Lyon and run by Atix, is a label that has been active for over 15 years. After several evolutions, it is now clearly focused on electro and electro-techno.

To learn more about Tracklistings and Division Virtuel, you’ll find plenty of links below.

Tracklistings :
Facebook : https://www.facebook.com/tracklistings.official
Instagram : https://www.instagram.com/tracklistings.official
SoundCloud : https://soundcloud.com/tracklistings3-0

Division Virtuel Records :
Bandcamp : www.divisionvirtuel.bandcamp.com
Facebook : www.facebook.com/DivisionVirtuel
Instagram : www.instagram.com/divisionvirtuelrecords
SoundCloud : https://soundcloud.com/division-virtuel
Website : www.division-virtuel.com

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Follow Konnektom :
SoundCloud : https://soundcloud.com/konnektom

Tracklistings & Division Virtuel Records VA Compilation. , Pt. 3

Drast Hall Parclipa'as

Konnektom - Drast Hall Parclipa'as [Tracklistings & Division Virtuel Records]

@going_rogue September 17th, reading by Tim Foley :
	
Israel Is Committing Genocide. This Is A Fact, Not An Opinion.

At this point the only people who still deny that Israel is committing genocide are those who want to make sure nobody does anything to stop Israel from committing genocide.

A UN inquiry has found that Israel is committing genocide in Gaza, and that Israeli authorities have “intended to kill as many Palestinians as possible” in the enclave.

Israel has responded to the UN report by calling it Hamas and antisemitic, because that’s all they’ve got. The Israeli Foreign Ministry released a statement claiming the report was authored by “individuals serving as Hamas proxies, notorious for their openly antisemitic positions.”

Blah, blah, blah. The report is Hamas and antisemitic. All human rights organizations are Hamas and antisemitic. There’s a giant global antisemitic Hamas conspiracy dedicated to making it appear as though Israel is committing genocide, just to make Jewish people feel sad.

At this point the only people who still deny that Israel is committing genocide are those who want to make sure nobody does anything to stop Israel from committing genocide.

The list of humanitarian institutions who accuse Israel of genocide now includes : 

1. The United Nations Independent International Commission of Inquiry on the Occupied Palestinian Territory
2. The International Association of Genocide Scholars
3. B’Tselem (an Israeli organization)
4. Physicians for Human Rights-Israel (another Israeli organization)
5. Amnesty International
6. Doctors Without Borders
7. The European Center for Constitutional and Human Rights
8. Human Rights Watch
9. The International Federation for Human Rights
10. The Lemkin Institute for Genocide Prevention

The list of humanitarian institutions who say Israel is NOT committing genocide in Gaza includes:

1. Nobody
2. No one
3. Zero
4. Nothing
5. Nada
6. Zilch
7. Sweet damn all
8. A complete absence
9. Diddly squat
10. Bupkis

It is not okay to treat the fact that Israel is committing genocide like it’s a matter of opinion. Every relevant human rights institution on earth says it’s a genocide. Zero equivalent institutions say it’s not. This is a settled matter.

People who deny that it’s a genocide deserve to be taken exactly as seriously as flat earthers. They’re just an extremely evil and destructive version of the thing flat earthers are.

You don’t see news articles about NASA with journalists adding “an agency which many believe is a government hoax designed to trick us into accepting ball earth theory” to their reporting. If a guest mentions Antarctica on the BBC, the news anchor doesn’t interrupt them to say “and we should say here that flat earth theorists deny the existence of that continent, maintaining that it is actually a wall of ice holding the oceans in place.”

You also don’t see reporting which treats accepted science about space and our planet like it’s an opinion held by some. You never see “which many scientists claim exists” when a report discusses outer space, or mentions of the horizon mitigated with words like “which some hold is due to the curvature of the earth rather than laws of perspective and light refraction”. They’re just treated as established facts, and those who disagree with the established facts are not taken seriously.

The genocide in Gaza should be no different. As the old adage goes, if one side says it’s raining and the other says it isn’t, your job isn’t to quote both sides, your job is to look out the window.
The window’s right there, western media. And it’s pouring genocide.

https://caitlinjohnstone.com.au/2025/09/17/israel-is-committing-genocide-this-is-a-fact-not-an-opinion/


Photo : Heather Shevlin
Master : HDN Mastering

Flat Hearth Society

Repairing the Clock stands as a titanic creative feat by Colombian producer Damaged Clock, a complete cycle of 105 interwoven tracks, forged entirely through the warmth and organic texture of analog hardware. This monumental work transcends mere musical composition to become an act of profound introspection.

The piece unfolds as an introspective odyssey, navigating a vast spectrum of electronic genres. From the atmospheric echoes of wave and the frenetic energy of drum & bass, to the industrial pulse of EBM, the hypnotic precision of techno, the rapturous ecstasy of trance, the futuristic nostalgia of synthwave, the lysergic edges of acid, and the robotic grooves of electro. Each transition is an emotional shift, an essential chapter that, together, weaves the narrative of an entire life.

Repairing the Clock also offers an abridged version on vinyl. Soil Records is releasing the first five tracks of the album in this format. This includes four major remixes by Thomas P. Heckmann, Crystal Geometry, Umwelt, and Legowelt, alongside the original track, Villanos con Corbata. Furthermore, the A-side, featuring the remixes by Thomas P. Heckmann and Crystal Geometry, leans towards a more industrial techno sound, while the B-side, with its three remaining tracks, is primarily rooted in the electro style.

Release Date: October 31, 2025.

Premiere: Damaged Clock - Viajes Sin Terminar (Umwelt Remix) [Soil Records]

"Slip The Pick" is a street electro industrial ghetto release - eight tracks by the Greek producer based in France, Boris Barksdale. 
The release offers unconventional elements, industrial textures, featuring atonal noise and distorted drums with ghetto vocals. Limited to 20 cassettes + insert.


Boris Barksdale _ AZPTP

Новый микс Лизы shumakher(Шума) — основательницы discotech, одного из создателей и организаторов серии мероприятий SIGMA festival, а также участника многих значимых фестивалей Москвы.

"Перед тем как записывать микс, я спросила Мишу MGUN.30: «а какой жанр можно?», на что получила ответ: «да все, что угодно!»

так и получилось: микс открывается треком KING BOOO! — Tunes Since '89. я его слушала в сентябре на повторе, у него такой сладкий вайб вечера лета. а дальше: юк гараж, кислотный брейкс, грув техно, дабстеп и транс...

в общем, начали за здравие, а закончили… продолжите сами"

A new mix by Lisa Shumakher (Shuma) — founder of Discotech, one of the creators and organizers of the SIGMA festival series, and a participant in many significant festivals in Moscow.

"Before recording the mix, I asked Misha MGUN.30, ‘What genre is acceptable?’, to which he replied, 'Anything you like!'

And that's how it turned out: the mix opens with the track KING BOOO! — Tunes Since '89. I listened to it on repeat in September; it has such a sweet summer evening vibe. And then: UK garage, acid breaks, groove techno, dubstep, and trance...

In short, we started with a toast, and ended with... well, you can finish that yourself."

SBRODCAST 045 : shumakher

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